Abstract The paper describes how the majority of Williams' work is set in the American South, and depicts a gothic feel of the area in which the contemporary decay is pitted against the old refined ways of previous generations. The paper further analyzes the character of Blanche Du Bois from "A StreetCar Name Desire". The paper discusses how Williams claimed that the overarching theme in this play was the negative impact that conventional society has upon the sensitive nonconformist individual.
From the Paper "Laura is based on Williams' sister, who had a frontal lobotomy with her parents' approval and who spent most of life in an institution (Jacobs). Tom is based on Williams himself, who went to work at a shoe factory to help support the family while his father traveled as a traveling salesman (Jacobs). He also explored issues such as homosexuality, sex, domestic violence, and the falsehood of religion within his work, which usually shocked his audiences (Jacobs)."
Abstract This paper explores the issues of character, themes and values presented in Tenessee Williams' classic play, "A StreetCar Named Desire", and the manner in which Williams infused these ideas into the play. The paper specifically examines the character traits presented in the play that are expressed in the characters of Blanche DuBois, Stella Kowalski and Stanley Kowalski.
Table of Contents:
Introduction
Character
Themes
Values
Conclusion
From the Paper "The aforementioned line is also a foreshadowing of the events that are to come as it pertains to Stanley raping Blanche (Mermelstein). It is evident that Stanley did not have certain traditional values such as not hitting women, providing for his household and treating guess with respect. It is extremely apparent that he has no respect at all for women; he beats his wife and rapes his sister-in-law. Although Blanche often lived in a fantasy world, her feelings about Stanley were accurate and anything but delusional. Blanche recognized that Stanley did not share their "values" and attempted to get her sister to see him for who he really was."
Abstract Tennessee Williams', "A StreetCar Named Desire" is a look into the modern world and how people have to work hard to get what they want. The paper examines the theme of the play, the characters involved and the tone. It also examines images and symbols used in the play.
From the Paper "When it comes to characters in this play, Blanche is by far the most complicated. Through the play Blanche shows strong and weak points. Blanche is trying to save something that can never be saved, and the slack she gets back from other characters in the play, mostly Stanley is very cruel. As a character in this play, Blanche is admired because she fights so hard for something she wants so badly. Even though Blanche is so strong when it comes to what she wants, she fails in places where she needs to be so determined."
From the Paper "In A Streetcar Named Desire by Tennessee Williams, a key conflict in the play is the threat Blanche poses to the domesticity of Stanley and Stella, and from Stanley's point of view this is bound with his belief in reality as contrasted with Blanche's desire to live by illusion. Stanley is a character who is open and direct. From the beginning of the play he is made to seem elemental. The first line of the play is Stanley yelling up at his wife, "Hey, there! Stella, baby!" (p. 13). He tosses her a package of raw meat, emphasizing his brute nature and the sexual relationship always between them. He is rough and crude, but he is also honest and open. He says what he means and challenges anyone to dispute him. Stanley is happy with his domestic life as it is, and Blanche enters and disrupts all that."
When Blanche and Stanley first meet, both are uneasy. Stanl
Abstract This paper discusses the factors that contribute to the complexities in sibling relationships through an analysis of the siblings in Tennessee Williams' works, "A Streetcar Named Desire," and "A Cat on a Hot Tin Roof".
From the Paper "A great deal of literature deals with the impact of birth order, environment, parenting and other aspects related to sibling relationships. Both film versions of Tennessee Williams' dramas "A Streetcar Named Desire" and "Cat On A Hot Tin Roof" feature intense sibling rivalries. In "Streetcar", the rivalry is between Blanche DuBois and her younger sister Stella Kowalski. In "Cat", the rivalry is between Gooper Pollitt and his younger brother Brick. The rivalry between Blanche and Stella is more one of attachment rivalry than is..."
Abstract This paper examines how street racing has existed for generations and how it was most likely James Dean in "Rebel Without a Cause" that spurred American youth onto the streets for nighttime drag racing, creating a cult that lives on among today's youth. It looks at how street racing is found in every city and town across the country and how the consequences can often prove fatal for many youths. It also discusses attempts by the police and lawmakers to curb illegal street racing.
From the Paper "In the 1940's bored teenagers began making their own cars from frames of 1920's and 1930's Fords and Chevys and started racing along the dry lakes of Southern California(Street pg). The vintage gangster mobiles were the first proven formula cars, especially Fords and Chevys and especially the ?32 Fords with the first V-8 engine (Street pg). Then street racing began to take over city blocks, however, the police turned an eye, it was considered harmless, unlawful, but harmless (Street pg). By the 1950's street racing teams had formed, collaborating on one high performance car, the engine bored and stroked with headers and Mallory ignitions (Street pg). Across America, stoplights became the unofficial street racing launch pads, and police began cracking down and making arrests (Street pg)."
Abstract This paper discusses the sport of illegal street racing which, although seen by many as a dangerous and harmful activity is actually full of custom, tradition, and history. It shakes off the stereotype of street racing as just another juvenile crime group by showing that the majority of participants are in fact employed full-time, generally as mechanics, or in other trades such as carpentry, boiler making or shop fitting while others tend to be in full-time education, either at high school or ay local universities. It shows how although 18- to 25-year-olds make up the core the illegal street racing culture, the trend cuts across all races, as well as both genders and how it provides a drug-free and violence free society to compete in, while still earning respect from their peers.
