Abstract
This paper examines how authors of literature have used their work to address societal fears and issues in order to allow their writing talents to shed light on a fear of society. It looks at how this is the case in classic works of literature regarding making pacts with the devil. It analyzes how, in "The Devil and Daniel Webster", the pact with the Devil and the actions of the Stones provide an interesting backdrop for those who have concerns about selling themselves to the Devil for immediate material gain. It also examines how, in addition and also by contrast, the world has been treated to two versions of "Faust", which also focus on the Devil and what the Devil means to current society. It shows how, although each of the stories has a different plot, there are many similarities, as well as differences, regarding the Devil and the characters in the stories.

From the Paper
"While the story of The Devil and Daniel Webster illustrates how true personalities come out when the money and the devil get involved the story of Faust shows a different angle when it comes to personality and those in the story. In both versions of Faust there is a foundational understanding of the influence the devil had at that time in history(Synopsis of the plot of Faust (October 2002). While Stone dealt with the devil for money, Dr. Faust is searching for the answers to life. In that quest he too deals with the devil. He is obviously depressed as he has contemplated suicide twice in the past already which provides a backdrop for the devil to entice him into the idea of a deal. This is the first difference between personalities in this story as compared to the previous one. Faust is in despair and old while Stone is angry and young. There are completely different motivators for the two stories and their characters' personalities."

Tags:society, fears, literature, stone, dr

Abstract
This paper presents a brief biography and discussion of the family, genetic, and social influences on Stephen Hawking's psychoemotional development and adjustment. Two personality theories were examined to explain his success in life.

From the Paper
"The famous person selected for this analysis is a man who left his wife of ... years and took off with a younger women. The younger woman was his nurse and the wife he left had been having a long affair with a family friend, justifying her behavior on the grounds that her husband's disease, amyotrophic lateral sclerosis or ALS, was wasting away his body, making him unattractive and any desire she did feel for him seem 'unnatural'."

Tags:development and personality, Stephen Hawking

Abstract
The paper presents a letter to Stephen Hawking about his disease, amyotrophic lateral sclerosis (ALS), also called Lou Gehrig's Disease.

From the Paper
"Dear Stephen Hawking, I am taking this opportunity to present to you information about your disease, amyotrophic lateral sclerosis (ALS). I will begin with an introduction to the pathophysiology of the disease and then discuss new advances in research concerning this pathophysiology. I will present new research from this decade and new treatments and approaches to care of this disease. The pathophysiology of amyotrophic lateral sclerosis (ALS), also called Lou Gehrig's Disease, includes a progressive neurodegenerative process that involves the nerve cells located in the brain and in the spinal..."

Tags:Letter, to, Stephen, Hawking

Abstract
This paper looks at the life and works of the artist Vincent Van Gogh who was born in 1853 in Holland and died in 1891. It looks at how Vincent Van Gogh was an extraordinary man who led a cursed life and how he constantly struggled with depression. The paper also ponders whether Van Gogh would have made many more masterpieces if he had not been sick or whether it was his mental illness that helped him to create the masterpieces he did.

From the Paper
"In 1880 Vincent decided he could still be used by God as an artist rather than a clergyman. He wrote: "To try to understand the real significance of what the great artists, the serious masters, tell us in their masterpieces, that leads to God; one man wrote or told it in a book; another, in a picture." He moved to Brussels and considered enrolling at the art academy, but rather chose to study independently. Sometimes he studied with Dutch artist Anthon van Rappard. While Vincent was not earning any money, his brother, Theo, (who was working at Goupil's Paris branch where Vincent was previously employed) sent him money. His brother continued to send him money until Vincent's death.5 "

Tags:Gaugin, theo

Abstract
This paper examines how both Claude Monet and Vincent Van Gogh selected the subject of sunflowers for two of their most famous still life paintings. It looks at how, although both artist's works may depict the same type of flower, the color, light and shading of the two works are completely different.

From the Paper
"The arrangement of the Van Gogh painting also forces the viewer to look more closely at the individual flowers. Most of the faces of the Van Gogh sunflowers, rather than turn away from the viewer, seem to look at the viewer directly, while others are dying, as if expressing their sadness as they look away. Because of their brightness, and the detail given to each individual flower, the centers of the healthy flowers seem to look like eyes, looking into the viewer's soul, rather than away at something else as in the case of Monet's painting. Even the colors of the central vase are brighter in Van Gogh's painting than in Monet's and jump out at the viewer in the center of the composition. The vase is painted with bright colors, while in the Monet painting the viewer hardly notices the off-center vase."

Tags:flowers, light, color

Abstract
This paper analyzes paintings by Vincent Van Gogh. Particularly, the paper analyzes the Japanese influence on his paintings in relation to his painting technique and style. The paper discusses the influence that Hiroshige had on Van Gogh and how Van Gogh learnt to mimic his style from woodblock prints.

