Abstract
This paper explains that it is customary to find the symbol of the house as representing a secure place for a woman's transformation and her release of self-expression; however, in Charlotte Perkins Gilman's "The Yellow Wall Paper", the protagonist does not want to be in the house and declares it is "haunted". The author points out that the yellow wall-paper plays a double role because (1) it has the ability to trap her in with its intricate pattern, which leads her to no satisfying end; however, (2) it also sets her free. The paper relates that, when examining the larger body of Gilman's work, there is a shift away from the type of confused first-person narrator found in the very popular "The Yellow Wall-Paper" towards a confident all-knowing third-person narrator, not stories that explore the complex psychological development of a character but rather stories that feature stock characters who can be seen as a representative of a type or a class.

From the Paper
"Charlotte Perkins Gilman's "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psyche that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality)."

Tags:house, narrator, psychological, class, stream-of-consciousness

Abstract
This paper explains that feminist themes in "The Yellow Wallpaper" by Charlotte Gilman are motivated by the author's own experiences in a male dominated world. Next, the author points out the use of grammar and elements of style to illustrate the widespread male oppression in her society and the significance of the yellow wall paper as a motif throughout the book. The paper concludes that this book succeeds in promoting new ideas about the position of women in the society while challenging the old order by exposing the ugly social and political order that stifled the progress of women.

From the Paper
"These images are so numerous that it becomes almost impossible to decipher the meaning but given the context of the work of art, it is easier to note that these mutating forms in the yellow wall paper represent the changing nature of male chauvinism and its effects on women. The patterns which change under different lightings represent particular traits that can only be seen under certain conditions and these represent the various forms of discrimination that women face in the society. The fact that these patterns can only be seen under certain conditions means that some of the acts of discrimination of women in society go unnoticed by the masses and it takes a critical eye to see that women are undergoing mistreatment, humiliation and discrimination."

Tags:gender rights, male oppression, gothic symbol

Abstract
This paper examines the literary work, "The Yellow Wall-Paper" by Charlotte Perkins Gilman. It investigates the author's use of the surroundings and setting of the story to demonstrate how the protagonist, who is never given, changes as the story progresses. The paper provides a chronological synopsis and critical analysis throughout the story.

From the Paper
"The protagonist is the narrator, and she begins by describing the house she and her husband, a physician, are temporarily living in. She describes it as "secure ancestral halls" and "a haunted house." These two phrases foreshadow the events of the story. As the narrator continues to talk about her situation, we see that she feels far more than secure: she feels trapped. Gradually she comes to believe that the house is haunted, and that the unknown inhabitant is also trapped. She sets about freeing her from her prison, which happens to be the yellow wallpaper. She believes a woman who struggles to be free is held against her will under the wallpaper. This imaginary woman is symbolic of the narrator's plight, shut off from every direction."

Tags:haunted, house, short, story

Abstract
Color can be a powerful force in our everyday lives. It can enhance experiences positively or negatively and often trigger memories from the past. Charlotte Gilman and Alice Munro demonstrate the power that color can have on our lives through two characters who are effected by the colors they are surrounded by in their immediate world. This paper examines the use of color in "The Yellow Wall-Paper" by Gilman and "Boys and Girls" by Munro and also compares and contrasts how each author proves the importance of color in our lives.

From the Paper
"In "The Yellow Wall-Paper," Charlotte Perkins Gilman demonstrates how color can have a negative effect on a person who is already in a depressed state. What is interesting about this story is that the offensive color is yellow. It is also interesting to note the room in which most of the story takes place was at one time a child's nursery. Gilman is able to create a dramatic tension by associating a color often associated with happiness and cheer with one woman's mental instability. In addition, the tension is further increased with the information that the room was a previously child's room. Munro, on the other hand, uses color to trigger memories, which adds life to her story."

Tags:character, power

Abstract
The purpose of this paper is to introduce, discuss, compare and contrast the works "Lysistrata" and "The Yellow Wall Paper."

From the Paper
"At first glance, these two works could not be more different. Yet, they do contain some interesting parallels. Men wrote both pieces, from the woman's point of view. One was about strong women who dominate their men, and the other is about a weak woman whose husband is so domineering that she goes mad. Yet in the end, she is the one still "creeping" around the floor of the room, while her crawls over her husband, who faints."

Tags:Aristophanes, Evans Gilman

Abstract
This paper compares these two works and goes through the mental states of the characters. The writer shows how Bobbie Ann Mason?s "Shiloh" is the definition of a normal short story, with its easy to follow plot as well as clear beginning and end. However, Charlotte Perkins Gilman?s "The Yellow Wallpaper", makes little to no sense on the first reading. What contributes to making "The Yellow Wallpaper" so difficult to clearly understand at first is the unorthodox storyline and complex language used by the narrator.