From the Paper "The street racing sub-culture draws its main interest, however, due to two elements which also exist in the mainstream culture, those of masculinity, and the symbol of the car. Various sociological and criminological authors have discussed this link. Australian sociologist Rob White, in his book No Space of Their Own, focuses on the way in which, for many men, "the car becomes indelibly stamped into their consciousness as a key symbol of masculinity" (1990, 124-25). Criminologist Chris Cunneen (1985, 85) claims that the relationship is one of power, arguing, ?There is a necessity in seeing the way cars and motorbikes are symbolic objects of masculine power."
Abstract In general terms, most Americans agree that the use of bait cars by law enforcement is justified, for they consider it a common sense response by the police to the complexities of reducing car theft. They see it as an effective policy in two ways, for in addition to enabling police to catch car thieves in the commission of a crime, it provides a general deterrent, for active car thieves will be wary of stealing any car because they can never be certain whether a car they are targeting for theft is a bait car. This paper discusses the use of bait cars by police and sheriff's departments in the United States and looks at why, in spite of the many advantages this practice offers, it continues to be a controversial issue in the minds of some people.
Abstract This paper studies muscle cars and their accompanying culture. It details the emergence of muscle cars in the 1960's and how the industry met the public needs, and their fall in the 1970's. It concludes that the enforcement of government emissions standards, combined with the switch to lower octane gasoline eventually lead to the death of the muscle car.
Table of Contents:
Introduction
The Industry
Individuality
Muscle Cars Emerge
The End of an Era
Conclusion
Interview
From the Paper "Car culture has been around as long as the automobile. For over 100 years the automobile has been an icon in American history and in people's lives. People have a long history of defining themselves by the car they drive, and judging others in this same way. What you drive can mean different things to different people, but it always means something. It reflects financial and social status, as well as personal expression. For people who wanted to be thought of as sexy, bold, and fast"the muscle car was the answer. After the end of World War II, Americans became obsessed with the automobile. Suddenly, cars become more than just tools, more for just transportation"they became identity to some people. People were what they drove. ?It was only natural that such a state of devotion to an inanimate/animate object should lead to a prominent sub-culture of super-fanatics.? (Anselmi, 1984) That love of the automobile became the catalyst for securing its place into pop culture and ultimately what has been the driving force behind the auto industry ever since. The muscle car was conceived by this driving force."
Abstract This paper is on the prospects for the hydrogen powered car, noting the stakeholders involved, some of what they want, and how likely it is that the car will be produced in the near future. The paper indicates that the primary problem may be getting the fuel to the consumer in an economical way, given that the ultimate stakeholder is the consumer, who will be asked to buy these cars and who will want to have a car that performs as well as possible and to be able to refuel easily and economically.
From the Paper "Hydrogen-powered cars operate on energy produced by the mixing of hydrogen and oxygen, with the only by-product being water. Stacy (2003) notes that General Motors is to provide $44 million to build a fleet of 40 hydrogen-fueled cars for use in New York, Washington, Michigan, and California, with another $44 million in matching funds to be provided by the U.S. Dept. of Energy. In addition, Shell Hydrogen LLC is to create five refueling stations in New York, Washington, California, and along the east coast, and this is seen as a major step in the development of hydrogen-fueled cars, given that automakers are reluctant to develop hydrogen cars both because of the cost and because of the current lack of refueling stations (Stacy, 2003, para. 1)."
Abstract In this paper, the writer introduces, discusses and analyzes the book "Code of the Street" by Elijah Anderson. Specifically, it discusses the ways the campaign for respect organizes street life for younger people. The writer explains that the campaign for respect is a street code that helps inner city residents stay alive on the streets. It organizes life for young people by gaining them the respect of others and teaching them how to survive in their neighborhoods. The writer concludes that the code of the street is a complex mechanism of survival and respect. Finally, the writer points out that the campaign for respect might not work in every area of a city, but on the streets of the inner city, it is a rigid method of survival and self-respect.
From the Paper "This is especially important in impoverished areas, where children may come from broken homes, or the parents work many jobs, and are rarely home to interact with and teach their children. Thus, they organize their lives by what they learn on the street. By seeing what works for others who may be in similar situations, they make sense of their own lives and gain valuable life skills in the process. Without this organization on the street, these children might not have the ability to learn these lessons, and they might feel alienated and alone, as if they are the only ones going through a particular problem. The campaign for respect helps them discover solutions to their problems and gives them a feeling of belonging and peer approval."
Tags: survival, self-respect, on, the, street, organization
Abstract This paper assesses the strengths and weaknesses of Toyota's product, a hybrid electric car. The car is eco-friendly and it is important that the product is carefully assessed in detail before it is launched in the North American market. The paper also offers some concrete marketing suggestions, which can help the company in successfully introducing the product globally.
Abstract This paper discusses how mass production of cars started at the beginning of the 20th century and grew rapidly and how, since that time, our world has changed virtually beyond recognition. It discusses the changes that this particular technological advance has caused, focusing on changes in mode of production, changes in family life and ecological effects.
Abstract This paper analyzes Stephen Crane's Maggie: A Girl of the Streets. The author examines how the book is a reflection of the writer's childhood and childhood experiences.
From the Paper "Many of Stephen Crane's life experiences are also expressed in his writings, but not in the way casual readers would expect. Many people believe that "The Red Badge of Courage" is the result of Crane's personal acquaintance with the Civil War and "Maggie: A Girl of the Streets" was written following a time spent living in the slums of New York. This is not true in either case. Stephen Crane was born after the Civil War and according to Benfey, "Maggie: A Girl of the Streets" was started prior to Crane moving to New York (63). Although, the deterministic theme in "Maggie: A Girl of the Streets" is not a result of Stephen Crane's personal experience in the slums, it is a reflection of a dark period in his childhood, his unpleasant experiences with Christianity, and parental deprivation."
