Abstract
This paper takes a look at Francois Rabelais' life and how his upbringing influenced his work. The work examined in this paper is "Gargantua and Pantagruel". Firstly a description of his upbringing in a historical context is provided and then a concise look at the novel. The characters are analyzed and contrasted.

From the paper:

"Because to laugh is proper to the man.? ? Francois Rabelais.
Francois Rabelais was a satirist. Throughout his life, he was bombarded with Christian ideals and ideas, yet his works certainly ridicule many aspects of the Christian faith. Francois Rabelais was born in 1483 at Chinon in Touraine. This date, as well as many other details of his life, is in dispute by scholars all over the world. Some researchers believe that his father was an apothecary while others believe that Rabelais? father was an innkeeper. Francois began his studies with the Benedictines but eventually joined the Franciscans where he stayed fifteen years and received his Holy Orders. He later found the convent was against the studies of the Renaissance that he favoured, so with permission from the Pope, he left it. At his new convent home he continued his study of medicine in 1530. By the following year, he was a professor of anatomy at Lyons as well as head physician at Pont-du-Rhone hospital. During his time as head physician, he fathered a child that died young. In 1534 he began his time with Cardinal du Bellay as a physician. He received an indult from Pope Paul III that allowed him to practice medicine and absolved him from his former infraction of fathering a child while in the priesthood."

Tags:giants, Catholic, theology, Church, satire, curse, character, monk, humanist, human, paradox, intellectual

Abstract
This paper explains that Francois Rabelais uses satire in his book "Gargantua and Pantagruel" to address the disorientation felt by Renaissance Humanists by examining and lampooning the extremes of both Medieval and Renaissance education, thus he also analyzes the characteristics and values of his own humanistic ideals. The author points out that, throughout the book, Rabelais repeatedly refers to Socrates and to Plato's "Republic"; however, Rabelais takes the classical allusions a step further and actually models his Utopian masterpiece on Plato's "Republic". The paper stresses that Rabelais makes a case for moderation and avoiding the extremes of either Medieval scholasticism or Renaissance humanism thereby suggesting that one must find a middle course, which depends upon ones own discretion and abilities. Long quotes.

From the Paper
"Why does Rabelais model Gargantua and Pantagruel on The Republic? In Book III of The Republic, Plato focuses on art, education, and censorship. Plato, in the persona of Socrates, stresses that nurture is critical in molding the character of the individual. The general topic of the section concerns how the auxiliaries are to be educated, and the curriculum breaks down into gymnastics and music. (While incidental and minor, including gymnastics in Gargantua's curriculum is at least curious if not noteworthy.) Plato believes that arts and letters have a profound impact on shaping character and says that therefore they must be strictly regulated. Is Socrates or Plato really advocating censorship? Plato is in fact making a case for personal discernment. He obviously values art as a powerful force and an effective learning tool. Otherwise, why would he use the format to convey his own message? If he is so suspicious of imitation, why does he express his own philosophy in a dramatic form?"

Tags:utopian, disorientation, education, humanistic, plato

Abstract
This essay takes a look into the life of Francois Rabelais and into his book "Gargantua and Pantagruel". Specifically, the focus is on the idea of the curse as mentioned in the book. The curse is that Christians are free and yet they are enslaved. Finally, the paper shows that through his book "Gargantua and Pantagruel", Rabelais examines the curse of Christianity, namely that the Christian has free will, but that the free will he or she is given is limited.

From the Paper
"The book contains the story of the birth and upbringing of a giant child, Gargantua, and illustrates the author's views on bad education (Medieval) and good education (Renaissance), and how an ideal humanist leader should behave. The character of the battling monk, Friar Jean, is introduced, with graphically detailed anatomical descriptions of his feats of holy combat."

Tags:book, curse, gargantua, one, pantagruel, rabelais

Abstract
This paper describes the opulent details of Francois Boucher's painting "The Toilet of Venus", which reflect the overindulgence which was so characteristic of the decades before the French Revolution. Next, the author explains that some of the aspects of this painting are reminiscent of Renaissance paintings; however, the partial landscape and the complexities of color, shadow and texture are associated with the art of the eighteenth century. The paper contends that the most prominent facet of the painting is Boucher's use of color.

From the Paper
"The painter mainly employs linear perspective, though due to the proximity of the viewer to the piece it is hard to tell. Boucher seems to almost purposefully have avoided any use of parallel lines, which makes linear perspective difficult--if not impossible--to perceive. Atmospheric perspective tends to bend the scene together, however, ending equal focus to each constitutive element in the painting, and this does not appear to be the case here. There is the suggestion of atmosphere brought in by the bit of landscape, and in the way that the figures--and Venus especially--seem almost to be a part of the bed."

Tags:cherub color, linear perspective, vanity naturalism

Abstract
This paper looks at the paintings "The Toilet of Venus" by Francois Boucher and "Gertrude Stein" by Pablo Picasso and how they differ in style and color. It discusses how each painting has a unique style which is intriguing and alluring and how the main difference is the colors used, one is dark and the other is brilliant. It also discusses the history behind the paintings and their similarities.

