Treatment Of African American Men In Hollywood Films
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Discusses stereotyped portrayals of black males in various films. Cites examples from THE BIRTH OF A NATION, GUESS WHO'S COMING TO DINNER, the blaxploitation genre, MANDINGO, 1930s films of the old South, THEY WON'T FORGET, 1940S STEREOTYPES AND THE "New Negro," TO KILL A MOCKINGBIRD. Realistic treatment of black males in several independent later films.
From the Paper:"D. W. Griffith's The Birth of a Nation (1915) and Stanley Kramer's Guess Who's Coming to Dinner? (1967) represent opposing poles in the treatment of the African-American male in Hollywood films. The portrayal of black men in both films is absurd, but their intentions were quite different. Griffith, the Southern-born director whose great career was a milestone in the development of the medium, claimed until his death that his film was not racist despite the thousands of African Americans and white Americans who explained why it was, indeed, a landmark in screen racism. His conception of the old stereotype of the sexually predatory black male, intent on despoiling white females, gave cinematic form to one of the most prevalent myths involved in white fear of black people. Kramer, on the other hand, was a devout liberal interested in furthering the cause of ..."
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Treatment Of African American Men In Hollywood Films (2003, April 11) Retrieved July 24, 2019, from https://www.academon.com/essay/treatment-of-african-american-men-in-hollywood-films-24646/
"Treatment Of African American Men In Hollywood Films" 11 April 2003. Web. 24 July. 2019. <https://www.academon.com/essay/treatment-of-african-american-men-in-hollywood-films-24646/>