Abstract
The paper presents a letter to Stephen Hawking about his disease, amyotrophic lateral sclerosis (ALS), also called Lou Gehrig's Disease.

From the Paper
"Dear Stephen Hawking, I am taking this opportunity to present to you information about your disease, amyotrophic lateral sclerosis (ALS). I will begin with an introduction to the pathophysiology of the disease and then discuss new advances in research concerning this pathophysiology. I will present new research from this decade and new treatments and approaches to care of this disease. The pathophysiology of amyotrophic lateral sclerosis (ALS), also called Lou Gehrig's Disease, includes a progressive neurodegenerative process that involves the nerve cells located in the brain and in the spinal..."

Tags:Letter, to, Stephen, Hawking

Abstract
This paper presents a brief biography and discussion of the family, genetic, and social influences on Stephen Hawking's psychoemotional development and adjustment. Two personality theories were examined to explain his success in life.

From the Paper
"The famous person selected for this analysis is a man who left his wife of ... years and took off with a younger women. The younger woman was his nurse and the wife he left had been having a long affair with a family friend, justifying her behavior on the grounds that her husband's disease, amyotrophic lateral sclerosis or ALS, was wasting away his body, making him unattractive and any desire she did feel for him seem 'unnatural'."

Tags:development and personality, Stephen Hawking

Abstract
An essay on Stephen King's short story about a suicidal traveling salesman named Alfie Zimmer in "All That You Love Will Be Carried Away." The writer argues that King uses symbolism in the story in the form of graffiti that Alfie collects on his travels to represent his desire to reach out to others and communicate.

Tags:Stephen King, story, death, memories, food, family, materialism, art, language, slang

Abstract
This paper uses Elizabeth Ammons' "Expanding the Canon of American Realism" to examine why Stephen Crane's "Maggie" and Upton Sinclair's "The Jungle" should both be included in the education curricula. The paper suggests that the inclusion of these two works will help teach a multicultural point of view.

From the Paper
"In "Expanding the Canon of American Realism", Elizabeth Ammons argues that the canon of American realism needs to reflect its social context of multiculturalism. The canon of realism is defined by teachers who choose what texts they want to teach about, therefore the canon has been composed of works that are considered highly teachable. In that respect, it is subjective and can just as easily be changed according to one teacher's idea of teachability as another's. Elizabeth Ammons takes the..."

Tags:Elizabeth Ammons, Upton Sinclair, The Jungle, Stephen Crane, Maggie, realism, multicultural, Expanding the Canon of American Realism

Abstract
The paper reviews the book as a biography of both Steve Biko and Donald Woods. It illustrates how Donald Woods was able to combine his own story with that of Steve Biko in the novel. It begins with a background on Steve Biko and Donald Woods, goes on to state the main struggle of the book and gives a synopsis of the plot. The focus of this paper is on the way the events affected Woods.

From the Paper
"Biko tells the story of Donald Woods and his relationship with black consciousness leader Steve Biko. The author Donald Woods is a journalist and was a close friend of Steve Biko's. Biko is a biography of Donald Woods as well as a biography of Steve Biko as Woods sees him.
Firstly, I will briefly detail who Steve Biko is so the events of the book can be seen in perspective. Steve Biko was a black South African who led the black consciousness movement in South Africa. He struggled for liberation from the apartheid regime. He was a political activist and believed that black liberation started with black psychological self-reliance. This idea was the basis for the black consciousness movement that Biko led. Biko believed that by doing this you could get to the base of the problem and change the way society operated. Biko was killed by South African security forces while in detention, aged thirty."

Tags:biography, background, struggle, synopsis, plot, journalist, South, Africa, Apartheid, black, consciousness, movement

Abstract
This paper explains that James Joyce's semi-autobiographical rendering of Joyce's fully autobiographical conception of himself "Stephen Hero" can be found in both "Portrait of the Artist as a Young Man" and "Ulysses". The author relates that the hero of these tales, Stephen Dedalus, serves as the focal point of both novels and should be viewed as the abridged version of "Stephen Hero", an almost allegorical tale of an artist besieged by his surroundings. The paper points out that, at the heart of the idea that Stephen Dedalus can represent the universal modern man is Joyce's struggle with himself to convey his own life into words, concluding that the best possible representation of himself that can be conveyed is one in which he is a character lost in a world he cannot hope to understand.

From the Paper
"Joyce uses the imagery with the fox again towards the end of Ulysses. A hallucination that brings his riddle back to the surface: "A stout fox drawn from a covert, brush pointed, having buried his grandmother, runs swift for the open, brighteyed, seeking badger earth, under the leaves." This is the physical and relatable explanation of the events that could have linearly led to the formulation of the riddle; however, it is presented in this reverse fashion. "The foxhunt represents the absolute disjoining of Stephen's two selves." The trouble is that Joyce, through the progression of Stephen from Portrait into, and eventually, out of Ulysses, has gradually brought about the loss of his hero's sovereignty."

Tags:portrait, ulysses, allegorical, struggle, universal

Abstract
This paper explains that Stephen King is a most prolific writer in one genre, horror books; therefore, there cannot help but be similarities in some of the characters in his dozens of published works. The author points out that every time Stephen King writes or develops a character that is to represent complete and undeniable evil, he gives that character the initials R. F., such as, in "The Stand", he named the epitome of evil, Randall Flagg. The paper relates that another commonality is that several of the characters in Stephen King's novels and short stories are social misfits, which naturally make them prime candidates to experience the horrors of King's innermost imaginative thoughts, as in "IT" or the writer in "Delores".

