Prince and the Oppressive Hegemony of Warner Brothers Records
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In this paper, the writer discusses that the record industry hegemony of Warner Brothers acted as an agent of corporate greed, which disallowed Prince to make the money he surely deserved. The writer maintains that this type of corporate hegemony also forced Prince to sign long term record deals, which virtually enslaved the artist under restrictive and non-profitable conditions. This study also briefly shows the independent business side of Prince that provides the reasons why Prince had chosen to reject the terms provided in his contracts. Furthermore, the writer maintains that Prince would often be categorized as "black music", which was a part of the racist hegemony of the record companies to pigeonhole artists into narrow categories.
Cite this Analytical Essay:
Prince and the Oppressive Hegemony of Warner Brothers Records (2006, December 01) Retrieved July 04, 2020, from https://www.academon.com/analytical-essay/prince-and-the-oppressive-hegemony-of-warner-brothers-records-130630/
"Prince and the Oppressive Hegemony of Warner Brothers Records" 01 December 2006. Web. 04 July. 2020. <https://www.academon.com/analytical-essay/prince-and-the-oppressive-hegemony-of-warner-brothers-records-130630/>