Abstract
This paper looks relates that throughout Shakespeare's play, "Hamlet", there are liars, cheaters, deceivers, and those who seek retaliation and how. The paper also relates that it is tragic to find an honorable character such as Hamlet so indulged in retaliation because his intentions were upright and respectable. The paper specifically examines how betrayal is a tragedy that extended all through the play and how it is a sad reality that there are so many instances in the play when tragedy occurs because of one person's betrayal of another. The betrayal of Claudius killing his brother was what started the plays rampant tragedies, and it took betrayals by others in the play to find the overall solution past King Hamlet's death.

From the Paper
"From King Hamlet's murder came his son's noble will for revenge, which at every attempt, was a failing tragedy. On a gloomy, eerie night in Denmark, a most spiteful and vengeful ghost arises only to be witnessed as the late King Hamlet. In his appearance to Hamlet and company, he makes Prince Hamlet aware that he is, indeed, his father and that he was inexcusably murdered by his brother, Hamlet's uncle, Claudius. In his dreadful description, he makes Hamlet promise to avenge his death. After Hamlet's unending grief for his father, he is bombarded by yet another life changing experience--his father's spiritual return. Not only is this a shocking scene, but Hamlet also gains knowledge of his father's untimely death and how he can avenge him and make the royal order right. After seeing the ghost, Hamlet is unsure whether to believe him or not about Claudius, but he is thereafter determined to find out. "

Tags:betrayal, claudius, queen, gertrude

Abstract
In this paper, the writer looks at William Shakespeare's 'The Tragedy of Hamlet, Prince of Denmark' and examines this work from a psychoanalytical point of view. The writer maintains that there is a great deal of psychoanalytical perspectives for Hamlet, which is defined through Freud's Oedipal Complex. The writer discusses that Hamlet's Oedipal Complex is found within his urge to kill Claudius and regain his mother's loyalty and love. The writer maintains that the development of psychology in the twentieth century helped to shape modern views on Hamlet's actions and behaviors, which can help elucidate why his life ended so tragically. The writer concludes that in this manner, Hamlet shows determinately Freudian urges of motherly obsession, as well as the urge to kill Claudius as a father figure.

Tags:Freud, Shakespeare, hamlet

Abstract
This paper discusses Shakespeare's tragedy, "Hamlet" in terms of its mythical and Biblical allusions. The paper examines the influence of the Bible on Shakespeare, and looks at the Biblical themes and references in the play.

From the Paper
"Shakespeare's "Hamlet" like his other plays is a multidimensional study of man and his motivations, observations and commentary on life. These are the larger issues of life and Shakespeare addresses them from a larger perspective, that of the mythical and the Biblical. An examination of any of Shakespeare's plays provides a glimpse of mythical and Biblical meanings and allusions, but Hamlet is by far the richest source of these, seeming to be in part a vehicle for Shakespeare's examination of deeper meanings..."

Tags:Shakespeare, Hamlet, Bible, Biblical, myth, mythical, tragedy

Abstract
This paper compares and contrasts Hamlet and Laertes' codes of honor as they pertain to the death of their fathers in Shakespeare's tragedy "Hamlet." The paper discusses the differences in how both men respond and act.

From the Paper
"In William Shakespeare's play "Hamlet" virtually all of the action is centered on the concept of revenge. Both Hamlet and Laertes are burdened with the responsibility of avenging the murders of their respective fathers. What is most interesting about Shakespeare's work, however, is the fact that while the characters find themselves in similar situations, they do not respond in the same fashion."

Tags:hamlet, laertes, honor, revenge, murder, action, thought

Abstract
This paper describes the plot of William Shakespeare's tragedy, "Hamlet', and analyzes the main character of the same name, Prince Hamlet of Denmark. The paper describes how Hamlet sets out upon his quest for revenge of his father's death through a ploy of faking insanity. The paper then discusses how Hamlet missed an opportunity to kill Claudius, the supposed murdered, and relates that Hamlet's disconnection with reality would slip as his level of paranoia rose, largely due to his very correct suspicions that his movements being watched and his conversations spied upon. The paper reveals that by the end of the play, the actions of Hamlet have indirectly resulted in the further deaths of his mother, his uncle, his lover, his two best friends and ultimately, his bloodline. The paper therefore concludes that Hamlet's actions are clearly exhibitive of the fact that he was totally insane.

Outline:
Introduction
The Source of the Silliness
The Means Towards the Abyss
Stepping Over the Threshold
Into the Mouth of Madness
The Conclusive Dissolution

From the Paper
"The tragedy of Hamlet follows the main character of the same name, Prince Hamlet of Denmark. Shakespeare's plays were written during a time and place within which there was extraordinary richness, complexity, and vitality, all of which were integrated into the brilliant poetry put forth by Shakespeare. Furthermore, the religious scene at the time was fraught with conflict and contention which touched the lives of all living within his times, particularly due to their political and doctrinal implications. (Holt 477) The issue of religion and the world of the dead would serve as intrinsic subjects within the play of Hamlet, as his madness would come about as a result of the after-life iteration of Hamlet's father."

