Abstract This paper considers Judge Pyncheon as the main character of Hawthorne's "The House of the Seven Gables," particularly in relation to the novel's main theme. The paper discusses the novel's ensemble cast of characters.
From the Paper "Nathaniel Hawthorne's romance "The House of the Seven Gables" is unlike most works of literature in that it truly features an ensemble cast of characters who all play a significant role in the plot and the articulation of Hawthorne's main theme. Indeed one could make an argument for any one of the characters as the driving force behind Hawthorne's narrative."
Abstract This paper presents an investigative look at the use of symbolism in literature. Author Nathan Hawthorne used many symbolism opportunities in his works "The House of Seven Gables." The writer of this paper explores the symbolism and comments on its effectiveness.
From the Paper "Throughout history the authors of literary works have used symbolism to develop a story or create an understanding. Many of the classics are filled with symbolism, and it is that very symbolism that causes the story to stick in the reader's mind and heart and make the story a classic. In The House of Seven Gables the author, Nathaniel Hawthorne displayed a particularly subtle talent at lacing the story with symbolism for the reader to stumble upon in his journey. Through the use of symbols, we are given the opportunity to view many aspects of the story from a third vantage point, and one that makes it clear for us to understand. The symbolism in House of Seven Gables, works to unite the ideas and emotions that run through the book's underpinnings and brings the reader to the same mindset the author had as he penned the words. The use of symbolism in this story creates the ability to develop the character of the story itself and bring it to its three dimensional existence."
Abstract This paper examines and analyzes Nathaniel Hawthorne's "House of the Seven Gables", and "The Marble Faun". It presents the author's criticism of both works and supports that criticism with published criticism.
Abstract This paper discusses the ideas expounded by Nathaniel Hawthorne, often thought of today as a reflection of Puritan values, although in Puritan times, he would have been recognized as a reformer at best and a heretic at worst. The paper discusses several of his works, "The Scarlet Letter," "The House of Seven Gables," "Young Goodman Brown,, "The Birthmark," and "Rappaccini's Daughter," claiming they show evidence of countless examples of a stretching of strict values. The paper contends that, by rejecting the ideals of the Puritan and the Victorian eras, Hawthorne acts as a soothsayer of the coming age of cyclical relaxation that can be seen, respectively, in the Flapper Era and in the 1960s.
From the Paper "Much of Hawthorne's message in his most well known work, The Scarlet Letter is one of feminine independence. The structure of Hester's society was such that she was challenged by her circumstances and even more challenged by the community in which she lived. Her social standing fell to that of a relative harlot when her very public fall from grace was revealed by her pregnancy, a pregnancy clearly begotten outside of her marriage bed. As has been clearly pointed out countless time the work is steeped in the biblical traditions of the Puritan Era and Hawthorne himself interweaves countless analogous meanings in his work."
Abstract The paper examines the literary techniques used in "The Fall of the House of Usher" by Edgar Allan Poe and "The Scarlet Letter" by Nathaniel Hawthorne. The paper describes the deterioration of the human mind in Hawthorne's character, Dimmesdale, and in Poe's narrator and shows how they share the same lack of knowledge that they are victims of their own mental deterioration.
From the Paper "Authors often use metaphors and symbols as techniques to make statements about characters. Character often lives parallel lives in novels and short stories and it is with great pleasure that we learn from them. Writers employ several different techniques to engage readers. Two stories that illustrate powerful symbolism are "The Fall of the House of Usher" by Edgar Allan Poe and The Scarlet Letter by Nathaniel Hawthorne. Each of these stories bring us into characters by allowing us see them change in a radical way. In "The Fall of the House of Usher," Poe uses the house as a metaphor for the narrator and Roderick's condition. The readers' attention is initially drawn to Roderick, whom we suspect might be mentally unstable. Through careful techniques Poe manages to illustrate how the fall of the house represents the fall of both the narrator and Roderick. In the same way, The Scarlet Letter demonstrates how one person can fall through another type of symbol and that is hidden but, nevertheless, powerful. Both stories demonstrate how the human mind can break down over time, given the right circumstances. "
Abstract This paper relates that the symbolic characters of Satan, Goody Cloyse and even Martha Carrier represent symbolic characterizations of witchcraft within Salem. The author points out that the female witch is a powerful symbol of witchcraft but only through the root of all evil within Satan's power of illusion. The paper states that, by presenting Satan as the seed of all destruction, immorality and deviance, the symbol of witchcraft lies within Hawthorne's "Young Goodman Brown" making it a tale of good verses evil.
