Abstract
The following paper considers good and evil as they appear in William Shakespeare's "The Tragedy of Macbeth" and Christopher Marlowe's "The Tragical History of Doctor Faustus". The present study examines good and evil in both the conceptual form and what could well be termed its objective correlative; how each are embodied within the plays.

Tags:faustus, macbeth, good, and, evil

Abstract
This analysis of Shakespeare's "Macbeth" focuses on the motifs of appearances versus reality, disturbed mental states and sleeplessness. The analysis describes how these motifs are used by Shakespeare to underscore the negative impact of a guilty conscience on the human psyche.

From the Paper
"In William Shakespeare's tragic drama "Macbeth", a tale of unbridled lust for power and its impact on the human soul, there are a number of motifs employed by the author to reinforce a number of themes in the work. Chief among these motifs are appearance and reality, disturbed mental states and sleep. All three of these motifs are connected to a central theme of the play, the negative impact of a guilty conscience on those who commit murder. At the outset of Macbeth, we see..."

Tags:murder, King, witches, blood, courage, ghosts, sleepwalking, Lady Macbeth

Abstract
This paper analyzes the three motifs of clothing used to help explain the ambition within the play 'Macbeth' by William Shakespeare. The symbolic use of clothing often helps provide a deeper meaning to why Macbeth seeks to gain the throne and at any cost. The paper further discusses how his ambition is not completely self reliant as his wife, Lady Macbeth, ridicules him and forces him into complying with the murder of Duncan.

From the Paper
"In this drama study, the theme of ambition will be analyzed in the play Macbeth by William Shakespeare. By analyzing three motifs of clothing within this tragedy, the theme of ambition will be revealed in how Macbeth yearns for power as the King of Scotland. By observing Shakespeare's use of symbolism in clothing, one can realize the message that is being presented throughout the play that realizes the greed for power that Macbeth desires. In essence, the motif of clothing will bring forth the theme of ambition within this Macbeth by William Shakespeare."

Tags:ambition, duncan-macbeth

Abstract
This paper describes the evidence for Hamlet's and Lady Macbeth's insanity in the plays "Hamlet" and "Macbeth." Definitions of insanity from a psychological perspective are provided in this essay. Both plays are summarized with extensive quotes and examples of each character's behavior that would lead to the diagnosis of some form of psychosis, including murder and suicide.

From the Paper
"William Shakespeare used the theme of insanity in many of his plays, and two of the most famous are 'Hamlet' and 'Macbeth'. The theme of insanity in both of these plays is illustrated through several characters. Through the course of this paper it will be shown that in these plays, the characters Lady Macbeth and Prince Hamlet are insane. This paper will discuss the nature of insanity, the role of insanity in both Hamlet and Macbeth, and controversy over the questions of insanity raised by both of these plays. While Hamlet and Lady Macbeth's complimentary characters Ophelia and Macbeth exhibit obvious signs of increasing insanity, it can be argued that both Hamlet and Lady Macbeth are mentally unstable from the beginning of their respective plays."

Tags:hamlet, macbeth, insanity

Abstract
This paper discusses "Macbeth" by William Shakespeare in terms of the use of blood as a motif, blood seen from the murder of the king, as a way of implicating others, as a sign of guilt, as proof of lineage, and as a symbol of war and the damage done by war. The paper shows ways in which the term is used and the idea is shaped into a repeated image of blood and death.

From the Paper
"William Shakespeare's play Macbeth involves a number of repeated motifs that extend through the play and support the themes of the piece. Blood is a motif that expresses a number of thematic ideas, including the violence done to the king and to the kingdom, the violence of war, the concept of blood lineage, and the way blood must atone for a bloody act. Faith Nostbakken notes that in this play, "Blood and violence pervade the play in vivid imagery and in murders on and off stage" (Nostbakken 4)."

Tags:macbeth, blood, imagery

Abstract
This paper examines how insanity is a predominant element in William Shakespeare's play, "Macbeth". It discusses how insanity, or madness, is represented on three different levels through Macbeth, Lady Macbeth, and Macduff, and how each character illustrates varying degrees of insanity and the possible solutions for dealing with it. It looks at how Shakespeare uses insanity in the play to heighten tension, as well as to convey a dark and sinister mood, and how, by gradually leading up to the insanity of Macbeth and Lady Macbeth, we are able to witness its devastating effects. It examines how insanity develops in the play and serves as a dramatic function to reinforce the theme of "evil begets evil".

From the Paper
"Lady Macbeth begins to exhibit signs of madness with her strange trances. Her insanity is more significant than Macbeth's insanity because of her state of mind in the beginning of the play. By making Lady Macbeth's character despicable, her madness seems more fitting. In other words, she gets what she deserves. This is not to make light of Macbeth's actions, for he certainly deserves what he has coming to him as well. However, with Lady Macbeth, Shakespeare is more able to reinforce the theme that evil begets evil. Shakespeare delivers this message with unforgettable irony."

