Abstract The paper compares and contrasts the basic film making techniques and themes that Orson Welles in "Citizen Kane" and Raoul Walsh in "RoaringTwenties" utilized in telling essentially the same story. The paper explains that both of these stories are set in the 1920s and both illustrate aspects of the American dream, with the rise and fall of the hero in the story. The paper shows how these are stories of good and evil in a society torn by war, excess, and then crushing economic crisis. The paper concludes that both films are filled with some of the finest actors, are written with a compelling dramatic style and are memorable due to their cinematic techniques.
From the Paper "Both of these films are created in stark black-and-white, even though color in films did make its debut in 1939, with the classic "Wizard of Oz," and 1939 was the same year "Roaring Twenties" debuted. Both of these films are based on the lives of real people, even thought they might not acknowledge that. "Kane" is based on the life of wealthy publisher William Randolph Hearst, while "Roaring Twenties" is loosely based on the life of gambler and racketeer Larry Fay. There is one major difference between the two characters that is made quite clear in the film. Eddie, the hero of "Roaring Twenties" (played by film great James Cagney), is basically a good man who is thrown into the world of gangsters and bootlegging due to society and economics. Charles Foster Kane (played by Orson Welles), is a good child who becomes corrupt early, and becomes enamored of his own power and prestige so much that any traces of good left in him only seem to emerge on his death bed, when his last word is of his precious sled from so long ago."
Abstract This paper describes the RoaringTwenties era, focusing on the Harlem Renaissance, the growth of the cinema, the evolution of fashion and the mass production that made products more readily available to the masses. The paper explains how money and the pursuit of wealth became an obsession in America that led to scandals such as the infamous "Teapot Dome Scandal". The paper also explains that the unbalanced production and consumption cycle during this period led to debt and rising unemployment rates, followed by bank failure. This, in turn, caused the stock market to crash in 1929, marking the beginning of the greatest economic depression the US had ever seen and will likely never forget.
From the Paper "The 1920s was the decade when women and men began wearing more comfortable and casual clothes. Men first began wearing sports clothes and women began wearing shorter skirts and pants. The fashion most famously associated with the "roaring twenties" began later in the decade, after 1925. Women cut their hair in a short "bob", a bold move at the time so that they could fit under the popular hats. Fashion modeled after the Greek and Roman tunics began to appear, being design for freedom of movement, and to draw more awareness to the body underneath the clothes. Flat chests for women were considered most attractive and the first breast reduction surgeries were performed at this time. ("1920s in fashion.")"
Abstract This paper discusses how the decade of the 1920s was a time of great change and chaos within the United States. It looks at how many people began to realize more freedom than they had in the past, such as women, and how African-Americans realized a surge in respect for their culture, as their art, music and literature infused American culture with new flavor. It also examines how American farmers realized a downturn and struggled to stay in business in light of falling prices and over-produced goods and how industrial workers found less resistance when seeking out higher wages for themselves. It shows how, overall, the era preceding the Great Depression was a prosperous one for most people involved.
From the Paper "The Roaring Twenties is considered a decade of great change within the U.S. Mostly the era is known for the infamous flappers, Jazz, stars such as Babe Ruth and many other flaming images. It was also considered a defiant age where people stepped out and began to oppose the limitations set upon them by their parents and predecessors. People acted in a more free and wild manner. Growth in the cities and urban areas caused a division amongst urban workers and more rural dwellers. Those working on farms and in rural areas often saw the cities as communities of wickedness, while their urban partners saw them as their less sophisticated friends."
Abstract This paper explains the history of women's fashion from the 1900s through the 1950s and how the economy and popular culture affected fashion. It explains in detail how the fashion industry was affected by such things as World War I, the Great Depression, and World War II. It tells about the "roaringtwenties" and the flapper style of Coco Chanel, along with Dior's "new look" of the 1940s.
From the Paper "American women's fashion throughout the twentieth century has undergone drastic changes as the years passed. All through the century, fashion was influenced by the economy and popular culture. Women's fashion especially exemplifies the changes of hair, makeup, dresses, pants, shoes, hats, and so many other things which have all gone through massive modifications. The American women of this century have been especially mindful of their fashion, and their concerns have been brought out through what they wear. Each decade has had their own fashion revolutions and disasters, but each has also brought about revolutionary changes in style, that still affects us today and will for many years ahead."
Abstract In this study the author examines the 1920s as a decade of reaction to changes in society after the end of the nineteenth century.He highlights the factors that may have brought about the roaringtwenties such as the end of World War I. The paper concludes with a looks at the crash of Black Tuesday and the end of the good times .
Introduction:
Prohibition
Gangsterism, Flappers and Hot Rods.
