'Bicycle Thief' and 'Un Chien Andalou'
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This paper reviews two examples of avant-garde cinema, Italian neorealist filmmaker Vittorio De Sica's 'Bicycle Thief' and Spanish filmmakers Luis Bunuel and Salvador Dali's 'Un Chien Andalou'. According to the paper, avant-garde pushes the boundaries of what is accepted as the norm within definitions of art, culture and reality.
Sample of Sources Used:
- "Avant-garde." Wikipedia. May 7, 2006. Retrieved May 8, 2006, from: <en.wikipedia.org/wiki/Avant-garde.html>.
- "Avant-garde (Experimental) Films." April 3, 2001. Retrieved May 8, 2006, from: <http://www.miracosta.cc.ca.us/home/gfloren/F-avant.htm>.
- "Bicycle Thieves." Wikipedia. May 1, 2006. Retrieved May 8, 2006, from: < http://en.wikipedia.org/wiki/Bicycle_Thief.html>.
- "Italian neorealism [sic]." Wikipedia. April 28, 2006. R Retrieved May 8, 2006, from: < http://220.127.116.11/search?q=cache:U1H_9FGwLW4J:en.wikipedia.org/wiki/Italian_neorealism+wikipedia+italian+neorealism&hl=en&gl=us&ct=clnk&cd=1.html>
- Papciak, Bryan M. "Thank God I'm an Atheist:" The Surrealistic Cinema of Luis Bunuel." Communication and the Arts. Retrieved May 8, 2006, from: < http://www.regent.edu/acad/schcom/rojc/papciak.html>.
Cite this Research Paper:
'Bicycle Thief' and 'Un Chien Andalou' (2007, April 24) Retrieved April 19, 2021, from https://www.academon.com/research-paper/bicycle-thief-and-un-chien-andalou-94251/
"'Bicycle Thief' and 'Un Chien Andalou'" 24 April 2007. Web. 19 April. 2021. <https://www.academon.com/research-paper/bicycle-thief-and-un-chien-andalou-94251/>