Abstract
This paper considers the The two Star Wars trilogies as an excellent example of science fiction movies that made a big impact on several movie-going generations. This paper further argues that the first-made Star Wars trilogy (and in particular the first Star Wars movie was the most influential science fiction movie of all times, although it can also be argued that it was the most successful fairy tale movie of all times too. The reasons for this are discussed in the paper.

From the Paper
"The two Star Wars trilogies are an excellent example of science fiction movies that made a big impact on several movie-going generations. This essay will argue that the first-made Star Wars trilogy (episodes 4-6) and in particular the first Star Wars movie (episode 4) was the most influential science fiction movie of all times, although it can also be argued that it was the most successful fairy tale movie of all times too. This is due to several reasons. First, in the movie making sense it was quite revolutionary, with all the special effects that the movie's makers managed to achieve without the help of computer technology. Second, the..."

Tags:review, star, wars

Abstract
This paper presents a detailed examination of the main ideas of Sigmund Freud and how those ideas can be applied to the life of the "Star Wars" character, Darth Vader. The writer looks at some of the actions taken by the character and holds them against the theories of Sigmund Freud to explain Vader's personality and actions.

From the Paper
"The id, the ego and the superego were perhaps the most famous theories of Freud. Darth Vader demonstrates all three concepts in the movie series throughout his life. The id is demonstrated when he displays the instincts to love his son. He displays a sliver of good and right when he doesn't want to kill his own son. A seeming evil being with no feelings whatsoever suddenly develops the instinct to protect that son. It is human instinct and one he was born with which comes from Id."

Tags:Galactic, Empire, Palpatine, Princess, Leia, Death, Star

Abstract
This paper discusses the 1977 film, "Star Wars," directed by George Lucas. It discusses the plot of the film and the characters as well as why "Star Wars" fits into the modern blockbuster category. The paper also focuses on directorial control in the film and the innovative technology that was used to produce the special effects in the film.

From the Paper
"There is a "dark side" to the film's unexpected success, its technological innovation, and the conviction of a director who believed in his product (Sibley, 2007). "'Star Wars' also spawned a massive merchandising empire that includes everything from books and comics to toys, models and several television series. By 2005, according to Forbes magazine, the 'Star Wars' franchise, including movies, television programs, toys, comics, books and other merchandise had earned nearly $20 billion" (Sibley, 2007). From then on, merchandising and the potential for sequels, rather than artistic quality of the film product, or even the storyline of a popular product was the primary interest of studios. Selling toys rather than crafting storylines became more important--and one might say that 'coming to a toy store near you' has become just as important to a movie's bottom line as showing a strong opening in the theaters."

Tags:blockbuster, movie, galaxy

Abstract
This paper examines how the journeys and triumphs of Luke and Anakin Skywalker, the main protagonists of Dean Foster's "Star Wars", can easily be depicted and compared to the heroic events of the mythological Greek hero. The paper maintains that the six episodes of "Star Wars" can be directly correlated to stories of Greek myth. In particular, the paper posits that Luke and Anakin are clearly analogous to the heroes Perseus and Heracles. It also adds that, as Jung identifies specific archetypes that are prevalent in a heroic journey, Anakin and Luke easily fit each pattern of the classic hero in the modern movie series. To conclude, the paper draws a parallel between the sci-fi and classical heroes in that each hero, being half-human, half-god, has the ultimate burden of confronting their own mortality.

From the Paper
"The journeys of Luke Skywalker, Darth Vader (Anakin Skywalker), and even their associates repeat the heroic pattern and archetypal events and heroes of Greek Mythology. Just like Perseus, Anakin shares similar the heroic traits. Both have the distinction of an unusual birth from virgin mothers though Perseus was born from parthenogenesis involving Zeus. Attempts were made to kill each of them at a young age. Similar to the way Perseus was raised by the fisherman Dictys, Anakin was spirited away to be an apprentice to Obi-Wan. As he began to grow strong with the force, Obi-Wan and the Jedi knights became skeptical of his strengths. Similar to the way the Gods did not believe Perseus was powerful enough because he is half human, Obi-Wan is concerned Anakin is not fully prepared in being a Jedi because he is too arrogant."

Tags:myth, science, fiction, movie, protagonist

Abstract
This paper presents a detailed examination of the "Star Wars" culture and its evidence that the cinema has a direct impact on America history through the phenomena that it causes. The writer explores the "Star Wars" movie from the 1970's and argues that it is possible for a film to create an entire culture of existence, as was proven by this movie and its subsequent releases.

