<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title><![CDATA[Term Papers on olivier | olivier essays | AcaDemon]]></title><description><![CDATA[The largest library of college term papers, research papers, essays and book reports]]></description><link><![CDATA[http://www.academon.com/db/search]]></link><language><![CDATA[en]]></language><copyright><![CDATA[Copyright (c) 2009 Academic Resources Center. All rights reserved.]]></copyright><lastBuildDate><![CDATA[Fri, 27 Nov 2009 18:00:59 GMT]]></lastBuildDate><item><title><![CDATA[Essay (General) :: Lawrence Olivier's ?Hamlet?]]></title><description><![CDATA[This paper discusses Lawrence Olivier?s film, ?Hamlet? (1948), one of the greatest movies, in which he not only acted, but also directed.]]></description><link><![CDATA[http://www.academon.com/Essay-Lawrence-Olivier's-Hamlet/46949]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Lawrence-Olivier's-Hamlet/46949]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Fernande Olivier and Pablo Picasso]]></title><description><![CDATA[A study of the influence that Pablo Picasso's romance with Fernande Olivier had on his art.]]></description><link><![CDATA[http://www.academon.com/Essay-Fernande-Olivier-and-Pablo-Picasso/9689]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Fernande-Olivier-and-Pablo-Picasso/9689]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Olivier's "Hamlet"]]></title><description><![CDATA[Reviews the 1948 film version of HAMLET directed by & starring Sir Laurence Olivier. Focuses on Olivier's allegiance to the text in creating his version.]]></description><link><![CDATA[http://www.academon.com/Essay-Olivier's-Hamlet/13264]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Olivier's-Hamlet/13264]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: "King Lear" Compared]]></title><description><![CDATA[Compares and analyzes two versions of William Shakespeare's "King Lear" - by Laurence Olivier in 1984 and by Peter Brook in 1971.]]></description><link><![CDATA[http://www.academon.com/Essay-King-Lear-Compared/31646]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-King-Lear-Compared/31646]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: Henry the Just or Henry the Strong]]></title><description><![CDATA[A discussion of two film interpretations of Shakespeare's "King Henry the Fifth".]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-Henry-the-Just-or-Henry-the-Strong/45740]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-Henry-the-Just-or-Henry-the-Strong/45740]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Comparison Essay :: 'Hamlet']]></title><description><![CDATA[A look at the female characters in Lawrence Olivier's 1948 production and Kenneth Branagh's 1996 film version of 'Hamlet'.]]></description><link><![CDATA[http://www.academon.com/Comparison-Essay-'Hamlet'/96302]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Comparison-Essay-'Hamlet'/96302]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Comparison Essay :: "Hamlet" in Film]]></title><description><![CDATA[An analysis of how the characters of Ophelia and Gertrude differ in different film versions of William Shakespeare's "Hamlet".]]></description><link><![CDATA[http://www.academon.com/Comparison-Essay-Hamlet-in-Film/100311]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Comparison-Essay-Hamlet-in-Film/100311]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: Guiding Characters in Literature]]></title><description><![CDATA[An examination of the guiding characters in "The Divine Comedy" and "The Song of Roland".]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-Guiding-Characters-in-Literature/106303]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-Guiding-Characters-in-Literature/106303]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: Historical Fiction in Film: Spartacus]]></title><description><![CDATA[A look at how this movie provides many historical untruths and inaccuracies.]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-Historical-Fiction-in-Film-Spartacus/6153]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-Historical-Fiction-in-Film-Spartacus/6153]]></guid><pubDate><![CDATA[Thu, 12 Nov 2009 22:30:22 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: The Song of Roland]]></title><description><![CDATA[A comparison of the characters of Roland and Olivier in the epic poem "The Song of Roland"]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-The-Song-of-Roland/9404]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-The-Song-of-Roland/9404]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item></channel></rss>