Conceptualism in Brazil Under Military Rule
Outlines conceptualism in Brazil during the 1960s and how it was affected by military rule.
# 63529 | 1,722 words | 6 sources | MLA | 2005 |
Published on Jan 31, 2006 in Art (History) , Art (Fine Art) , History (Latin America) , Latin-American Studies (Socialist/Marxist/Communist Movements) , Latin-American Studies (Post-Modern (1960 on))
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The 1960s in Brazil were revolutionary times. However, most of this progress halted under a new dictatorship. In 1964, a right wing military coup took control of Brazil, bringing with it an extreme level of censorship of both artists and intellectuals. This paper outlines the effect this dictatorship had on Brazil's contemporary art movement.
From the Paper:"At the end of 1968, the Institutional Act #5 was set in place. This act gave the president dictatorial powers, dissolved Congress and state legislatures, suspended the constitution, and imposed censorship. For culture, this meant strict censorship of artistic events, and the persecution and imprisonment of intellectuals and artists. This was a very heavy blow to artists, as they had to watch their steps even more. Soon after Vladimir Herzog, a journalist accused of subversion, was murdered in prison by the military police, Cildo Meireles began creating his "Insertions into Ideological Circuits" in order to create a system for the circulation and exchange of information that did not depend on any kind of centralized control."
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Conceptualism in Brazil Under Military Rule (2006, January 31) Retrieved November 14, 2019, from https://www.academon.com/essay/conceptualism-in-brazil-under-military-rule-63529/
"Conceptualism in Brazil Under Military Rule" 31 January 2006. Web. 14 November. 2019. <https://www.academon.com/essay/conceptualism-in-brazil-under-military-rule-63529/>