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This paper examines how the novel "Crash" by J.G. Ballard is one of the postmodernist literary works that manages to put together a wide array of notions and feelings that the postmodern society breeds, such as alienation, technological dependency (and all deriving from this), grotesque fetishes and the overall feeling of loneliness that derives that the perception that the lack of moral coordinates permits you to experiment anything. It looks at how the story analyzes a car-crash sexual fetishism that the main characters practice and which involves being aroused (as well as connected sexual acts) when real car crashes occur.
From the Paper:"With the underlying belief that everything is permitted, the modern or the postmodern individual is willing to go along with all types of experiments that are likely to help in his quest for continuous development. The sexual fetish presented here is clearly abnormal, especially since it is not a remote sexual practice, but the individual permissiveness allows for this to happen. At the same time, it almost becomes a new normality for the group, a normality which is accepted as such (or rather not discussed) by the group. This new normality accepts all things that are seen as abnormalities by the other members of society. This could be a thesis that Ballard supports throughout the novel: the relativism of normality, the incapacity of accepting a basic set of clearly valid and generally accepted moral norms. "
Cite this Book Review:
Postmodernism in "Crash" (2012, January 12) Retrieved September 26, 2021, from https://www.academon.com/book-review/postmodernism-in-crash-149939/
"Postmodernism in "Crash"" 12 January 2012. Web. 26 September. 2021. <https://www.academon.com/book-review/postmodernism-in-crash-149939/>