"A Bar at the Folies-Berger" and 19th Century Society Analytical Essay

"A Bar at the Folies-Berger" and 19th Century Society
An analysis of Edouard Manet's painting "A Bar at the Folies-Bergere" through the historical and societal events of the 19th century.
# 117127 | 2,286 words | 9 sources | MLA | 2006 | US
Published on Nov 16, 2009 in Art (History) , Art (Painting) , History (European - 19th century)


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Description:

The paper demonstrates how while representing it's placement in history and society, "A Bar at the Folies-Bergere" also leaves much to be interpreted of its composition and subject matter. The paper focuses on the distortion of the mirror in this painting and how it has been the subject of sexual, personal, socioeconomic and symbolic interpretations. The paper highlights the techniques in this painting that are attributed originally, if not solely, to Manet. The writer offers a personal view that the distortion of the mirror was created to illustrate the gender relations of that time, the alienation one felt in that society, and the personal emotions of the barmaid. The paper includes color images.

From the Paper:

"During the mid to late 19th century in Paris, the society and culture that could be found was one of frivolity, decadence, and volatility. Edouard Manet and his contemporaries created many works on the subject of modern Paris and the popular performances of night cafes. Manet created a telling work of the time, A Bar at the Folies-Bergere (1882) , as his last large canvas (96cm x 130cm) . While representing it's placement in history and society, A Bar also leaves much to be interpreted of its composition and subject matter. More specifically, the distortion of the mirror in this painting has been the subject of sexual, personal, socioeconomic, and symbolic interpretations."

Sample of Sources Used:

  • Blunden, Maria and Godfrey. Impressionists and Impressionism The World Publishing Company, New York, NY. Publication date unknown.
  • Carrier, David. "Art History in the Mirror Stage: Interpreting un Bar aux Folies Bergeres" History and Theory Wesleyan University Press, Vol. 29, No. 3 (Oct., 1990) 296-320.
  • Courtauld Institute of Art Gallery. www.artandarchitecture.com The Samuel Courtauld Trust, London. Site visited on 10/16/2005.
  • Cunningham, Antonia. Essential Impressionists Dempsey Parr, London. 2000.
  • De Duve, Thierry. "How Manet's A Bar is Constructed" Critical Inquiry, University of Chicago Press, Journals Division. Fall 1998, Volume 25, No. 1.

Cite this Analytical Essay:

APA Format

"A Bar at the Folies-Berger" and 19th Century Society (2009, November 16) Retrieved December 06, 2019, from https://www.academon.com/analytical-essay/a-bar-at-the-folies-berger-and-19th-century-society-117127/

MLA Format

""A Bar at the Folies-Berger" and 19th Century Society" 16 November 2009. Web. 06 December. 2019. <https://www.academon.com/analytical-essay/a-bar-at-the-folies-berger-and-19th-century-society-117127/>

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