From the Paper
"In the "Gunslinger", Roland, the main character, is practical and intelligent, which is the path most of King's characters take on. However, that is not an obvious "link" because very few people would read a novel in which the main character was not intelligent. It would make a boring book; therefore, King may not have purposely made this character as intelligent and practical as other "Dark Tower" characters. He may instead have created characters that were intelligent and practical because that is what sells books, and by coincidence, they all appear intelligent and practical."

Tags:intelligent, genre, misfit, evil, power

Abstract
The paper contrasts different critics' approaches to analyzing the book and its protagonist. The paper works its way through Stephen's life, at each stage offering the opinions of contrasting critics and reviewers of the book, such as Walton A. Litz, John V. Kelleher and Robert Adams. The paper also analyzes the novel's structure, again comparing different critics' opinions, in this case Harry Levin's division of the book into three sections with William T. Noon's separation of the book into five parts, along the lines of Joyce's five chapters. Finally, the paper contrasts Joyce's style and structure with Stephen's aesthetic theory: Stephen's destiny seeks wholeness, his personality desires harmony, and Joyce strives for clarity. In conclusion, the writer speculates that if Thomas Aquinas was alive in 1914, he probably would have enjoyed meeting James Joyce.

From the Paper
"Another turning point for Stephen's development occurs during his studying of the Litany of the Blessed Virgin. Stephen reads the words that he has read many times, but this time he examines the words for their actual meaning (Zimbaro 31). When Stephen begins to evaluate words for their meaning, he opens up a whole new world of symbolism. The repeated use of words like "dark," "cold," "pale," and "strange" to describe Clongowes Wood College represents Stephen's true feelings. Stephen even recalls words from his past, like the childhood poem "O, the wild rose blossoms/ On the little green place" (Joyce 19), and brings them into his world of imagery: "Perhaps a wild rose might be like those colours and he remembered the song about the wild rose blossoms on the little green place. But you could not have a green rose. But perhaps somewhere in the world you could" (Joyce 24). Stephen's imagination allows him to deal with reality in a way that he can accept. Words and symbolism become the key to all of Stephen's experiences. For example, when Father Dolan hits Stephen with the pandybat, the words "hot," "burning," "stinging," "tingling," "crumpled," "flaming," "livid," "scalding," "maimed," "quivering," "fierce," and "maddening" all occur in less than half a page (Adams 235)."

Tags:Litz, Kelleher, Adams, structure, Levin, Noon, destiny

Abstract
This paper focuses on aspects of Stephen King's writing and life. The paper examines how others see Stephen King as a master of the macabre, but King himself has an aversion to being labeled by any single genre. It shows how, in all his novels, King seems to echo the 20th century obsession with horror, where, rather like in "Frankenstein", the initial progress brought on by the Industrial Revolution has waned, and its darker side, like the horrors of nuclear war, hang over the earth like a threatening sword with a kind of doomsday scenario. It discusses that, if we trace the evolution of King as a writer from his early macabre days to his later fantasy novels, he seems to echo deep fears within us all, as we ultimately struggle through the darkness to reach love and light.

From the Paper
"Stephen Edwin King was born in September 21 st., 1947, Portland, Maine and soon after his birth his mother Nellie Ruth and his father Donald, separated. A product of a broken home, Stephen was brought up by his mother. His early life was spent shuttling between his father's family in Indiana and his mother's family in Massachusetts and Maine. The young Stephen graduated from high school in 1966 and showed early signs of his talent as a writer in the University of Maine from where he wrote a weekly column for the school newspaper. As a student, he became a supporter of the anti-war movement and supported a peaceful solution to the war in Vietnam. His mother encouraged him to be a writer, but she was also insistent that he get a teaching certificate, so that he could have a job to rely on, in case his writing career did not progress well. (The Observer, 17 September 2000). He married Tahita Bruce in 1971 and they both had to struggle hard for a livelihood. During this time he taught, worked as a janitor and wrote short stories-Later to be published in the book, "Night Watch.""

Tags:carrie, fear, novel, doomsday, fanstasy

Abstract
This paper presents a candid account of the writer's opinion of the author, Stephen King. The paper provides examples from some of his literary works, illustrating his claimed genius. King's substance abuse is discussed, pointing out the influence it had on some of his novels. The writer concludes that, despite what anyone might say - King himself included, Stephen King is a master of literary form and, most of all, a master of the game of storytelling.

From the Paper
"The genius that is Stephen King exists on many levels. The fact that he completed one of his highest praised novels, Cujo, well, higher than a kite, is brilliance in itself. If the man can write that well stoned out of his gourd, what could he do sober? Just looking at the cross-section of novels, short stories and even his new serial e-book, your average Stephen King fan will tell you, the man can do anything. He is a literary god. But why? His alter ego, Richard Bachman, did not enjoy the level of success that Stephen King did. As the man, himself, asked, was it because the stories "sucked like an Electrolux?" Of course not. We're talking about Stephen King or Dicky Bachman, as he called himself. The entire idea of the pseudonym brings forth the question, why do some authors achieve the level of success that Stephen King has? Is it really their writing? Well, Richard Bachman or no Richard Bachman, Stephen King's genius is evident in his every word, eluded, loaded or otherwise."

Tags:cujo, richard, bachman, carrie, horror