The Story of Opera 1590-1650
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This paper explores and examines the development of Opera during the Renaissance in Europe. The author describes the desire of Renaissance artists to emulate classical Greece and Rome, and how this influenced music of this time. The author discusses several composers and the impact of their works. The evolution of singing style is also addressed. The author concludes by acknowledging the new genre that these musicians created at the end of the Renaissance period.
Sample of Sources Used:
- Chua, Daniel K. L. Absolute Music and the Construction of Meaning. Cambridge, England: Cambridge University Press, 1999.
- Harness, Kelley. "Le Tre Euridici: Characterization and Allegory in the Euridici of Peri and, 9,1, 2003. URL: http://sscm-jscm.press.uiuc.edu/jscm/v9/no1/Harness.html.
- Maniates, Maria Rika. Caccini." Journal of Seventeenth-Century Music. Society for Seventeenth-Century Music Mannerism in Italian Music and Culture, 1530-1630. Chapel Hill, NC: University of North Carolina Press, 1979.
- Marco, Guy A. Opera: A Research and Information Guide. New York: Garland, 2001.
- Sternfeld, F. W. The Birth of Opera. Oxford: Clarendon Press, 1995.
Cite this Research Paper:
The Story of Opera 1590-1650 (2007, May 20) Retrieved April 18, 2021, from https://www.academon.com/research-paper/the-story-of-opera-1590-1650-95278/
"The Story of Opera 1590-1650" 20 May 2007. Web. 18 April. 2021. <https://www.academon.com/research-paper/the-story-of-opera-1590-1650-95278/>