From the Paper
"Art Studies: The Japanese Influence on the Paintings of Vincent Van Gogh In this art study, the paintings of Vincent Van Gogh will be analyzed in relation to his painting technique and style. In understanding the various influences of Ukiyo-e Japanese prints within his painting Van Gogh had learned to use Hiroshige's style from various woodblock prints that he had come to know through Bing's "Japonisme" shop in Paris, France. By learning to mimic other artist's works, Van Gogh was able to understand how color worked on the canvas, and how he would have it applied in conjunction with his western pointillism approach to painting. In fact, it was Van Gogh attention to copying this Japanese master where the infusion of bold colors is brought to life."

Tags:gogh, art, painting

Abstract
The writer of this paper explores the life and artistic motivations of Vincent Van Gogh. Van Gogh moved to Paris in 1886 where he was exposed to the works of great artists such as Monet, Renoir Degas and Signac, which resulted in a dramatic shift to his usual style of painting. Van Gogh's subject matter had also changed, from dark, rugged peasants to more serene subjects. The artist created a new style of painting called expressionism, which symbolized the artists' inner feelings about the subjects he was painting. This paper discusses Van Gogh's various works of art which clearly show the inner turmoil the artist suffered during his lifetime.

From the Paper
"Near the end of his stay at Saint-Remy, Van Gogh's use of colors became more subdued. In "Wheat Field with a Reaper", Van Gogh used the reaper to symbolize death, as a figure toiling in the noontime heat, to hurry and get his tiresome chore finished. Van Gogh did not see death as a sad thing, in this painting he used a pure gold color to flood the work with light. Van Gogh left Saint-Remy in 1890 and spent the last two months of his life in Auvers-sur-Oise, a small picturesque village about twenty miles north of Paris. As his mental health worsened, Van Gogh suffered more severe bouts of depression, sometimes exploding in anger. After these episodes, he would go out into the fields and talk to himself."

Tags:art, renoir, degas, history, style, expressionism

Abstract
This paper examines how photography can provide a refreshingly accurate window onto the life of a culture alien to that of the observer of the photograph. It looks at how Vincent Cianni's "Southside Portraits" offers an insight into the Latino culture of Williamsburg, Brooklyn. Rather than selecting women to gaze at, however, Cianni chooses to make men his central subjects and mediums for making a "statement" about the world and the community he observes. It analyzes how Latino masculinity is often frightening to the Anglo world and how, by showing, his individual subjects in their environment, Cianni reveals the roots of this seemingly strange, aggressive, athletic, sexualized behavior.

From the Paper
"Not all of Cianni's subjects are quite so touching in their vulnerability. One photograph shows a boxer doing push-ups. But the title, Freddie Floating, suggests that more is going on in the subject's mind than sparring. Freddie wishes to fly in both his dreams as well as across the ring. Athletic prowess, more than in the previous photos discussed, is linked to dreams. The fact that Freddie wears underwear to exercise him makes his masculinity all the more evident, yet also all the more displayed. These portraits suggest that for Latino men to establish their identity, they must "put themselves out there," physically in a sexual sense, to both demonstrate their athletic machismo and to be recognized by society."

Tags:male, masculinity, photographs, culture

Abstract
This paper explains that James Joyce's semi-autobiographical rendering of Joyce's fully autobiographical conception of himself "Stephen Hero" can be found in both "Portrait of the Artist as a Young Man" and "Ulysses". The author relates that the hero of these tales, Stephen Dedalus, serves as the focal point of both novels and should be viewed as the abridged version of "Stephen Hero", an almost allegorical tale of an artist besieged by his surroundings. The paper points out that, at the heart of the idea that Stephen Dedalus can represent the universal modern man is Joyce's struggle with himself to convey his own life into words, concluding that the best possible representation of himself that can be conveyed is one in which he is a character lost in a world he cannot hope to understand.

From the Paper
"Joyce uses the imagery with the fox again towards the end of Ulysses. A hallucination that brings his riddle back to the surface: "A stout fox drawn from a covert, brush pointed, having buried his grandmother, runs swift for the open, brighteyed, seeking badger earth, under the leaves." This is the physical and relatable explanation of the events that could have linearly led to the formulation of the riddle; however, it is presented in this reverse fashion. "The foxhunt represents the absolute disjoining of Stephen's two selves." The trouble is that Joyce, through the progression of Stephen from Portrait into, and eventually, out of Ulysses, has gradually brought about the loss of his hero's sovereignty."

Tags:portrait, ulysses, allegorical, struggle, universal

Abstract
This paper examines the use archetypes of ghosts and premonitions in Toni Morrison's "Beloved." It shows the influence of Dr. Carl Yung, and how the human psyche is easily manipulated. It explores the context and background of the story and how the use of archetypes plays into the character traits and storyline.

From the paper:

"'Dreaming men are haunted men,' wrote Stephen St. Vincent Benet, and the characters in Toni Morrison's 'Beloved' might well agree with the poet's statement. Of course, most of us are dreamers, and we therefore might well posit that we are haunted by dreams. What sets each of us apart is the things we dream about ? and so the things that we are haunted by. Our dreams ? our hauntings ? are specific to our own lives, our own experiences. But they may also be far more general than we suppose them to be, the result of what psychologist Carl Jung would call archetypes, a term made generally popular by Joseph Campbell in his exploration of commonalities that he discovered in the myths, religions, and arts of what are in many ways widely divergent cultures."

Tags:ghosts, writing, psychology