Abstract Modernism in "Les Demoiselles d'Avignon"
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The paper analyzes the abstract modernity of "Pot, Wine Glass, and Book" and "Les Demoiselles d'Avignon" by Pablo Picasso as reflecting a geometric stylization that is multi-dimensional. The paper discusses how the themes of pleasure and sexuality are modernized through the socio-political issues that Picasso sought to emulate in the identity of pleasure-via it be through women or through the objects used in his still life. The paper then discusses how the problem of French imperialism in North Africa represents his denial of these cruel aggressions toward third world people, redefining the nature of obscurity.
Cite this Analytical Essay:
Abstract Modernism in "Les Demoiselles d'Avignon" (2008, December 01) Retrieved July 06, 2020, from https://www.academon.com/analytical-essay/abstract-modernism-in-les-demoiselles-d-avignon-137052/
"Abstract Modernism in "Les Demoiselles d'Avignon"" 01 December 2008. Web. 06 July. 2020. <https://www.academon.com/analytical-essay/abstract-modernism-in-les-demoiselles-d-avignon-137052/>