Isolationism and Tariffs
New Immigration Laws
The Great Crash
From the Paper "The speed with which the products of mass production diffused through America was astonishing: not just automobiles but also washing machines, refrigerators, electric irons, electric and gas stoves--a whole host of inventions and technologies that greatly transformed that part of economic life that takes place within the household. For one of the major consequences of mass production was the building-up of the stock of capital goods for within-the-home production. "
Abstract This essay concerns Leo MacKay Jr.'s novel entitled 'Twenty Six', and it evaluates a review of the same novel. In this case, the review was taken from Quill and Quire magazine. The essay concludes, that the review does not really do the novel justice or present it adequately, as is also the case with other reviews of this novel. The writer points out that the central conflict is poorly represented.
From the Paper "A review of a book, movie, play or other art form has to straddle a delicate balance- on the one hand, an accurate and objective view of the work must be presented, but on the other hand, the author of the review also has to make his or her own unique point. He has to really be saying something original about the book in order to make the review worthwhile. A common difficulty, therefore, is when reviewers seem to struggle for things to say that are unique and original, and the review itself ends up being either an overly negative criticism or a retelling or summarizing of the plot of the story."
Abstract This paper reviews F. Scott Fitzgerald's novel "The Great Gatsby", a book primarily concerned with the lives of wealthy people, set in a period of American history where wealth was of greater importance than ever before, owing to the increasing affluence of the population and the start of mass public investment in the stock market. It examines how the novel deals with two of the great issues of its time, the social extravagance and pleasure-seeking spirit of the roaringtwenties and the ruthless social climbing of those at the top of organized crime. It looks at how the book shows that the ideals of hope, morality and honesty are no longer existent and how the novel's obsession with wealth and the amorality that surrounds its wealthy characters demonstrates that money is only an object of worship.
From the Paper "Perhaps the greatest demonstration of the way the novel is bewitched by the dishonesty and lavishness of wealth is in the eponymous hero. While the narrator seems in awe of the luxury of his parties, there is little comment on the rather corrupt and unsavoury means by which Gatsby has acquired his wealth. At one of his parties a guest comments that he once "killed a man". This is never condemned, and his friend Meyer Wolfsheim is a distinctly shady character whose corruption and underworld connection seems little cause for alarm to Nick. This is great symbolism in Gatsby's favourite term of endearment, "old sport". This is meant to evoke thoughts of fair play, but it only serves to remind one of Jordan's cheating at golf and Wolfsheim's fixing of the world series go to show that sport, traditionally a bastion of morality, is now full of such underhand practice. However, Meyer Wolfsheim's molar cufflinks get more comment than his corrupt activities."
Abstract This paper provides a brief biography of F. Scott Fitzgerald, from his birth in Minnesota in 1896 to his education at Princeton. It then traces his writing career and his marriage to Zelda through the turbulent Twenties and shows how his extravagant lifestyle affected his personal and professional life. The paper examines the extent of Fitzgerald's popularity during his life and how he became an icon of American literature after his death.
From the Paper "Fitzgerald did however end up a writer's writer, looking beyond circumstance and seeing the American dream as a continuing defining characteristic of the American nation and its people and "is a recurring phenomenon in each phase, place and guise of Fitzgerald's imagination of American experience" (Callahan pg). Fitzgerald wrote, ?The American story is the history of all aspiration ? not just the American dream but the human dream? (Callahan pg). His novels are enactments of the American dream, expressed in love affairs and ambitions of his characters such as Jay Gatsby in ?The Great Gatsby,? Dick Diver in ?Tender is the Night,? and Monroe Stahr in "The Last Tycoon" (Callahan pg). Diver, Gatsby, and Stahr are all men with big ambitions, they want to be leaders of men, to be admired, just as Fitzgerald wanted to be a great writer, a writer's writer (Callahan pg)."
Abstract This paper shows how F.S. Fitzgerald's "Babylon Revisited" is an important modernist text that deals with the negative side of the economic boom during the American twenties. In particular, the paper examines how, in the book, Fitzgerald comments on the wildness and the excess of the age and shows how the lives of the Americans had solely revolved around money and material gain. The paper also analzyes how "Babylon Revisited" draws upon many experiences of Fitzgerald's personal life.
From the Paper "Francis Scott Fitzgerald is one of the most prominent modernist writers. His life and career as a writer span two of the most tumultuous economical periods of the United States: the incredible economic boom of the twenties, followed by the tremendous economic crash during the Depression. Born in 1896 is Minnesota, Fitzgerald lived through the time that would later be called "The Roaring Twenties", or, according to the name he himself gave it, "The Jazz Age". The twenties were probably one of the most spectacular decades in the history of the United States. The period is best known perhaps for its economic inconsistency: the economic boom was fallowed by dramatic stock market crashes, which obviously affected the lives of all the people."
Abstract The purpose of this paper is to introduce and analyze the documentary film "Roaring Lions" which chronicles the origins of the Rastafarian indigenous social movement in the Caribbean. It looks at how Rastafarianism is much more than reggae music and the tunes of Bob Marley, although those cultural items have introduced many people to Rastafarianism around the world. It contends that Rastafarianism is a social movement working to become an accepted religion in Jamaica and other Caribbean nations.