From the Paper "This literary analysis presents the evils present in witchcraft within the story "Young Goodman Brown" by Nathaniel Hawthorne. By analyzing the characters within this tale, one can discover the various symbols of witchcraft that depict evils that Goodman Brown must overcome in the forest. In this manner, the aspects of symbolic witchcraft are related by the main characters opposing the Bible, which, in turn, depict the nature of witchcraft that abounds in the plot structure of Hawthorne's classic tale of good verses evil. Young Goodman Brown, the main character in Hawthorne's tale, must ultimately search for a greater faith. When he ventures into the forest, he meets his catechism teacher Goody Cloyse, but finds that her faith is challenged."
Abstract This paper explains that Nathaniel Hawthorne lived at a time when science was viewed with equal parts awe and suspicion. Hawthorne was, in fact the descendant of a Protestant minister which may have led to the cautionary tone of his works when writing of science. The paper examines how this cautionary tone is evident in "The Birthmark" and is made apparent by Hawthorne's use of symbolism in the story.
From the Paper "The birthmark in question is a tiny strawberry mark in the shape of a "singular mark" that "bore not a little similarity to a human hand" (Hawthorne 3). Hawthorne's narrator suggests that this tiny hand was a fairy mark. However, given that the union between Aylmer and Georgiana was deemed a spiritual one and that the mark was "deeply interwoven [. . .] with the texture and substance of her face" the power behind that hand would seem to be a much greater one indeed."
Abstract This paper explores the views of Nathaniel Hawthorne, expressed in his two novels. A synopsis of each novel is given and then the author looks at how Hawthorne's writing style relates to ethics and symbolism. The author then analyzes the plots and characters of the novels in relation to moral issues.
From the Paper "Hawthorne was born 1804 and brought up in Salem, Massachusetts to a Puritan family. When Hawthorne was four, his father died. After this incident he was mostly in the female company of his two sisters, an aunt and his retiring mother who was not close to her offspring. Hawthorne was known as a reserved personality but during four years at college he established close friendships with his male classmates, several of which he continued for life. "Young Goodman Brown" was published in 1835, when Nathaniel Hawthorne was 31 years old. "Birthmark" was published as a short story in Mosses from an Old Manse in 1846."
Tags: analyze, novel, writing, style, symbolism, plot, character
Abstract This paper explains that, in Nathaniel Hawthorne's "Young Goodman Brown", the two important characters are the protagonist, Brown and his wife Faith, whose role in the story is small but significant and symbolic. The author relates that the story revolves around a man's journey into the heart of darkness to discover the strength of his own faith, which is a weak power that easily can be suppressed by evil forces. The paper asserts that Hawthorne aptly named the wife Faith because, throughout the story, she acts as the force that stands opposed to evil and because references to Faith depict the various stages and forms of Brown's faith at different points in the story.
From the Paper "Faith is a pretty young woman who recently got married to Brown. She is an innocent person and pink ribbons are symbolically used to depict her beauty and purity. "And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the soft ribbons of her cap." Faith wants Brown to postpone his journey so the two can enjoy each other's company. At this point in their relationship, the power of Faith should be the strongest since they are newlyweds. It is that power which delays his journey by a few hours. When questioned by his evil companion, Brown confesses: "Faith kept me back a while.""
Tags: protagonist, symbolic, journey, evil, opposition
Abstract This paper discusses the ideals of symbolism and analogies in comparison to Modern day America that are found in Nathanial Hawthorne's novel, ?The Birthmark.? The author examines some of these different themes including feminism, discrimination, physical and spiritual imperfection, decay and duplicity. The author feels that this is a very well-written commentary on society at the time.
From the Paper "From this perspective we may argue that the birthmark is used as a symbol of the inability of men to accept women on equal terms for themselves. Instead they need an idealistic visions of what they believe a woman should be, complete with all of the relevant social and societal trappings. A woman here is not a person, but an object or worship, and as such she is no longer a real person, but a non person that is the creation of the man's mind. This is a feminist perspective, but a valid notion on the way that men of the time sought to perceive women and reduce them to objects rather then accept them as equals."
