Abstract
This paper is about the lie that is the Hollywood dream - the corruption and emptiness underneath the glitz and glamor of fame-seekers. It also explores how Hollywood and the public relate to each other - the public's need for excitement and drama found in the movies. The paper shows how the reality of Hollywood is seen through two works - a play called "The Big Knife" by Clifford Odet and Nathanael West's "The Day of the Locust." By analyzing the two main characters in these pieces of literature, the paper highlights the grim reality of the Hollywood machine.

From the Paper
"Fame, fortune, glitter and glamor lure many into Hollywood basket of dreams and promises. But for many blinded by the glimmer, they soon discover that it's all an elaborate illusion. Sunshine, fruit trees, and a place where anything is possible, dreams come true and happy endings proves to be nothing but an empty wasteland of corruption, greed and shattered dreams. The dream factory turns out to be more like a filth-factory. Very few of the faceless millions ever break into the "big time" and ever see the promised money, fortune and fame. Those "lucky" few who do make it big, see their name up in lights, make millions and are hailed as sex idols either become one of the corrupt themselves or find themselves trapped in the nasty web of lies, deceit, falsehood and cruelty. This is exactly what happens to Charlie Cass in Clifford Odets' The Big Knife and Faye Greener in Nathanael West's The Day of the Locust. Odets and West clearly map out the hellish reality of buying into the Hollywood illusion, its devastating effects, and the dynamic relationship between Hollywood and the public that feeds the fire and keeps the inferno burning."

Tags:clifford, film, media, movies, Charlie, Cass, Marcus, Hoff, Faye, Greener

Abstract
This paper relates that Clifford Stoll's article "Stalking the Wily Hacker", which begins before the full commercialization of the Internet, underscores that the new generation of information technologist and computer engineers should appreciate the security tools that they now have as compared to their forebears. Next, the author analyzes Stoll's questions as to why an intruder would hit Lawrence Berkeley Laboratory (LBL) when it did not handle any classified programs and would use no new methods for breaking operating systems but rather repeatedly applied techniques documented elsewhere. The paper stresses that many lessons can be learned from this article that are applicable today, such as hackers are persistent because the rewards today are not only fame or glory in the hacker world but also financial.

From the Paper
"To truly appreciate the Stoll's story it is important to go back first to the mid-1980s and know what the social, political, environmental and economic conditions were. The event began in August 1986 and concluded in late 1987. At that time, Ronald Reagan was the President of the United States and it was still the height of the Cold War. Two despotic rulers, Jean-Claude Duvalier of Haiti and Ferdinand Marcos of the Philippines fell from power and went on exile to escape the wrath of the nations they enslaved. One of the worst nuclear accidents occurred in Chernobyl, USSR in April 1986. Klaus Barbie was given a life sentence in France for his war crimes during World War II. The USS Stark was attack by Iranian missiles in the Persian Gulf during May 1987. Since it was the height of the Cold war, there can be no mistake that espionage activities are rampant from opposing forces. Not only did spying occur against bitter enemies but allies as well especially when a former U.S. Navy analyst in the name of Jonathan Pollard was caught in the mid 1986 of spying for Israel."

Tags:spying, network security, information infancy gangs

Abstract
This paper discusses the intercultural communication problems evident in Clifford Chance's New York office as the British firm entered the American market. Strategies for dealing with the issues are recommended.

From the Paper
"There is probably no greater example of intercultural communication's impact on a work environment than the debacle at the Clifford Chance law firm's New York office. Clifford Chance, a highly respected international law firm-the world's largest in fact with lawyers in many countries-had entered the New York market in in a merger with the prestigious Rogers Wells law firm. (Fernandez) Although Clifford Chance had expanded similarly in other countries around the world, the culture clash between its corporate culture rooted in British legal tradition and..."

Tags:law firm, Clifford Chance, intercultural, British, American, communication

Abstract
This paper follows the historical development of Clifford's theory of ethnographic authority. It also attempts to expand upon these notions, especially as they pertain to developments in the last decade and the new notion of anthropologist as autobiographer. It discusses the evolution of this field, and how in the last few years an increasingly popular form of anthropology has centered around the use of autobiographical writing, and it's impact on the field.

