Prince and the Oppressive Hegemony of Warner Brothers Records Analytical Essay by Top Papers

Prince and the Oppressive Hegemony of Warner Brothers Records
A discussion of music artist Prince and the oppressive hegemony of Warner Brothers Records.
# 130630 | 1,500 words | 2 sources | MLA | 2006 | US
Published on Dec 01, 2006 in Business (Management) , Music Studies (Contemporary)


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Description:

In this paper, the writer discusses that the record industry hegemony of Warner Brothers acted as an agent of corporate greed, which disallowed Prince to make the money he surely deserved. The writer maintains that this type of corporate hegemony also forced Prince to sign long term record deals, which virtually enslaved the artist under restrictive and non-profitable conditions. This study also briefly shows the independent business side of Prince that provides the reasons why Prince had chosen to reject the terms provided in his contracts. Furthermore, the writer maintains that Prince would often be categorized as "black music", which was a part of the racist hegemony of the record companies to pigeonhole artists into narrow categories.

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APA Format

Prince and the Oppressive Hegemony of Warner Brothers Records (2006, December 01) Retrieved July 04, 2020, from https://www.academon.com/analytical-essay/prince-and-the-oppressive-hegemony-of-warner-brothers-records-130630/

MLA Format

"Prince and the Oppressive Hegemony of Warner Brothers Records" 01 December 2006. Web. 04 July. 2020. <https://www.academon.com/analytical-essay/prince-and-the-oppressive-hegemony-of-warner-brothers-records-130630/>

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