Abstract
Nature is a source of inspiration for the poet and nature is used for its imagery, for its symbolic meaning and for its role as a powerful force in human life. Many poets show a particular affinity for nature, tending to delve into it as an example of fertility, a connection with the infinite, a symbol of human sexuality, and so on. The paper examines how poets such as Elizabeth Bishop, Marianne Moore and C.K. Williams show an affinity for nature and develop images of nature by means of a strong sense of poetic language. It explores how each shows ways in which form mirrors content, reflecting in some fashion an organic sense of both nature and language.

From the Paper
"Marianne Moore's metrical and linguistic complexity is evident in her poem "The Fish." The title of the poem bleeds directly into the first line to create an opening sentence: "The Fish/ wade/ through black fade." Moore often uses this technique to make the title part of the poem and to set it apart as a symbolic image of all that will follow. Similarly, the end of each stanza remains open, bleeding directly into the beginning of the next stanza. the entire poem is therefore interconnected, as if part of a larger unit. Critic Charles Molesworth identifies the poem as one of Moore's more complicated and says it shows a particular interest of hers: "Moore was very interested in the intersection between nature and culture" (Burgess)."

Tags:The, Fish, cummings

Abstract
In this article, the writer notes that for many poets nature has always been a source of material and maintains that nature has always played a big part in the inspiration of many writers. The writer points out that inspiration is drawn from the peacefulness, the majesty, the grandeur, or maybe even the violence. Many people never take the time to reach deeper into the poem and explore the lessons contained within it. The writer discusses that because nature is such an inspiration for writers it is only natural that the writers may tend to project their own thoughts and ideas into the nature described in their poems. The writer looks at particular examples in different poems and concludes that poets tend to try to subtly teach their reader a moral lesson within their poems. It may not be at the forefront of the poem, yet under the exterior layers one begins to see the lesson unfold.

From the Paper
"Whitman feels that if humans could perhaps be a bit more like animals that many of the world's problems would not be a consideration. We can see that Whitman admires the animals for their lack of dissatisfaction with the problems surrounding them. They simply deal with them and move on; no words of complaint, no attempts to justify or rectify them. Whitman sees much of himself in these animals. He feels more of a kindred-spirit with them than with his fellow man. This can be taken at face value or it can be applied to and looked at in the context of society. Whitman feels that humanity is heading down the wrong path by their actions and feelings. He feels that if we were just a bit more like animals that maybe society would begin to mirror that of nature."

Tags:poems, influence, reflections, social, commentary

Abstract
This paper examines the poet's writing styles and shows how we are so accustomed to thinking of William Wordsworth as the quintessential Romantic poet " a man in love with the idea of a simple life lived close to nature " that we are apt to overlook the fact that his relationship with nature is in fact a somewhat ambivalent one, or at least a complex one.

From the Paper
"While Wordsworth will always be known for the clarity and undiluted Romanticism of "Tintern Abbey", to assume that his stance vis--vis nature in this poem constitutes an adequate description of all of his connections to and understandings of the external world does him a disservice. To do so would be to equate his passion for the natural world and the necessity of direct human connection to nature for a simple-minded sort of tendency to ramble on about beauty. Rather, if we look beyond "Tintern Abbey" to the whole body of his work, we came to a fuller understanding of the ways in which he embraced the human as well as the natural world around him. "St. Paul's", a poem that Wordsworth penned in 1808 but never published, is an excellent instrument to use through which to discover the complex worldview of this poet."

Tags:poetry, poet, romantic, romanticism, nature, literature, classic

Abstract
This paper explains that the poetry of Marvin Bell questions existential aspects of life, which are often taken for granted such as relationships, nature and the concepts of who and what a person is. The author points out that a central characteristic of Bell's work is the use of comparatively simple and colloquial forms of speech and word usage including nature imagery, which refers to everyday sights and sounds. The paper relates that, in his work, Bell stresses his need to "express the inexpressible" as the process he uses in his writings.

From the Paper
"What the poem does is it make us realize the mystery of self in that self cannot be defined or capture in a concrete sense but rather is "beyond words", and is essentially inexpressible. An analysis of the poem reveals that the identity of nature cannot be categorized or captured; just as much as human identity is continually moving and changing. It is this sense of mystery and the sense of the depth of complexity of the self and nature which lies at the heart of much of Bell's poetry."

Tags:autobiographical, confessional, existentially, simple, nature

Abstract
This paper explains that the poetry of Dylan Thomas demands to be read aloud especially his poem "The Force that through the Green Fuse Drives the Flower" in which the Welsh force dominates every syllable and needs to be heard forcefully. The author points out that it is important to remember that Dylan lived during WW I and II and the Cold War; much of his poems seem to have a dark, almost wintry side to them, some of them dealing with the havoc of fire bombs,air raids and the bruised bodies of soldiers and civilians alike. The paper concludes that, although written generations ago, this poem still exerts a magnetism in its few, short lines: Even with all the hi-tech and modern machinery in the 21st century, man is still a slave to nature.

From the Paper
"Even in this early youthful poem, there is a rage within the poet- a force that is angry and not at peace with Nature, resenting that factor of growing old, growing apart, having lovers leave and/or die. This can easily be seen in the two-time use of the adjective "crooked": first, the crooked rose, indicating a slow decay, and then the crooked worm, which tends to indicate the worms that invade one's mortal remains, even getting under and through the shroud, the sheet.
Thomas, the poet, mourns a dead lover, and, perhaps to soothe her as well as to be at one with what will happen to him one day, says "How at my sheet goes the same crooked worm." We cannot escape our fate of death and decay. It is all around us. It is an insurmountable force that impels us through life. Yes, we can stop of "smell the roses", but roses die before we do, and then, we await the following spring's revival, only to see the force of nature rob us of the presence and the smell of that new "green" rose, as well. It is in imagery that Thomas is forceful."