From the Paper
"Francois Boucher painted The Toilet of Venus. This painting was custom-made for Madame de Pompadour as part of the decoration for her cabinet de toilette at the Chateau de Bellevue, which was one of the residences she shared with King Louis XV. In the painting there are cupids and doves which are attributes of Venus as the goddess of Love. The flowers allude to her role as patroness of gardens and the pearls reflect her mysterious birth from the sea. Francois made the painting during the Rococo Style period. Rococo Style was popular in Western Europe from 1700-1780. The term comes from French, which stands for fanciful rock or shell design, and it exhibits an elegant feeling and style. As a painter of nudes, Boucher had no equal in his generation. "

Tags:color, style, cupids, flowers

From the Paper
"In 1981 for the first time in the French Fifth Republic, a socialist government, led by Francois Mitterrand, was elected to office. This victory was indeed a significant political achievement when one considers that, little more than a decade earlier, the Socialist Party had managed to obtain only 5.1 percent of the vote.. In just over one decade the Socialist Party had grown and united under the skilled and professional leadership of Francois Mitterrand.

In 1981 the socio-economic and political atmosphere was ripe for a socialist victory. The ruling right-wing-centrist coalition was deeply divided and fragmented. A bitter and politically damaging rivalry between Jacques Chirac and Giscard ... "

Abstract
This paper explains that L'Hopital, who lived during the conception of modern calculus, was taught by Bernoulli; the result of this tuition was L'Hopital's "Analyse des Infiniments Petits", which became the French reference book in the calculus for a century. The author points out that L'Hopital's name is guaranteed to survive in the memories of thousands of mathematicians because of the L'Hopital rule, which is useful when dealing with indeterminate forms. The paper relates that L'Hopital created the template by which all calculus texts would be modeled and measured against for the next three hundred years. Formulas included.

From the Paper
"A natural progression from his two first works on the topic of calculus would have been a serious examination of the integral calculus. Indeed, this was a project that L'Hopital was capable of and actually began to write before his death. However, one of his contemporaries-Leibniz-made it known to L'Hopital that he also endeavored to publish a work covering the same hole in written calculus of the time. Apparently, out of respect to the mathematician who made much of his fame possible, L'Hopital abandoned the project."

Tags:derivative, calculus, Bernoulli, indeterminate, text

Abstract
This paper examines the history of the specific religion that worships Satan directly. The paper explains that Satanists revel in balking authority and Christianity, and scoff at the idea of bowing to anyone. The paper points out that despite the fact that the philosophies so prevalent in Satanic literature and religion are growing in popularity in America, most Americans are still repulsed at the mention of Satanism.
The paper then looks at how, throughout the entire history of Satanism and various Satanic groups, the quest for power and fulfillment of the flesh are the overriding tenets of their dogma. The writer concludes that while Satanists today are in some ways making a modern day Faust-like pact with the devil for power and earthly "freedoms," most don't realize or accept that the traditional end to that story leaves Faust and them spiritually dead.

Table of Contents:
Introduction
The Ancient Egypt Connection
The Zoroastrian Contribution
The Muslim and Christian Satan
Other Ancient Gods of Importance to Satanists
Effects of the Enlightenment on Modern Satanism
Francois Rabelais
The Monks of Medmenham
Hell-Fire Clubs
Aleister Crowley
Gerald Gardner
Anton Szandor LaVey
Temple of Set
Satanism Today
Conclusion

From the Paper
"Islamic lore states that Satan was Azazel, the First Angel, and he was cast from heaven when he refused to bow down to man. Luciferians feel that Satan is not completely evil but a balance of both good and evil. Satanists embrace Azazel because of his independence and freethinking; some feel that they themselves are separate from their original creator. Azazel was also made of fire, which Satanists feel is superior to clay.
Lilith is also a key figure in Satanism. She is the Triple Goddess, or Hecate, maiden, whore and hag, and her number is three. Those who recognize her nature will be gifted with her wisdom of Magick. She is "the very nature of Az who is the Mother of the Luciferians. " Aleistar Crowley compared Lilith and Az to the whorish biblical Babylon. Lilith is used in witchcraft rituals to summon succubae or incubi."

Tags:cults, sect, bible, witchcraft, evil

Abstract
The paper discusses how D.H. Lawrence's novel "Rainbow", Vera Brittain's memoir the "Testament of Youth" and Francois Truffault's film "Two English Girls", all deal with the issue of how women in the twentieth century deal with their inheritance of Victorian morality and how they shape their own lives both in response to and in defiance of those virtues. It examines how in Victorian society, women had an extremely well-defined, repressive and limited role in society with strict taboos surrounding female sexuality, which was not a subject available for polite discussion. It looks at how in all the three works, several different young female characters raised in the shadow of the Victorian Era are coming to grips with their identity especially as it relates to the typical idea of women that people held in the Victorian Era.

From the Paper
"Vera Brittain on the other hand, displays an example of the new femininity that began to emerge in the twentieth century after the end of the Victorian era and the repression that that era caused people to entertain, particularly as regards their gender roles. Brittain, unlike Ursula, however, seems to have a sense of how she can achieve a difference between her and her forbearers in action as well as in thought. She realizes what she learns by working outside of the house as a nurse and what this information enable her to accomplish in the world. Further, she realizes how having access to information about the realities of both life and of sexuality enable her to have a more privileged and enlightened position in the world than many of her female contemporaries."

Tags:society, taboos, sexuality, morality