Fauvism and Primitivism in Malaysian and European Paintings
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The paper discusses how the premise of Primitivism and Fauvism in Picasso's art has many unifying factors with the cultural assimilation provided in Pieng's painting of his native culture. The paper relates that although Picasso provides a greatly abstracted view of the primitive form of the women he is painting, he takes a great deal from the geometric patterns that divide and construct their forms into abstraction. The paper notes that Pieng is also aware of the nature of colorization that arises within his own perspective of Malaysian culture.
From the Paper:"This study will compare two modern artists from different cultures to define the use of Primitivism and Fauvism in modern art. By examining the European work of Pablo Picasso and comparing its use of color and line to Cheong Soo Pieng's Malaysian art, one can realize the cultural exchanges that are interrelated in these works. In essence, both Malaysian and European art have vastly influenced each other through exchanges in the styles represented by these two modern artists through Fauvism and Primitivism."
Cite this Comparison Essay:
Fauvism and Primitivism in Malaysian and European Paintings (2007, December 01) Retrieved July 09, 2020, from https://www.academon.com/comparison-essay/fauvism-and-primitivism-in-malaysian-and-european-paintings-133579/
"Fauvism and Primitivism in Malaysian and European Paintings" 01 December 2007. Web. 09 July. 2020. <https://www.academon.com/comparison-essay/fauvism-and-primitivism-in-malaysian-and-european-paintings-133579/>