The Art Film and the Genre Film Research Paper by therutty

The Art Film and the Genre Film
Art and genre criticism in four classic films.
# 51990 | 3,048 words | 48 sources | MLA | 2004 | NZ
Published on Jul 26, 2004 in Film (History of) , Film (Analysis, Criticism, Etc.) , Film (General)


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Description:

An analysis of two genre films and two art films - Antonioni's "Blow Up," Kelly/Donen's "Singin' in the Rain", Truffaut's "The 400 Blows", and Sirk's "All That Heaven Allows". The validity of both genre and art film criticism are examined.

From the Paper:

"By its failure to accommodate the excess generated by its subject matter, All That Heaven Allows is not only critiquing the genre of melodrama, it also exposes the contradictions and conflicts present in American bourgeois society (Bourget, 1995, 45). However the subversive excess and contradictions present in the film prevent it from being "just another melodrama". Sirk worked within yet against the constraints of the Hollywood studio system to subvert the genre, and although the film is superficially a generic 1950s Hollywood melodrama, Sirk's characteristic stylistic technique marks him as an auteur, a position usually associated with the art rather than the genre film."

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APA Format

The Art Film and the Genre Film (2004, July 26) Retrieved September 25, 2022, from https://www.academon.com/research-paper/the-art-film-and-the-genre-film-51990/

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"The Art Film and the Genre Film" 26 July 2004. Web. 25 September. 2022. <https://www.academon.com/research-paper/the-art-film-and-the-genre-film-51990/>

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