Abstract This paper reviews Sandra Cisneros' novel, "The House on Mango Street", by focusing on the symbol of a house as presented in the book. According to the reviewer, a house is used as a symbol of comfort, freedom and self-expression instead of as a physical space. Quotes from the book are used to illustrate this thesis. The reviewer further examines the protagonist Esperanza and her views of a house. The author concludes that a house is a symbol of escape for Esperanza.
From the Paper "Not only is the house important, but the conditions that caused them to move around so often are also worth pondering. It is because the family couldn't afford a house of their own that they had to move in and out of various houses. That intensified the desire of the family to have a house of their house especially Esperanza whose desire is most pronounced. Esperanza, the protagonist of the novel, is a young child whose sense of self respect is often dented by the humiliating comments made by others. She grows up believing that her sense of self worth is closely connected with having a house of her own- a white house "with trees around it, a great big yard and grass growing without a fence" (p. 8)"
Tags: Sandra, Cisneros, The, House, on, Mango, Street
Abstract In this paper, the author examines the use of symbolism in "The Fall of the House of Usher" and the themes that run throughout the story. The paper takes a look at the the duality of the house which comes to represent family and home.
From the Paper "The genre of Romanticism is essential to cultural and literary history; its popularity can be attributed to humanity's fascination with the dark and unknown and also its profound interest in the pain and downfall of others. Edgar Allan Poe was instrumental in establishing the foundation of Romanticism that is best known today; his works concern themselves primarily with the occult and the enigmas prevalent within the human psyche. His story "The Fall of the House of Usher" details the psychological and physical demise of the family Usher; Poe translates atmosphere and setting into the characters in the story, and also transfers human qualities into the actual house, which comes to function as a symbol of the Usher family. The title of the story also represents a duality; ultimately, the house is physically destroyed, as is the family. The house of Usher is clearly the personification of the Usher family; the house symbolizes the Usher family's decline into madness and the eventual demise of the family."
Abstract This paper examines Franz Kafka's "The Metamorphosis" and Nathaniel Hawthorne's "Young Goodman Brown," comparing the relationships of the protagonists with the father figures. The paper discusses the symbolic meaning of the father figures and the contrasts between the two stories involving either support or opposition to the father figure.
From the Paper "The relationships of the protagonists with their father figures in Kafka's "The Metamorphosis" and Hawthorne's "Young Goodman Brown" are rich with symbolic meaning and pose an interesting contrast to one another. Whereas Kafka's protagonist labors to support and sustain his father, Hawthorne's protagonist is vehemently opposed to the father figure in the story, the devil and attempts to resist him."
Tags: Kafka, Hawthorne, The Metamorphosis , Young Goodman Brown , Bible, father, sin, hypocrisy
Abstract This paper explains that Henrik Ibsen's "A Doll's House" is a powerful story that has several underlying themes, including but not limited to family life and women's rights. The paper further relates that Ibsen's use of symbolism and his setting are unique and helps illustrate the story for the reader. In addition, with the use of these elements, he helped paint a picture of the scenes throughout the entire story for the reader. These are just a few of the literary devices that Ibsen utilized very well, and are the focus of this term paper.
From the Paper "One final intriguing use of symbolism involves Dr. Rank, the very good friend of the married couple. Dr. Rank admits that he is very ill from syphilis (which he has suffered from since birth) and he will soon pass. Upon returning from a masquerade, the three of them discuss of the next masquerade, and of what they will dress-up as. When Torvald raises the question to Dr. Rank, he responds vigorously, "At the next masquerade I shall be invisible." he adds "There's a big black hat- haven't you heard of the invisible hat? It comes down all over you, and then no one can see you.""
Abstract This paper considers Charles Dickens' novel "Bleak House" in reference to other works. The paper highlights the major conflict in the novel, which involves a lawsuit. Many quotes are used to support the paper's comparisons and contrasts. The paper also analyzes various symbols that appear in "Bleak House." Finally, the paper evaluates women's roles in Victorian society, giving a general history of those roles and citing examples from the novel.
From the Paper "In the representation of gender in relation to crime, men are usually those that are acitvely involved in society and the institutions of law, like Mr. Tulkinghorn or Detective Bucket or Krook, who is called " Lord Chancellor " because of his habit to collect a lot of useless things, thus making a mess out of his home, and whose death by " spontaneous combustion" is very significant because it is as if the evil purges itself. Many of the men in the novel are part of the "system " and thus play their part in the crimes."
Tags: Charles, Dickens, Bleak House, Victorian, literature, women
