Abstract
This drama study historically critiques the theme of political corruption as it evolves in the play, "The Tempest", by William Shakespeare. The paper analyzes the various characters of this play to illustrate how the struggle for power is complex and that power and greed are the basis of corruption. The paper also points out that ,although Prospero dissolves the aggression set against him in the play, Shakespeare
uses "The Tempest" to reveal a commentary on political intrigue and corruption that reflects the historical Elizabethan monarchal class system and the politics of Shakespeare's times.

Tags:thomas, shakespeare, death

Abstract
This drama study examines the play 'The Tempest' by William Shakespeare. The paper discusses how by unveiling the political corruption that Prospero must face with Caliban, Shakespeare brings forth plans of murder and usurpation within the plot of the story. Although many attempts are made to steal the power that Prospero's Dukedom offer, the play ends with the triumph of royalty over political rivals. In essence, 'The Tempest' offers a great deal of political corruption as the island survivors of the shipwreck battle for power.

Tags:tempest, power, drama

Abstract
This paper is a study of Act 3 of the Tempest by William Shakespeare. The paper explores one of the themes of the play, namely, what is justice? The paper discusses the plot, characters and finally the outcome.

From the Paper
"The Tempest is a morality play based on the idea of reestablishing justice after an unjust act. The classical definition of comedy relies on reestablishing order. Shakespeare tells a fairly straightforward story involving the usurping of Prospero's throne by his brother and Prospero's quest to re-establish justice by restoring himself to power. However, the idea of justice that the play works toward seems highly subjective since this idea represents the view of one character that controls the fate of all the other characters."

Tags:shakespeare, play, tempest, english, justice, act 3, prospero, revenge, magic

Abstract
This paper discusses how the theme of Eden/Paradise is developed in Shakespeare's "The Tempest", with reference to the island and other attributes of Paradise. Additionally, the paper analyzes allegorical characters, with Ferdinand as Adam, Miranda as Eve, Prospero as God.

From the Paper
"This research examines the theme of paradise in Shakespeare's "The Tempest." The research will briefly set forth the general pattern of ideas in the work and then discuss the means by which it elaborates metaphorically on the setting of the action as a kind of Eden. The manifest action of "The Tempest" turns on the issues of isolation, rebellion, reunion and authority with the exiled Prospero positioned as the rightful duke of Milan and Antonio, the fraternal usurper, and the ruler of his isolated..."

Tags:paradise, Tempest, Shakespeare, allegorical, eden, metaphor

Abstract
This paper looks at William Shakespeare's "The Tempest" and focuses on the way the characters speak to one another and what types of speech are used in communication with equals and with servants.

From the Paper
"This paper will analyze the way characters in The Tempest by William Shakespeare speak to one another and what types of speech are used in communicating to one another. First however there will be a brief outline of both the plot and the historical context of.."

Tags:The Tempest, Shakespeare, poetry, prose, magic, language, plot

Abstract
This essay puts forth the argument that Shakespeare's views on Elizabethan society, which seemed to represent the majority view of early modern Europeans, are set forth in his play "The Tempest". The author provides a brief synopsis and analysis of the play and puts it into historical context with Shakespeare's time.

From the Paper
"The Elizabethan period was considered to be the enlightenment period where the artists and scholars were given opportunities to explore their art and culture. She even gave leeway to explore laws and order. Women and their position I the society prospered. This was against all that the people of the United Kingdom believed. Though historians would consider this period as most enlightening because it contains records of the medieval society the people at the time thinks otherwise. Perhaps this was the reason that the many plays of Shakespeare presented the views of the common people."

Tags:shakespeare, elizabethan, drama, prospero, miranda, alonso, storm, english, play, women

Abstract
The paper relates that the "The Tempest" and "The Winter's Tale" are generally considered to be two of Shakespeare's latest plays and also two of his most complex, showing the playwright in the full flower of his mature style. The paper explains that like other plays of Shakespeare's late period, they contain elements of romance, magic, and proto-operatic interludes of song and dance. What they also contain, and what is looked at in this paper, is a thread of concern with matters of kingship, rulership and command, and the effects that result when sovereignty is challenged or overthrown.

