Abstract
This paper gives an in-depth examination and analysis of Richard Wright's novel, 'The Outsider' from an existential philosophical perspective. Many concepts are explored in the paper, such as literary existentialism and how Wright used it to show the protagonist, Cross Damon's, struggle for freedom. Philosophical ideas are also considered, especially in light of how one views Cross as either being a hero or criminal. The paper describes the novel's structure, and various other themes such as fear and dread. Quotes from the novel are interspersed throughout the paper to highlight character development and the dilemmas that Cross faced.

Table of Contents:
Introduction
Literary Existentialism
Wright and Pessimism, Dread, Fear
Narration Structure
Root of Dread

From the Paper
"The theme of 'The Outsider' is Cross's search for freedom; but true freedom, he finds, is but another expression of the will to power. Hence Cross, the metaphysical rebel, opposes Communists because his freedom (or will to power) must inevitably clash with the Communists' will to extend their power over him. Moreover, since Cross equates freedom with power, freedom actually means the successful subjugation of the will of others; thus the dream of universal freedom is a logical impossibility. In averring that the Communist and the ethical criminal are motivated by the same principles; that together they recognize an identical truth about the human condition; Wright avoids a number of the difficulties of Native Son wherein he tried somehow to reconcile Marxist determinism with existentialist freedom."

Tags:richard wright, the outsider, literature, Communist Party, Literary Existentialism, Black Existentialism

Abstract
This paper analyzes the definition of the outsider as discussed in two plays - "AlterNatives" by Drew Taylor and "Amigo's Blue Guitar" by Joan MacLeod. It explores how and why the various characters in the plays have constructed the outsider, while simultaneously fortifying their own position as outsider. The paper also analyzes the symbolism and language in both plays and discusses how this adds to the theme discussed.

Table of Contents:
Introduction
Dramatization of the Outsider
Outsider Constructing the Outsiders
Consequences of Dramatization by Characters
Symbolism in the Two Plays
Conclusion: The Nature of Experience

From the Paper
"In both plays, language is the main route to understanding the presumed outsider. At the same time, language is the main avoidance strategy. Elias, for example, serves a practical end for Sander in that Sander "gets to cut out of Spanish and English class and hang out at immigration. Everyone thinks he's some kind of hero" (MacLeod 38). When Martha is speaking quite rapidly to Elias and he requests that she slow down, she does understand but ignores him. Martha even repeatedly mispronounces Elias' name. Elias points out to both Callie and Sander that the most formidable barrier to comprehending his reality is language. "If you want to know my story, then you can learn my language" (MacLeod 42)."

Tags:aboriginal, characters, experience, insider

Abstract
This paper explains that "outsider art", also called naif, naive or art brut, is collected by the most well-known collectors; therefore, the question arises when something becomes popular or "in" does it continue to be "outside"? Can "outsider art" continue in the years to come? The author points out that, for example, after World War I, the cultured in Europe began developing an interest in self-taught creators called "naives", such as Henri Rousseau, who were creating their artistic works throughout Europe especially France. The paper presents many examples of "outsider art" in the U.S., including Mexican-American, jailhouse and street art, some of which has entered the realm of collectors and museums, while other artist prefer to remain "Outside Art".

Table of Contents
Introduction of Thesis Statement
Introduction of Terms Based on Dubuffet and Cardinal
Move from Europe to United States
Definition of Outsider
Examples: Slaves, Mentally Ill, Spiritual, Folk, Recycled
Response to Thesis Statement
Conclusion

From the Paper
""Outsider art" continues to evolve along with changes in society. A new form of work, for example, called "recycled folk art," transform pieces of trash into new treasures. In Mexican-American Texas communities, houses are adorned by objects, colors and symbols that reflect a history over the past to present days. Many of the visually rich barrio decorations are made from everyday castoffs such as Styrofoam cups, tires and tile chips. Brightly colored trucks and cars, tree swings, and televisions act as shrines to the Virgin of San Juan. Windmills and whirligigs are made from soda cans, butterflies from scrapped tin and muffler robots from used auto parts."

Tags:dubuffet, jail, naive, latino, coleman

Abstract
In contrasting the "insider" view of the purpose and function of Christian faith with an explanation from an "outsider" perspective, it is evident that the traditional Christian perspective of faith is itself based upon faith. Many outsiders consider this to be a classic example of flawed circular reasoning, for Christian justification and belief in the doctrine of faith is based upon the doctrine of faith itself and not upon confirming evidence or authenticated experience, which outsiders would consider necessary in order to validate the doctrine.

