Abstract
This paper discusses two of the main characters in the Tennessee William's drama "A Streetcar Named Desire". This paper also discusses some of the sources available reviewing this play. The sources used provide excellent insight into the study of "Streetcar Named Desire" and into the playwright himself. The paper also reviews some of William's other works.

From the Paper
"'A Streetcar Named Desire' by Tennessee Williams has an interesting title that first attracted me to his play. After reading the first few lines, I found myself interested because the description of the setting had details that captured my attention further. Williams uses words such as "raffish charm" (Williams 1797) and "quaintly ornamented gables" (Williams 1797) that paint a picture of the section of New Orleans where the action starts. The action of the characters led to questions in my mind after I finished reading the play. This play raised many questions about the human spirit and the ways that people deal with situations that they face. The two sisters in the play, Blanche and Stella, were raised in similar circumstances. Why did these two sisters deal with life in ways that are so different? The relationship between Stella and her husband also presents important questions."

Tags:streetcar, named, desire

Abstract
The film version of Tennessee Williams' Streetcar Named Desire is a travesty of the play as written by Williams, because it has some crucially important changes that detract from the plot. This essay will discuss three important changes, and show how they detract from the original play. The film version of Tennessee Williams' Streetcar Named Desire is a travesty of the play as written by Williams, because it has some crucially important changes that detract from the plot. This essay will discuss three important changes, and show how they detract from the original play.

From the Paper
Play and Film Comparison: A Streetcar Named Desire The film version of Tennessee Williams' Streetcar Named Desire is a travesty of the play as written by Williams, because it has some crucially important changes that detract from the plot. This essay will discuss three important changes, and show how they detract from the original play. The first important change occurs after Blanche DuBois arrives at the Kowalski home, the ludicrously misnamed "Elysian Fields". In the play, the upstairs neighbour, Eunice, goes to the bowling alley to call Blanche's sister, Stella. Blanche sits alone in the dark, with her shoulders hunched. She is initially blind with shock at her surroundings, but then

Tags:williams, kazan, streetcar

Abstract
This paper is a critical analysis of Tennessee Williams "A Streetcar Named Desire", focusing on the character Blanche and what she symbolizes.

From the Paper
"In A Street Car Named Desire, Tennessee Williams displays the character Blanche having many issues. She tells fibs to protect herself from being looked upon disapprovingly. But her secrets are unveiled when Stanley, Blanche's brother-in-law, bumps into a couple of Blanche's acquaintances. Blanche symbolizes all beautiful women who are insecure because they have something they cannot let go or hide from."

Tags:analysis, blanche, desire, literary, named, streetcar, symbol, symbolism

Abstract
Williams's play, "A Streetcar Named Desire," is the story of the final decay of Blanche DuBois, a woman who fell from grace until finally losing her mind. This paper focuses on Blanche's lies and how Williams symbolized them in several different ways, including the use of light. It shows how, throughout the entire play, Tennessee Williams uses light to symbolize Blanche's deceptions as they differentiate from the actual truth that is slowly revealed.

From the Paper
"A Streetcar Named Desire is a great play, where Tennessee Williams uses many different types of symbols and metaphors for other things in the play, and his usage of light to show Blanche DuBois' artificial realism was incredible. The way that each event in the story where Blanche was involved directly with lighting led up to a later important event in the story keeps the reader interested. Blanche's lies were eventually her undoing, if she had gone to visit her sister and been able to stand in the open light and face the truth about her life, she may have been married to Mitch. However she was scared of what she would see if stayed in the light, and more scared of what other people would see in her, so she hid in the metaphorical shadows created by Tennessee Williams and tried, unsuccessfully, to live in her false reality."

Tags:american, desire, light, literature, named, streetcar, sybolism, tennesse, williams

Abstract
This analysis of Tennessee Williams' drama "A Streetcar Named Desire" focuses on the idea of power and conflict as it is played out between Blanche DuBois and Stanley Kowalski. The analysis maintains that the powerful brutes of the world like Stanley are responsible for the destruction of hope and innocence in tender individuals like Blanche.

From the Paper
"A central theme of Tennessee Williams' drama "A Streetcar Named Desire" revolves around innocence and reality, one that plays itself out in the conflict and struggle for power between Blanche DuBois and her brother-in-law, Stanley Kowalski. After being subjected to a variety of men in her life, Blanche DuBois is scared and scarred. She visits her sister Stella in the hopes of building a new and respectable life for herself with a suitor. However, Blanche continues to remain lost in an..."

Tags:sex, physical lust, illusions, pretensions, control, rape, insanity, South, Williams, Streetcar, desire

Abstract
The paper analyzes Tennessee Williams' play "A Streetcar Named Desire," and the destruction of the three main characters of Blanche, Stella and Stanley by their inability to control their sexual desires. The writer discusses how Blanche ultimately goes mad, Stella retreats into this naive world and STanley becomes the animal Blanche seemed to unleash in him. The way Blanche got to New Orleans and the name of the street all three live on is also discussed.

From the Paper
"Bathing and drunkenness are two common threads exposing sexual tension in the play A Streetcar Named Desire by Tennessee Williams. Even the title of the play suggests the sexual tension between the characters. There are three main characters in the play: Blanche, Stella and Stanley. All three are driven by their sexual desire. Blanche is running away from her past that is filled with sexual promiscuity including a sexual relationship with one of her male students. Stella is so attracted to Stanley physically that she loses all perspective regarding her sister and her marriage. Stanley is a dockworker so filled with sexual prowess that...."

