Abstract
The paper examines the presence of light, shadow and texture in Tadao Ando's work. The paper discusses how light is one of the most important elements in Japanese art and looks at the use of light and water, light and nature, light and color and light and shadow. The paper shows how, by studying Ando's work, one can explore the use of light in a new way.

Outline:
Ando's Concept of Light and Architecture
Light Environment in Traditional Japanese Architecture
Light Environment in Ando's Religious Buildings
Conclusion

From the Paper
"Art is an expression of the human spirit. It is a way of describing elements, which lie in the sublime, the world that is just out of reach of the present reality. Architecture is a means for humanity to connect with the finite nature of existence. The edifices that we build in our lifetime will stand long after we are gone as a testimony to our very existence. Buildings are more them concrete and walls to serve a functional purpose. Buildings are a reflection of the humans that built them and their search for a place in the universe. It is for this reason that we study architecture and its various forms."

Tags:Zen, Buddhism, water, light, color, shadow

Abstract
This paper explains that Buddhist Art sprang from the religion Buddhism; dragons, flowers, as well as Buddha himself are portrayed in paintings, statues, shrines, tapestry and many various forms and textures across many centuries of art. The author points out that not much is known about the ancient Buddhist artists, but two 19th century Buddhist artists are Utagawa Hiroshige, born in Tokyo and sometimes known as Ando Tokytaro, and Katsushika Hokusai, a master and genius of the Japanese art of woodblock printing. The paper relates that Buddhist Art continues to influence world art today; Cuiun Matsuda is a modern day Buddhist artist and a Buddhist priest. Chart.

Table of Contents
Statement of Thesis
Introduction
Aniconic Phase (5th Century - 1st Century BCE)
Iconic Phase (1st Century CE to Present)
Ancient Artists
Utagawa Hiroshige (1797-1858) Buddhist Artist
Katsushika Hokusai (1760 - 1849) Buddhist Artist
Conclusion

From the Paper
"Emperor Ashoka of the Mauryan era which was from 322 BCE to 180 BCE is defined by the first clear manifestations of Buddhist art. It was during the first and second centuries BCE that sculptures gained a characteristic of being explicit in representation of Buddha, his life and his teachings. India's representations of the Buddha were the bodhi tree, the footprint, the empty throne, the lions, the columns or the lotus. The lotus was a symbol of purity."

Tags:centuries, mauryan, hiroshige, india, woodblock