Tags:lady, evil, macduff

Abstract
This Macbeth commentary focuses on the interpretation of Act 1, lines 115-155, and offers a discussion of the literary devices used by Shakespeare. The paper highlights the themes present in the passage and notes that this scene was not as visual as the previous one; it seemed more focused on the characterization of Macbeth and Banquo and progress of the play. It was more inclined towards the attitudes Macbeth and Banquo seem to have towards the prophecies and their fulfillment.

From the Paper
"This part of Macbeth is a continuation of the events that occur after Macbeth and Banquo encounter the witches. The witches lure Banquo and Macbeth by telling them a series of prophecies which will or might occur. These lines come just after Ross informs Macbeth that he has become the Thane of Cawdor, thus fulfilling one of the prophecies the witches told Macbeth earlier in the play. The following lines depict Macbeth's reaction to the news and how he starts to believe that they might actually be true. The lines also serve as a comparison of Banquo's and Macbeth's characters. These lines show that Banquo has a stronger character and doesn't believe the witches but it also shows the extent of the friendship between Banquo and Macbeth. The lines begin with Angus telling Macbeth that even though the Thane of Cawdor still lives, but the Thane of Cawdor has betrayed his country and since "treasons capital" Duncan has "overthrown him". With the end of Angus' speech the reader finds out that Macbeth has become the rightful Thane of Cawdor purely by chance. This seems to both shock and intrigue Macbeth, it's as though the prospect of becoming king greatly pleases Macbeth. Macbeth is unable to hide his excitement, and in his aside tells the audience that "The greatest is behind" and yet to come."

Tags:Banquo, Thane, of, Cawdor, Chance, Valour, Fortune

Abstract
This paper examines the timeless and universal appeal of William Shakespeare's tragedy "MacBeth." According to the paper, "Macbeth" is a tragedy intended for seventeenth century audiences. Nonetheless, its themes, characters and plot make it timeless, noting that betrayal and ambition have always been part of human nature. The paper also addresses the political nature of the tragedy, exploring the boundaries between good and evil, and the effects of blinding ambition. The paper concludes by stating that "Macbeth" will never lose its appeal with general audiences because politics and human nature are two constants.

From the Paper
""Macbeth" is a tragedy intended for seventeenth century audiences. Nonetheless, its themes, characters and plot make it timeless, as betrayal and ambition have always been part of human nature. In this sense, the fact that "Macbeth" is open to continual reinterpretation has not only kept it alive for audiences ever since it was first performed, but it has preserved its relevance and applicability to contemporary circumstances. By illuminating several themes and making some considerations on the plot of the play, this paper strives to illustrate why many modern critics and viewers find "Macbeth" relevant in today's context. "

Tags:equivocation, ambition, politics, Medieval theater

Abstract
This paper studies the character of Macbeth in the Shakespeare play by the same name. The author looks at Macbeth's motivations and actions, underscoring each characteristic or decision with lines from the play. The central themes of the paper examined are Macbeth's troubled conscience by what seems an unearned prophecy, his blinding ambition, the physical and mental rebelling of his conscious and the ill prophecy of the messenger.

From the Paper
"MacBeth's imagination is taken with being king of Scotland. His ambition blinds him so that even the act of murdering his king (benefactor) is rationalized as an empiric career move. He ultimately waxes about the depth and character and spirit of Duncan but reduces him to a hurdle, devoid of human blood. His conscience starts to rebel physically with visions and mentally with guilt. Lying to himself becomes easier and to others becomes harder as he, like Duncan before him carries the guilt of others he has charged to do work he cannot, 'I am settled, and bend up Each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know. [A bell rings] I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell That summons thee to heaven or to hell.' (Act.1 Sc.7 & Act.2 Sc.1)"

Tags:prophecy, ambition, conscious, scotland, lady, duncan, macduff

Abstract
This paper discusses the theme of madness in the major characters of the three tragedies 'Hamlet,' 'Macbeth,' and 'King Lear.' Hamlet and Ophelia are compared and contrasted, then Ophelia is compared to and contrasted against Lady Macbeth. The witches in 'Macbeth' are related to the theme of madness, then madness is explored in Lear and Edgar. Emphasis is given to speech patterns and the allusion to madness. The paper ends with an analysis of the necessity and reason for the madness of these characters and how they contribute to the tragedy as a whole.

From the Paper
"The theme of madness occurs repeatedly throughout the three tragedies Hamlet, Macbeth, and King Lear. Ophelia slips into madness after her father's death while Hamlet puts on an act of madness in Hamlet. Madness takes the form of visions in Macbeth, in both the spells and predictions of the weird sisters and of Lady Macbeth's nightmares. In King Lear, madness is shown through Edgar's mockery and disguise and through the natural descent of the king."

Tags:alienation, demon, demonic, despair, discover, discovery, edgar, edmund, heath, hysteria, lady, melancholy, ophelia, poor, posession, self, speech, theological, theology, tom, tragedies, tragedy, witch, witchcraft, witches, woman, women