From the Paper "Essentially, the Rastafarian movement began in the 1930s, when Jamaicans discovered the black emperor of Ethiopia, Haile Selassie I. One Rastafarian in "Roaring Lion" says, "In Jamaica, we always worshipped a white Christ, and a white king, and a white queen" ("Roaring Lion"), which helps the viewer understand how a black king would be such a strong, magnetic draw for these people. They raised Selassie to the status of God, (they call him "Jah") and believe he is part of a Holy Trinity foreseen in the Bible and destined to return to Earth. This movement, like many indigenous social movements, began in the poor communities of working and peasant blacks, and it has spread throughout the Caribbean and far beyond, to be embraced by people all over the world. "
Abstract In this article, the writer notes that Ethel Wilson's "Swamp Angel" and Leon McKay Jr.'s "Twenty-Six" are two dramatic novels written by Canadian authors and set within Canadian borders. The writer maintains that despite these superficial similarities they are, however, very similar books in their themes of compassion, familial relationships, time, drama, pain, and the necessity of moving forward. The writer concludes that the endings of "Swamp Angel" and "Twenty-Six" represent the importance of compassion in redemption. Life is difficult, the authors seem to acknowledge; but it rolls on, regardless of us. The writer maintains that the only means through which we can improve our lives and obtain meaning is through acceptance of change and the embracing of the human beings who are important to us - our family.
From the Paper "Both novels deal closely with the theme of compassion towards those around us, as part of being human. The novels Swamp Angel and Twenty-Six also deal with the concept of responsibility, particularly in a familial sense. Wilson's book serves to remind the reader what it is to be human. That is, we must not only be ourselves, but are responsible for the consequences of our actions and how they effect others - especially family members. This concept of responsibility is tied in with the idea of time. Wilson's character Maggie demonstrates that though time is ours, it does not permit us the joy and irresponsibility of floating along of our own accord, acting of our own whim without regard to others. Instead, life and relationships are temporal. And, in the temporal flow of relationships, changes abound. When Mrs. Severance gives up the Swamp Angel, she recognizes that time and change are necessary ideals to uphold."
Abstract In this analysis of "Twenty Thousand Leagues Under the Sea" by Jules Verne, the writer of this paper takes the reader on an exploratory journey of the story itself and then works to compare the culture of the people on the submarine to actual cultures. The writer concludes with a discussion about the comparison.
From the Paper "Many times in literature the author will use the story to portray or convey some truth in fiction about the culture he is writing about. This was the case with Jules Verne's Twenty Thousand Leagues Under The Sea. In this book the author takes painstaking efforts to convey many details with extreme accuracy relating to the culture of life at sea and the findings that occur. Other aspects of the culture are not as easily defined because of the various nations that the shipmates come from. However, the culture of sea life is a culture that crosses all barriers and Verne does an excellent job of painting a mental picture for the reader about the culture that his characters lived in the story and would have lived had they been real."
Tags: sea, monster, Captain, Nemo, Monsieur, Arronax, Conseil, Ned, Land
Abstract This paper examines how written in 1910 as both an autobiography and an account of her founding of the famous Hull House in Chicago, Jane Addams' seminal text "Twenty Years at Hull House" has much in store for its reader. It examines Addams own account of her formative years, from the almost allegorical narrative of moral development and conversion, to the actual story of this home of social reform at the turn of the century.
Abstract This paper discusses John Maxwell's book, "The Twenty-One Irrefutable Laws of Leadership". The paper suggests that the book is based upon the philosophy that leadership is the cornerstone of successful business and that it is through individuals that strive to do what is right, that true leaders emerge. It describes how Maxwell contends that leadership exists in every society, all organizations and throughout the generations, yet, leaders often require new ideologies to inspire them in the leadership of others.
From the Paper "Summary of The Book: The Twenty-One Irrefutable Laws of Leadership The laws, Maxwell contends, have the ability to be learned by anyone who is devoted to leadership. While many leaders are naturally inclined to fulfill these roles, there are just as many individuals within organizations who must acquire the talent of successful leadership. Maxwell further suggests that the 21 laws have the ability to be the only guidance for the leader when the laws are addressed with conviction. "
Abstract The purpose of this paper is to introduce, discuss and analyze the book "Twenty Years at Hull-House" by Jane Addams. Specifically, it discusses what her political argument is and how she goes about promoting it in the book. It looks at how Addams argues that it is the responsibility of the government to care and aid those in poverty and that regulating the workplace is one place to begin this aid. It also examines how Addams promotes the idea that everyone needs to respect each other and work together to solve society's toughest problems.
From the Paper "Part of her argument surrounds the inactivity of local and state governments to create decent living and working conditions for the nation's poor. She writes, "The policy of the public authorities of never taking an initiative, and always waiting to be urged to do their duty, is obviously fatal in a neighborhood where there is little initiative among the citizens" (83). The city has a moral obligation to create decent conditions for the city's poorest workers, but she notices that often they shirk their responsibility because the immigrant citizens do not know their rights or how to access them. She notes that many houses do not have sewers, there is little street lighting, the streets are dirty, and the schools are inadequate, among other things. "