Tags:instinct, desire, dead

Abstract
The paper discusses how the play "A Streetcar Named Desire" by Tennessee Williams depicts sexuality and class struggles in relation to American society in the 1940s. By understanding the polar extremes of both Kowalski and Blanche, the paper explains that there is an irreconcilable difference between the two that result in tragedy. In this manner, the paper discusses that the theme of sexuality and class struggle is central to the importance of this play as it relates the honest intensity of life in America.

From the Paper
"In this dramatic study, the play "A Streetcar Named Desire" by Tennessee Williams will be analyzed to reflect the importance of sexual freedom and societal barriers that are broken down in this masterpiece. By accessing parts of the play, as well as critical views on sexual liberation in William's perspective, this play was important and innovative in depicting male/female relationships in the atmosphere of the 1940s theater. The play "A Streetcar Named Desire" became the basis for modern playwrights to formulate new opinions about sexual behaviors and how men and women interact. The difficulties associated with other romantic plays of this time period, relate the overly dramatic and unrealistic views of life for working class people."

Tags:williams, streetcar, play

Abstract
This paper contends that the tragedy of "Streetcar Named Desire" is down to the failed relationship between Blanche and Mitch and that exclusively the tragedy relies on several facets of abuse in order to produce a genuine catharsis of pity and sympathy.The paper also discusses how these facets of abuse rely on Stanley's harassments as well as Blanche's inability to conform, how there is no middle ground between Stanley and Blanche and how, if there had been, perhaps Blanche's chances with Mitch would have been more fruitful. The paper contends that Blanche's failed relationship with Mitch represents the final straw from which the rest of the tragedy of "Streetcar Named Desire" unfolds, and from which she can never recover having felt that she was so close to a solution.

From the Paper
"The relationship between Mitch and Blanche is represented as her salvation; he's different "to the others", more "sensitive", and so appeals to Blanche's similar need for an understanding soul mate, someone who adheres to her idea of a 'southern gentleman' which is important because of the ideals Blanche bases her needs on; that of a compassionate partner. Examples in Mitch of his southerly gentlemen traits his bowing to her at the end of scene V inducing an "interest" in Blanche as he offers her flowers, and applies a politeness that contrasts so gravely with Stanley's treatment of her. Blanche seeks a partner who can satisfy her sexual appetite and offer her support. Indeed in Elia Kazan's 1951 production of Streetcar Named Desire, Blanche and Stella go to find Stanley at the bowling alley, and as they are seeking him out, her eyes follow the males there seductively. This pilgrimage of sorts to find a partner is in my opinion hinting at her true character; a tormented soul seeking typical things. Blanche treats men as objects of passion that she may acquire at will, indeed this is one interpretation of Blanche's hamartia; a trained seductress, who frequented the local soldiers' barracks back at her home. "

Tags:Stanley, salvation

Abstract
The paper discusses how the greatest debate among critics of "A Streetcar Named Desire" may be about who the hero of the play is, Stanley or Blanche. The writer proposes that both are heroes and that the play is a classical tragedy. The paper explores how both Blanche and Stanley fit the pattern for a classical tragic hero. They both have goals, which they themselves compromise because of a tragic flaw. The writer argues that what is unique to "A Streetcar Named Desire" is that there are two heroes, rather than one. The paper examines how their two tragic flaws have to combine in order to create the downfall of each of the heroes.

From the Paper
"Stanley conforms almost exactly to the idea of a tragic hero. Not only does he have a clearly defined goal, but that goal mirrors the goals of the heroes that have come before him. Stanley's goal is the preservation of his kingdom and protecting it from outside threats. Of course, Stanley's kingdom is somewhat smaller than other heroes in literature; rather than an empire, Stanley's kingdom is a two room walk-up apartment in New Orleans. In addition, rather than ruling over thousands of subjects, Stanley rules over Stella. Therefore, Blanche's threats to Stanley's kingdom take on an almost petty cast; she drinks his liquor and takes up too much space in his small apartment."

Tags:protagonists, personal, weakness, rape, violence

Abstract
In this article the writer analyzes the play 'A Streetcar Named Desire' by Tennessee Williams and notes that bathing and drunkenness are two common threads exposing sexual tension in the play. The writer points out that even the title of the play suggests the sexual tension between the characters. Further, the writer looks at the connections between desire and death as portrayed in the play. The writer maintains that it is as if Williams is telling us that from too much desire only death can come. The writer notes that Stanley, the most dead of all three characters becomes numb to his reactive behavior. The writer concludes that Stanley is trapped in his uncontrollable animalistic sexual desire destined to live like an animal surviving purely by instinct.

From the Paper
"Stanley is a man's man--full of animal instinct and desire. He cannot control himself in any regard. Stanley cannot control his temper so he beats his pregnant wife. He can't sequester his passion for Blanche so he rapes her. He can't bare losing Stella so he screams for her at the top of his lungs proclaiming his need and love for her. Stanley is all about sexual desire--it rules and runs his life.
"Drunkenness and bathing are the soothsayers for Blanche and Stanley when their desires become overwhelming. Blanche uses a bath to soothe her nerves and to try and wash away her sexually promiscuous path."

Tags:promiscuity, relationship, passion, destruction