Tags:Claudius, Rosencrantz, Guildenstern, revenge, insanity, paranoia

Abstract
This paper attempts to reveal Freud's psychological theory and psychoanalytical interpretation in regards to the character Hamlet in William Shakespeare's play "The Tragedy of Hamlet, Prince of Denmark". The paper looks at how, by assessing modern critical theory on Hamlet's character, one can understand that critics agree on Hamlet's insanity - via Freudian oedipal perspectives. The paper also shows how, by offering Freud's psychoanalytical analysis of Hamlet's character, one can understand the complexities of the Oedipus complex within William Shakespeare's dramatic forum.

From the Paper
"The element of Freud's contention that Hamlet seeks the erotic feminine love of his mother and to murder his father is apparent throughout the play. Although he is clearly making allusions to psychological behavior in conjunction with madness or insanity, Hamlet can also be perceived as a "brilliant fake, promoting madness so that his enemies might not think him a real threat to Claudius and his cronies" (Bloom 178). However, this rationale is not always apparent in the text. Hamlet does not show mastery over his obsessive urge to kill his father's enemies in a covert or disguised manner--he is openly acting out his unconscious desires in the Oedipal tradition. "

Tags:claudius, insanity, madness

Abstract
A detailed investigation of the Shakespearean tragedy of Hamlet's attempt to know himself as well as those around him as he assumed the role of revenger for his father's murder. The paper discusses Hamlet's awareness that to "know thyself" is often a futile preoccupation.

From the Paper
"Poet T. S. Eliot maintained that "Hamlet" is the Mona Lisa of literature. Eliot makes such a comparison because Shakespeare's Hamlet is as immune to absolute analysis as is Da Vinci's immortal portrait of Mona Lisa. Such a dilemma might also apply to knowing one's self as brilliantly expressed in the play by Shakespeare."

Tags:father-son, kingship, evil, human nature, self, Shakespeare, Claudius, Polonius, murder, indecision, revenge

Abstract
The paper attempts to show that the character of Hamlet, from Shakespeare's "The Tragedy of Hamlet, Prince of Denmark", is far from an uncaring coward, but is in fact very cunning, thoughtful and extremely dedicated to his revenge. The paper discusses how Hamlet is very passionate about his revenge, and will go to any lengths to achieve it.

From the Paper
"Despite the common misconception in William Shakespeare's The Tragedy of Hamlet, Prince Of Denmark that Hamlet is a coward and has little heart to pursue revenge, a close examination of the tragedy proves that he is actually extremely driven and very thoughtful in his revenge. In many situations through the tragedy, Hamlet appears to be scared and uncaring for his revenge; he often gives off the impression of a coward who will not stand up to Claudius. However, Hamlet shows a deep passion for his revenge, far from the uncaring character some see. There is also a distinction between thoughtful and being a coward, and if we look a little closer, we can see that Hamlet is simply considering every aspect of his revenge."

Tags:Claudius, Polonius

Abstract
This paper explores the concept of revenge and madness in Shakespeare's play, "The Tragedy of Hamlet, Prince of Denmark", and looks at how these concepts are central to the play's theme of death. The paper explains how each of the main characters in the play, Hamlet, Ophelia and Laertes, respond to death and points out how these reactions and responses add depth to the characters and make them appear more real to the audience.

From the Paper
"Hamlet, Ophelia, and Laertes deal with the death of their fathers in very different ways. When we look at each character and how they choose to deal with death, we often discover insight into the characters themselves. Each character's reaction is also fueled by other aspects in the play that influence their reason and logic. For example, Hamlet's response to his father's death is fueled by his anger and hurt feelings toward Gertrude and Claudius for marrying so soon. Ophelia's response to her father's death is influenced by the fact that Hamlet has been hateful to her and that Hamlet killed Polonius. Laertes' response to Polonius' death is fueled by the fact that Hamlet killed him and is indirectly responsible for Ophelia's suicide."

Tags:avenge, outrage, bitter, angry, king, mother, melancholy, gertrude, claudius, faith

Abstract
This paper discusses and compares William Shakespeare's "Tragedy of Hamlet, the Prince of Denmark," and Christopher Marlowe's play "Dr. Faustus," both of which are Elizabethan dramas that feature protagonists grappling with profound ethical issues that address the limits of human life and power. The paper discusses the plot of each play and the issues that they address, as well as the role of the protagonists.

From the Paper
"Hamlet realizes that murder only leads to more murder, thus he says "let be," when called to a duel, and when he enacts vengeance, it is more in self-defense rather than in cold, calculated vengeance, or stabbing a man in the back. Although Hamlet dies, he dies in triumph, knowing that Horatio will reveal the truth to the world of what happened to his father. Caught in an evil world of court intrigue, Hamlet at least dies a moral man, a man who has given his life significance because of his ability to question the ethics that govern his society, even seem to govern the world beyond. Faustus, in contrast, claims not to be satisfied with the rewards of knowledge gained from books, but uses his intellect in a way that leads him down a path of hollow pleasures, and ultimately damnation. His damnation is evident from the first moment he sells his soul, but Hamlet's moral position is always unclear, much like moral decisions in the world outside of the theater."

Tags:revenge, morality, power, God