Abstract
The paper states that the two main male (Edward) and female (Vivian) characters come from different cultures; but, as people are not that different, they simply react to social norms differently. The author feels that the entire movie's concept is built around the dilemma of coupling someone who is used to conforming to the norms of polite society with someone who is totally clueless when it comes to these norms. The paper presents examples from the film that demonstrate the sociological principles.

From the Paper
"Julia Roberts' character in "Pretty Woman," Vivian, the prostitute, strongly exhibits individualization. She is her own person, acting as she pleases, without worrying about what society thinks of her. Societal norms don't affect her. Edward, Richard Gere's character, however, is different. He is a rich man who has been brought up in the aristocracy and has learned societal norms. He adheres to these norms strongly. He is embarrassed by others around him who do not conform to the norms of "polite society.""

Tags:cultures, dilemma, coupling, polite, high, society, individualization, prostitute, dreaming., hollywood

Abstract
This paper discusses how in Garry Marshall's "Pretty Woman" (1990), a distinct ideology based in Hollywood's film and television is clearly outlined. It looks at how, by conforming to the Hollywood ideology, the world where "Pretty Woman" takes place is normalized by a society seeking the good and just in every subject and creating ideals like romantic love in a patriarchal society or individual achievement through capital gain. The paper also examines how, in an effort to keep Hollywood's values similar throughout cinema, Garry Marshall has endorsed the institutions of capitalism and patriarchy in "Pretty Woman" by reducing the taboo subject of prostitution through the monetary, masculine achievements of Richard Gere's character.

From the Paper
"Through Edward's wealth, he is able to set up a patriarchal control over Vivian, subjugating her beneath his capital and masculine dominance. By simply being an archetypal male figure, Edward is able to acquire wealth. Whenever Edward is at a meeting, about to conquer another business, the only other employees are men. Men are the only ones with any power in the film: Edward, the hotel manager, Stuckey. The women, as Edward Lewis wants, are constantly at his "beck-and-call." Even at the pivotal scene where Vivian is going to leave Edward because he told his friend Stuckey that she is a prostitute, he is able to convince her to come back to him. He tells her that he "didn't like it" when she was talking to David Morse. Edward treats her like a piece of property that he purchased, and in many cases, her time is purchased. "

Tags:capitalism, male, dominance, materialism, prostitution

Abstract
This paper examines the book, "Pride and Prejudice," by Jane Austen, and the film, "Pretty Woman," directed by Garry Marshall. Specifically, it traces and explores how single women have evolved in the media and how they still face some of the same prejudices they have through history. It looks at how single women have always faced far more difficulties than single men in literature throughout history and how this is quite evident in these two works. It shows how, though written centuries apart, the women still struggle to be taken seriously, and while women have made great strides in many areas, they still struggle for equality and to gain the same advantages as men.

From the Paper
"Both women are certainly feminine and feminists at the same time. In Elizabeth's time, that was not such a good thing, and one character even tells her, "Well, it won't get you very far. Men detest clever women" (Austen 59). Another even calls her "emancipated," repeating it as if it were a repugnant disease. Elizabeth is a feminist long before it became fashionable, and she makes it seem so natural and so "correct," that the other women in the book seem unnatural and fake, which of course they were. Elizabeth is much too intelligent and has far too much pride in herself, (thus the title), to turn into a "damsel in distress." That strategy might work for many of the other women in the novel, including her ridiculous mother, however, it would not match Elizabeth at all, and she realizes this, because she also knows herself, along with knowing the men who surround her."

Tags:elizabeth, equality, feminism, men, prostitution

Abstract
This paper looks at Joan Ryan's essay "Little Girls in Pretty Boxes" that applies observations of society from George Orwell's novel "1984." It looks at how Ryan's essay centers on the treatment of young female women, mainly athletes, that fits into Orwell's vision of a dystopian society.

From the Paper
" Joan Ryan chooses the title of her essay well. The girls she writes about are little. They are little in physical stature immature of mind and body. Yet they are boxed into the telescreen of society's superficial eye under the "

Tags:Joan Ryan, Little Girls in Pretty Boxes, gymnastics, figure skating, George Orwell, 1984, Dystopia

Abstract
In this article, the writer examines three movies that address how music and song are used to support the moods, emotions, themes, and characters in three different films: William Friedkin's 'The Exorcist', Randall Kleiser's 'Grease' and Garry Marshall's 'Pretty Woman'. A synopsis of the plot and themes of each film are also provided. Each film is discussed separately.

From the Paper
"There are few films more frightening in the horror film genre than William Friedkin's 'The Exorcist'. In the film the main theme is the age-old battle between good and evil. In 'The Exorcist' a young girl named Regan is either suffering from a mysterious and powerful psychiatric disorder complete with physical manifestations or she is totally possessed by the evil forces of Satan. Modern medicine attempts to explain possession with paranoia schizophrenia and other explanations. In 'The Exorcist' terror is engendered in viewers because Friedkin ..."

