Self-Portrait in the Northern and Southern Europe
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The focus of this paper is to reveal the various backgrounds to the self-portraits created by Albrecht Durer, Sofonisba Anguissola, Caterina Van Hemessen and Titian. The paper explains that not only do these paintings define the culture and nationality of the artist, but that gender roles and technique play a large part in their creation as well. Furthermore, the paper points out that the manner of propaganda in self-portraitures is reflected in how the male and female are depicted.
From the Paper:"This portraiture study will analyze the cultural, artistic, gender based initiatives that are presented in portraits by Albrecht Durer, Sofonisba Anguissola, Caterina Van Hemessen and Titian. By evaluating the various portraits, one can realize how gender roles also play a part in how portraits are created, alongside the technical means to emulate the values of both Southern and northern styles. By realizing the identity of the artist in relation to their particular aesthetic, the basis for portraiture is the result of the artist being in alignment with their own individual perspectives, and of those of the culture they seek to represent in art history. The painting by Albrecht Durer entitled: "Self Portrait of the Artist Holding a Thistle" is representative of a young man that reflects his native northern upbringing. However, Durer was a traveler that sought..."
Cite this Essay:
Self-Portrait in the Northern and Southern Europe (2006, December 01) Retrieved August 13, 2022, from https://www.academon.com/essay/self-portrait-in-the-northern-and-southern-europe-88527/
"Self-Portrait in the Northern and Southern Europe" 01 December 2006. Web. 13 August. 2022. <https://www.academon.com/essay/self-portrait-in-the-northern-and-southern-europe-88527/>