From the Paper
""The Tempest" and "The Winter's Tale" are generally considered to be two of Shakespeare's latest plays and also two of his most complex and interesting, showing the playwright in the full flower of his mature style. Both were first published in the First Folio of 1623, The Tempest being the very first play printed therein (at the head of the "Comedies" section) and The Winter's Tale printed as the last play of the "Comedies" section. It is important to remember that in the terminology of the period, a comedy referred not to a farce but simply to a narrative that ended on a positive note, and this is the case for both of these plays,..."

Tags:tempest, winter's tale, kingship

Abstract
This paper analyzes whether post colonial readings of Shakespeare's drama "The Tempest" address the 'right' issues as compared with traditional readings. The paper explains the play as a justification of colonialism and brings the argument of traditionalists that 21st Century views should not be imposed on the play.

From the Paper
"William Shakespeare's play "The Tempest" presents an interesting study of the critical controversies that often arise when works of literature are reconsidered in a twenty-first century context instead of as simply a product of the time in which they were produced. Indeed much debate has centered around readings that posit "The Tempest" as a text concerned almost exclusively with the justification of colonialism."

Tags:tempest, colonial, post, traditional, Prospero, Caliban, Antonio

Abstract
This paper is a discussion of Shakespeare's portrayal of women in his many different works. The author discusses how the female characters are portrayed in several of Shakespeare's plays. In "Henry VI," the woman's placed is portrayed as being in the home, while in "Macbeth," Lady Macbeth's influence declines to the point where she becomes a nervous wreck. In "The Tempest," the heroine Miranda takes all of her cues from the male character, in "Hamlet" a women's involvement in political matters is suggested to be dangerous and in "The Taming of the Shrew," women who were beaten or treated badly by their husband were powerless to speak out against this abuse. The author uses many different sources to support their thesis that Shakespeare did not intentionally portray women in a negative light, but his works should be viewed as being a reflection of the world around him.

From the Paper
"In "The Tempest," Tarqfrler writes that the heroine, Miranda, again is portrayed as a "conventional woman" (Tarqfrler pg). Although Shakespeare give her a "bright and cheerful nature" filled with kindness and compassion, "she is also oppressed by the male society" a woman who has none of the exaggerated affectations of social rules and timid conventions" (Tarqfrler pg). Shakespeare's male representative, Prospero, trains her in the essential of life, such as "speech, dress, obedience, gentleness and modesty" (Tarqfrler pg). Miranda is naive of the world's social structure, the protocol of aristocracy, moreover, she had no clue as to her place in the scheme of things (Tarqfrler pg). So although, her character is praised for its naivete and beauty, "she lacks profound intellectual and moral content" (Tarqfrler pg). Tarqfrler cites the critic Mrs. Jameson, saying, "She says that beautified nonsense existing in a charming manner does not constitute life. And for this reason Miranda disappoints us considerably. Miranda is a puppet and she lacks the quality and capability of her father. She is guided by Prospero, especially, in her "love affair." (Tarqfrler pg)."

Tags:henry, tempest, shrew, taming, hamlet, macbeth, venice, merchant

Abstract
This essay is about the theme of magic in the Shakesparean play, "The Tempest". The writer provides a short summary of the play and quotes lines which show how the power of magic influenced developments in the plot.

From the Paper
"Prospero was the legal duke of Milan. His brother, Antonio, stole his title and banished him and his daughter, Miranda, from Milan. While in exile, on an isolated island, he harnessed powers of magic for he was a great lover of arts and in particular, magic. Prospero was a very powerful man and by using his spell books, he was able to summon mighty magic. The most powerful creature he controls is Ariel who aids him in executing some of his magic spells."

Tags:magic, tempest, theme, Propero, Miranda