Narrative in Documentary Film
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The paper discusses how Michael Moore uses direct and indirect interviews to elicit a left wing propaganda that is often based on subjective information. The paper shows how although he provides a compelling case for the suffering of the unemployed in Flint due to unregulated corporate factory closings, he deliberately uses indirect interviews with celebrities and Roger Smith to make a subjective point about his ideology.
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Narrative in Documentary Film (2008, December 01) Retrieved October 05, 2022, from https://www.academon.com/analytical-essay/narrative-in-documentary-film-138762/
"Narrative in Documentary Film" 01 December 2008. Web. 05 October. 2022. <https://www.academon.com/analytical-essay/narrative-in-documentary-film-138762/>