From the Paper
Insider vs. Outsider: An Analysis of Perspectives On Christian Faith In contrasting the "insider" view of the purpose and function of Christian faith with an explanation from an "outsider" perspective, it is evident that disagreement is inevitable, for the traditional Christian perspective of faith is itself based upon faith. Many outsiders consider this to be a classic example of flawed circular reasoning, for in their view Christian justification and belief in the doctrine of faith is based upon the

Tags:doctrine, of, faith

Abstract
A paper analyzing survival as an outsider in two prose selections. The selections are Maya Angelou's "I Know Why the Cages Bird Sing" and Krakauer's Into the Wild. In Maya's example, she learns to cope and survive as a black woman in the 40s. In Krakauer's example, Chris doesn't survive most likely to his lack of knowledge.

Tags:survival, of, fittest

Abstract
This paper critiques the Albert Camus novel, "The Outsider". Drawing from extensive quotes from the book, the author explains how Camus paints the portrait of a man who stands apart from his society and from himself. Meursault is incapable of acquiescing to the norms of society; this is why society puts him to death.

From the Paper
"In Albert Camus' novel, The Outsider, Meursault is outside of both his internal self and his society. He lives for the simple, sensual pleasures of life, but has no understanding of the inherent value of his life. In that sense, then, Meursault begins the novel outside, or a stranger to the most basic part of his existence. It is only at the end of the book that Meursault transcends the simple sensuality of his experience. Camus uses Meursault's honesty as a foil to illustrate the empty social conventions and morality of society. It is Meursault's total sincerity and inability to concede to society's norms that makes him an outsider to society."

Tags:death

Abstract
This paper discusses the notion of the outsider in Joyce's "Dubliners" in relation to the individual's plight in society. Through the historical context of late 19th century Dublin, the paper goes on to discuss the paradoxical concept of the outsider being trapped firmly within their psychological and social boundaries.

From the Paper
"Brunsdale unites Joyce's identities as writer and as foreigner thus: 'like many of his literary compatriots, Joyce wrote in English but felt in Irish, though it took a long time for him to admit it' . Joyce's own sense of alienation, in combination with an Ireland striving to maintain an individual identity against Imperial Britain, motivated his sequence of short stories, Dubliners . Through this work, Joyce interlaces states of external and internal being, both in society and in the individual's consciousness."

Tags:class, epiphany, ireland, irony, metafiction

Abstract
This paper gains insight into the general public opinion of Michael Jackson according to the black-based media, and then according to the white-based media; ultimately ending with an analysis of the similarities and differences between the two to show how he has alienated himself from both races.

From the paper:

"According to The Seattle Times, November 15, 1996, a report is written about Michael Jackson's first public appearance after marrying Lisa Marie Presley and includes the comment; "Jackson, without his trademark face mask." This is obviously an attempt to create a negative image of Michael Jackson. There is no need for this so-called news report to include this snide remark. These types of reports, however, seemed to be the majority throughout the white media. The white population seemed to focus on the negative aspects of Michael Jackson every chance they got. There were very few reports on his achievements in his professional career, but numerous reports focusing on his private life."

Tags:controversial, barrier, white, black, race, native-born, community, black-based, media, social, skills

Abstract
Description of the concept of aburdity and its history as a literary idea. Broad analysis of how character of Meursault embraces this view of an absurd life. Specific analysis of key incidents which highlight this in the text.

From the Paper
"Absurdism is a literary idea that began to grow in the 1920s and prospered as people sought to explain the wars and hardships that plagued the world at that time. Its basic principle is that life doesn't matter. People are powerless to really change their lives or the lives of others, and so humanity is basically useless. No matter how brilliantly or terribly we live our lives, whether we are a doctor or a murderer, we will eventually die and be left with nothing. The world is therefore meaningless, but humanity is constantly trying to explain its own existence. People are searching for something they can never possibly find. It is an absurd search."

Tags:meursault

From the Paper
"Joseph Campbell has noted that modern literature generally deals with the tragedy of life. Since the early twentieth century, writers have emphasized the idea that there is no God or future bliss to counteract the despair of existence. By contrast, the happy endings in fairy tales and myths provide "a transcendence of the universal tragedy of man." Although Campbell is correct that modern literature generally refuses to have happy endings, it nonetheless also tends to amplify the possibilities of a happy ending. In this way, it fulfills a deep psychic need in modern culture: to balance the "universal tragedy of man" with the "happy ending of the fairy tale, the myth and the divine comedy of the soul." Albert Camus' The Outsider is an excellent example of this.

The character Meursault in The Outsider refuses to accept ... "

Tags:LITERATURE, GENERAL