Tags:magnetism, nature, slave, war, welch

Abstract
This paper looks at the three writers of the British Romantic period (roughly 1789-1832)-two poets and one novelist. How each of these writers addressed the concept of nature is examined with a detailed discussion of at least one of their works in this connection. The poets are Percy Bysshe Shelley and John Keats; the novelist is Jane Austen. In order to appreciate the context within which each considered the concept of nature, a general background of the period in which the Romantic period developed is outlined. Each artist is then considered in turn, before some conclusions are put forward.

From the Paper
"The careers of the three writers being examined were at the culmination of the Romantic period. This was in an age which, following on the series of successful wars that had established British power all over the world, was one of the gloomiest in British history. If in some ways the England of 1800-20 was ahead of the rest of Europe, in others it lagged far behind. The Industrial Revolution, which was to turn Britain from a nation of peasants and traders into a nation of manufacturers, had begun; but its chief fruits as yet were increased materialism and greed, and politically the period was one of blackest reaction."

Tags:european, britain, blake, wordsworth, coleridge, bryon, themes, ideas, styles, natural

Abstract
This paper describes the battles between nature and the modern world in William Wordsworth's romantic poem, "The World Is Too Much With Us". It illustrates how Wordsworth's poem effectively shows to the readers how advancement in science and technology has taken its toll on the environment. The paper provides a short biography of the Wordsworth's life in a rustic society in England. It describes his use of the personification emotions in the natural world.

From the Paper
"William Wordsworth (1770-1850) was an English poet and writer widely-acclaimed for his literary works during the English Romantic era. Born on April 7, 1770, in Cumberland, England, Wordsworth was born to an affluent family, and grew up in a town that is abundantly rich in natural resources. Cumbersome is an area that is often termed as a "rustic society," and having spent his growing up years within its confines, Wordsworth developed a great appreciation of his environment, particularly the natural world that surrounds him."

Tags:Romantic, era, rustic, society, environment, poets, personification, emotions, emotion, natural, world, mythology

Abstract
Analysis of poet Emily Dickinson's view of nature & Ralph Waldo Emerson's ideas on nature. Emerson's transcendental notion of the unity of nature, humanity and God. Dickinson's image of nature as antagonistic and mysterious. Discusses several poems by Dickinson. Emerson's conception of nature & the poet's role in understanding nature.

From the Paper
The relationship between Emily Dickinson's poetry and Ralph Waldo Emerson's ideas on nature and the poet's function is very complex. Despite Emerson's great influence on the poet and the similarity of their conceptions of the poet's role early in Dickinson's career she was eventually to go beyond his light-filled, hopeful conception of the relationship between humanity and nature in her concentration on the questions of loss and death that cast not just human existence but all of nature in a wholly different light. Dickinson did, of course, write many poems that reflected Emerson's Transcendental notion of the unity of humanity, nature, and god. But Emerson's was ultimately a serene conception in which the means of transcendence resided in that relationship among the aspects of creation--nature mediated, he believed, between humanity and deity. Even though Emerson

Abstract
This paper compares the use of the theme of man's relationship to nature in poet Robert Frost's works "Stopping By Woods on a Snowy Evening", "Never Again Would Bird's Song Be the Same" and "The Oven Bird". The paper argues that the poet frequently used images of nature in order to provide a symbolic reference for his message. All three poems indicate a dichotomy between untouched nature and the human influence, as well as separation from the natural world. The paper points out that rapid technological developments during Frost's lifetime caused him great concern. The paper concludes that, according to the poems discussed here, redemption is only possible by a reconnection to nature.

From the Paper
"Even in this joyous description, the poem is filled with regret. The reader is assumed to know the story of Eve, the fall, and the subsequent banishment from the garden even before reaching the end of the poem. The description of joy itself is therefore also filled with a sense of regret and loss. Regardless of the loss experienced, however, the sense of bittersweet memory remains. The birds are forever influenced by the contact they had with Eve. They regret her loss, and mourn for her, and therefore hold on to her essence in perhaps the vain hope that she might return some day."

Tags:metaphor, man, technology, symbol

Abstract
This paper looks at three poems by three different authors "Fern Hill" by Dylan Thomas, "Birches" by Robert Frost, and Christopher Marlowe's "The Passionate Shepherd to His Love." The writer looks at the use of nature in each poem and shows that while each poet has a different purpose, all three choose in their poems to focus on joy in life rather than despair, and use the beauty of nature to justify their optimism.

From the Paper
"Robert Frost is perhaps the most obvious of the deliberate optimists. He looks at birch trees that have nearly been killed by ice storms and instead sees the beauty. He knows logically that the trees are gracefully curved to the ground by nature's destructive forces. He says, "They are dragged to the withered bracken by the load, And they seem not to break; though once they are bowed So low for long, they never right themselves: You may see their trunks arching in the woods Years afterwards, trailing their leaves on the ground" "

Tags:Fern, Hill, Dylan, Thomas, Birches, by, Robert, FrostChristopher, Marlowe?s, The, Passionate, Shepherd, to, His, Love