From the Paper
"Since the beginning of the silver screen millions of movie goers have flocked to theaters to be entertained by their favorite actors and directors. Some movies flop, while others make a profit and every once in awhile a movie is released that creates an independent culture of followers crossing all economic, social and racial boundaries. This was the case of the first Star Wars movie which was released in 1976 and created a multiple decade following of fans."

Tags:movie, cinema, hans, critique, space, society

Abstract
This paper presents a detailed examination of the Star Wars culture and its evidence that the cinema has a direct impact on America history through the phenomena that it causes. The writer explores the Star Wars movie from the 1970s and argues that it is possible for a film to create an entire culture of existence as was proven by this movie and its subsequent releases.

From the Paper
"Since the beginning of the silver screen millions of movie goers have flocked to theaters to be entertained by their favorite actors and directors. Some movies flop, while others make a profit and every once in awhile a movie is released that creates an independent culture of followers crossing all economic, social and racial boundaries. This was the case of the first Star Wars movie which was released in 1976 and created a multiple decade following of fans. Whether the movie made the culture or the culture made the movie is arguable however, the impact the movie had on American society cannot be ignored. It is a classic study in human nature, wants and desires that began with the first rolling of credits."

Tags:movie, space, film, Skywalker

Abstract
This paper relates the part of the story from George Lucas' "Star Wars" film trilogy about protagonist Anakin Skywalker becoming a Jedi Knight. The author explains that, within the films, there are elements of both classical and eastern philosophical beliefs. "The Force", which is the underlying force governing all things both good and bad, the paper states, resembles the eastern tradition of the Tao. The failure to remain loyal to his initial cause is based on classical Socratic philosophy; whereas, Anakin's transgression into Darth Vadar shows his failure in terms of ancient Hindu principles as well.

From the Paper
"Although not explicitly good and evil, these two forces are opposite in their origins. This shows that the world cannot exist without the concept of evil, or a darker force, which actually balances out the more beneficial force. This was the same for the concept of "The Force" within the "Star Wars" series. However, Anakin broke the tradition of Tao when he crossed over to the Dark Side. He was part of the force, which kept balance in the Universe. When he decided to leave his position of balance and move over into the Dark Side, he actually threatened the delicate balance of the concept of the Ying and the Yang."

Tags:transformation self-preservation balance, moral duties, mythical

Abstract
This paper discusses the movie "Star Wars" and analyzes the cinematography, acting methods and production design that went into the making of this classic film. By discussing all of these elements, a more technical observation can be evaluated in learning how the movie was made back in the middle seventies.

Abstract
This essay analyzes the movie "Star Wars" in terms of it fairy tale stories. The author provides several examples of known fairy tales and discusses the relationship between fairy tales, culture and unconsciousness.

From the Paper
"Even who has ever seen the first "Star Wars" movie knows that it has its, well, less then stellar, moments. A good deal of the dialogue could charitably be described as wooden. The special effects are fine, but beginning to look their age. There are some serious holes in the plot.

But none of this matters as much as it should for the simple reason that the film is a great piece of storytelling. Writer George Lucas has said about this film that "I realized that there are really no modern fairy tales... I wanted to make a ... film that would strengthen contemporary mythology and introduce a kind of basic morality" and this is fact does capture what has made the film such a cult classic. By using the structure and much of the basic symbolism of traditional fairy tales, the film connected instantly with people's sense of an archetypal quest."

Tags:unconsciousness, dreams, feelings, archetypal, stories, film, symbolism, cultural, classic

Abstract
The Star Wars movies, especially the first three, are clearly a type of myth written to demonstrate archetypal personalities. The characters are driven by their behavior, which can be used to analyze their characters in terms of Jungian and Freudian theories. Theories regarding "self", Type A and Type B personalities. and "persona" are related to the characters of Lando, Luke, Han, Darth Vader and Jedi Knights.

From the Paper
"In the Empire Strikes Back, many of the characters are acting out of great personal need or personal striving, and many of them fit fairly well into Jung's theory or archetype personalities.

The "Self" is the highest form a personality can take, well integrated and centered. To become a self-actualized Self is Luke Skywalker's goal and the final achievement of his mentor, Obi-Wan Kenobe. In an interesting twist, Darth Vader also sees himself that way. He believes self-actualization can be either good or evil, and finds evil more powerful and rewarding."

Tags:jedi, darth, vader, ego, super, id, persona, self, freudian