Tags:Hollywood, Exorcist, Grease, Pretty Woman, music, themes, genre

Abstract
This paper reviews the three movies "Ever After", "Pretty Woman" and Disney's "Cinderella", comparing the similarities and analyzing the meaning behind each one while relating it to the classic story of "Cinderella".

From the Paper
"In the video versions of the "Cinderella" story the viewer can see the comparisons that are evident throughout each movie. The three movies, "Ever After", "Pretty Woman" and Disney's "Cinderella" are each enchanting and delicate in there own way and each offering their own unique version of the classic fairy tale "Cinderella". The story of "Cinderella" dates back several centuries and the video versions are modern, the eldest being Disney's "Cinderella" dated 1950. I will take a closer look at the above movies and compare them according to the "Nine Variants of Cinderella," and then apply what the "Cinderella" fairy tale represents to the viewer and whether or not it is relevant in today's society."

Tags:cinderella, disney, fairy, godmother, pretty, woman

Abstract
This paper presents a detailed examination of women in the field of architecture. The writer uses history and current events to depict the trends of females in architecture and looks at various aspects including promotion, acceptance and growth for women in the field.

From the paper:

" A young woman is interested in architecture. She has heard things about architecture that makes it seem like it is a perfect career for her. But others say, "Women are too pretty. They just can't grasp the bigger picture. They're fine for other professions, but not for architecture" This has been the attitude among males in the profession for the past thirty years. The overwhelmingly male profession was and is still not making women feel wanted, welcome, or even competent. If men have the "qualifications" of which architects are made, then women have it too. There are many fine male architects, but there are also some mediocre ones. Women have the right and now have the opportunities to get the education, and succeed in this profession."

Tags:promotion, acceptance, attitude, profession, career, fair, equal

Abstract
Critics of Family Guy highlight the appeal of the show's politically incorrect humor that "has mocked slavery, the disabled, the women's movement, obesity, and pretty much any other sensitive or controversial issue." This research will examine the hypothesis that people with handicapped conditions are mocked in a sample of episodes from the television series, Family Guy.

From the Paper
Student Name: ______________ Family Guy Content Analysis Title: Researching Visual Content - Family Guy Content Analysis Introduction In 2002, Fox canceled broadcasts of Family Guy after three seasons of poor ratings. However, the DVD sales for the program burgeoned, leading Fox to revive the program. Following the revival of the series in 2005, the show rose to be a comedic hit on television. Despite the popularity of Family Guy, creator of the show, Seth MacFarlane, has expressed dismay in dealing with the stringency of the

Tags:family, guy, visuals

Abstract
This paper introduces, discusses and analyzes the use of love as an ideal in the arts. It examines song lyrics by Tupac Shakur, the film "Pretty Woman" and the poem "The Bride of the Greek Isle," by Felicia Hemans. Specifically, the paper shows that the way that love is portrayed in the arts does not always live up to the romantic ideal.

From the Paper
"The last lines of the poem help spell out the meaning, and give some feeling to the tragic story. Hemans seems to be saying that love and youth go together, and this is why the two newlyweds must die young. "Now the night gathers o'er youth and love!" is how she ends this poem, and it is a poignant moment, as we know Eudora has not only avenged her lover's death, she has also caused her own.
Love in this poem begins romantically, and then turns tragic, as real love does every day. The tragedy of love can be allowing yourself to love so much, to feel so much. Love can consume a person if they let it, and love can be just as dark as it is romantic. Consider the "love" that keeps a woman with a man who abuses her. This is the dark side of love, when it can turn ugly and even deadly, as it did in Hemans' poem."

Tags:Tupac, Shakur, Pretty, Woman, Felicia, Hemans

Abstract
This paper identifies one characteristic of comedy and two characteristics of tragedy and demonstrates their application to scenes from four plays considered some of the greatest tragedies ever penned, Shakespeare's "Oedipus Rex," "Macbeth," "Romeo and Juliet," and "Hamlet;" and from two films, the comedy, "Pretty Woman," and tragedy, "The Path to War." The author explains that one characteristic of comedy is the exaggerated or wry manner in which human folly or foolishness is underscored, and two characteristics of tragedy are the struggles or suffering of the protagonist over moral issues and the raising of questions about the meaning of human existence. The paper states that the "Path to War" and "Oedipus Rex" are pure tragedy based on circumstances and errors in judgment; whereas, "Pretty Woman" is a film that is a comedy because its light-heartedness and innocence completely overshadow its tragic characteristics.

From the Paper
"Perhaps the most appropriate starting point for demonstrating that a comedy and tragedy are not necessarily mutually exclusive, though they have long been considered the main divisions of drama is "Romeo and Juliet". Indeed, although "Romeo and Juliet" is hailed as one of the greatest love tragedies ever written, it, almost deceptively, appears to be a comedy for the most part. In fact, had Shakespeare not used the prologue to announce that the play was about star-crossed lovers; the audience may well have been completely deceived in expecting or hoping for a happy ending, particularly since the opening scene itself is a witty one that mocks human foolishness through a dialogue between Sampson and Gregory from the house of Capulets."

Tags:romeo, macbeth, foolishness, suffering, existence