From the Paper
"The simplicity of Shiloh is clearly evident after reading the very first paragraph of the story. An example from the first page of the text is, "Leroy is a truck driver. He injured his leg in a highway accident four months ago" Nothing spells mundane more than those lines from this text. The name Leroy in addition to his truck driving career equates to normality in the reader's mind. People can identify with such a common name, and his average profession. Leroy has a wife Norma Jean, and a mother-in-law who annoys both of them. Leroy is rehabilitating from the aforementioned injury he obtained while on a long drive in his truck at which time he was under the influence of the drug Speed. People get in automobile accidents, and people often take drugs to make their lives appear better than they really are. Leroy is like a lot like these people, who work less than spectacular jobs, and want to take drugs as a way to lessen the feeling that they are wasting away their lives."

Tags:ann, bobbie, mason, perkins

Abstract
This paper analyzes the many different ways that the narrator of "The Yellow Wall-Paper" experiences imprisonment in her life. Both obvious and hidden forms are discussed, such as the restrictions placed on the narrator by her husband and physician as well as the remote area in which the country mansion is found.

From the Paper
"It is understandable that the narrator feels uneasy in the room: the room and many of its features twist the common comforts of a home. For example, a window typically presents a view of possibilities. For the narrator, it represents a view of a world of which she cannot be part. The barred windows show that she is barred from the outside world both physically and mentally."

Tags:imprisonment, paranoia, restrictions, rights, schizophrenia, women

Abstract
This work is an insightful look into the role that both power and resistance play in the literary work "The Yellow Wall-Paper". Examples from the book are cited and closely examined to effectively demonstrate these two elements in the literary work.

From the Paper
"Power has a distinctive quality; the quality to shape a character by being either subjugated to it or being the one delegating it. In each case, power plays a big role in the development of a dynamic character but both of the cases are rarely seen in the same character because they are complimentary to each other. In The Yellow Wall-Paper, Charlotte Perkins Gilman displays how her story is built around a power relationship between a husband and wife. Gilman shows how the wife tries and successfully resists the delegating power that John holds over her. This delegating power that John has is what Michel Foucault refers to in Method as a normalizing type of power, which everyone has, but does not always use. The narrator of the story is subjected to this normalizing power as John tries to stabilize her so that she fits into his mold for her recovery. By utilizing her own power the narrator starts resisting the power her husband is exercising over her with three distinctive actions: by being more skeptical of his statements and general nature, by her constant writing which helps narrate the story and by ultimately ripping the yellow wallpaper from the room."

Abstract
The Great Wall of China is perhapos the largest man made construction effort in world history. First developed some 250 B.C. to defend a newly unified China against Barbarians, the Wall was lengthened ofver time and finally stretched from the Yellow Sea to the Gopbi Desert. Not only wsas it a fortification, and entry-way for traders, but it served as a method of communcation through smoke signals from one watch tower to the next.

From the Paper
THE GREAT WALL OF CHINA To get some idea about the momentous achievement of the construction and long-lasting miracle of ancient China, the Great Wall of China is actually visible from an orbiting spaceship. Shih Huang-ti, whom historians credit with unifying China about 250 B.C. was the Wall's originator. In order to keep out what he termed "barbarians" he had the Great Wall built. "The Great Wall, 1500 miles long, and adorned at intervals with massive gateways in the Assyrian style, is the largest structure ever reared by Man" (Durant 605). Construction took ten years and there is no estimate how many thousands of laborers worked on the project. In those days, what

Tags:great wall, shih huang, ti, han dynasty

Abstract
This paper discusses the short story, "The Yellow Wallpaper," written by Charlotte Perkins Gilman. In particular, it examines the role of the narrator in the story, identifying the narrator's feelings concerning the characters and the story line. It also explores the imagery of the wall paper relating to the narrator's mental illness.

From the Paper
"The narrator stating that she "got out at last" is a statement of defiance and freedom. Her life as it was with John was simply too much like a prison for her. In many ways, the narrator has no choice to find the real freedom she needs because her husband was a doctor that did not believe in postpartum depression. The narrator understands what this means to her well being when she writes, "If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression--a slight hysterical tendency--what is one to do?" (362). Moreover, the narrator's brother is a doctor as well. Intuitively, she knows there is something wrong with her but she feels hopeless with two doctors telling her nothing is wrong. The narrator writes, "Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good" (362). What we learn from this statement is not only that the narrator feels trapped but that she feels as though there is no way out of her current situation, at least as long as her husband refuses to recognize what is actually wrong with her. His so-called prescriptions for her only compound her condition."

Tags:john, mental, illness