From the Paper
"It appears almost as if, some twelve years after Clifford s article, the history of hermeneutics he discussed and critiqued has come full circle. The pronoun the used in description has become I, and the professionalization of anthropology has, while anything but disintegrated, at least had to re-recognize the power of voices outside its own. This adds an interesting new chapter to Clifford s discussion of hermeneutics. Not that all, or even a large amount, of anthropology has become autobiographical in nature. Nor does it mean that this is necessarily an all positive and un-critiqued movement. Not only is the idea of an autobiographer and self ethnographer not widely accepted, but there are still very few traditional ethnographic texts with a large voice by informants."

Tags:anthropology, clifford, fisher, literature, seyhan, writing, autobiographical, nature, culture, texts, hermeneutics, interpretation, language

Abstract
This paper compares and contrasts "To Kill a Mockingbird" with "Waiting for Lefty". They were both set in the 1930's in the United States, but they are addressed from very different points of view - one through the eyes of adults in New York and the other told by children in the deep South. This paper analyzes these different perspectives.

From the paper:
While both Waiting for Lefty and To Kill a Mockingbird are set in the United States during one of the poorest times in American history - the 1930s - both the locations in which the play and the novel are set, as well as the perspectives from which the stories are told are vastly different. The physical setting of Waiting for Lefty, a relatively short but intense play written by Clifford Odets, is New York. His play is told through the eyes of several adults. The setting of Harper Lee?s equally intense To Kill a Mockingbird is a rural, deep-south county in Alabama. Her story is told through the very credible eyes of several children. Although one might presume that the adults would fare better during this trying time of the ?have-nots,? it is, instead, the children who seem better able to cope with circumstances. Both play and novel contrast and compare the manner in which the time of the Great Depression affected the lives of not only the poor, but those of all backgrounds. ?Atticus said professional people were poor because the farmers were poor?."
"

Tags:poverty, Great, Depression, war, professional, farmers, city, reality, misery, racism

Abstract
A comparative analysis of the history of labor disputes in a changing American society by looking at the novel "The Grapes of Wrath" by John Steinbeck and the play "Waiting for Lefty" by Clifford Odet. The rise of trade unions and a representation for the workforce was not an easy process and this paper looks at this through these two literary works.

From the Paper
"Labor in America has been described as a stabilizing force in the national economy and a bulwark of our democratic society. In this past century, American labor has played a central role in the elevation of the American standard of living. The benefits, which unions have negotiated for their members, are, in most cases, widespread in the economy and enjoyed by millions of our fellow citizens outside the labor movement. The working people of America have had to unite in struggle to achieve the gains that they have accumulated during this century. Improvements did not come easily. Organizing unions, winning the right to representation, using the collective bargaining process as the core of their activities, struggling against bias and discrimination, the working men and women of America have built a trade union movement of formidable proportions. Two such stories capture our attention during the discussion of this paper. First is John Steinbeck's Grapes of Wrath, an outstanding portrayal of the theme that people have always had to adapt to changing times. The second is a play Waiting for Lefty by Clifford Odet. "

Tags:prejudice, industrialization, worker, company, migrant, economic, wealth, betterment, characters

Abstract
This paper analyzes two works - John Steinbecks "Grapes of Wrath" and Clifford Odet's play "Waiting for Lefty". It focuses on the issue of labor disputes and compares how the characters in each of these get swept up by the mob.

From the Paper
"John Steinbeck's "The Grapes of Wrath" was just as vivid and graphic a description of the recession years, labor communities and their economic and social problems as you would find in any drama, movie, TV serial or in other more expressive mediums. The novel detailed the story of a typical labor family in the thirties when due to droughts and unemployment many farmers were forced to move from their native states (Southern great planes, especially western Oklahoma and Texas panhandle) to California in search of work. The novel ventured into such modern and important issues of the time that it was immediately a success in California and surrounding localities, the rest of the America almost rejected the book as sentimental, emotional and melodramatic. But the truth, as was evident even then was that this book was felt greatly only in the circumstances and localities for which it was written. "

Tags:domestic, conditions, community, political, social, propaganda, hype, labor

Abstract
A look at differing outlooks on religion as seen through the eyes of Clifford (mathematician and philosopher) and James (philosopher and psychologist). The paper asks if James' treatment of Clifford in "The Will to Believe" was fair? Were his arguments against Clifford consistent? Did he take into account all that Clifford wrote in "The Ethics of Belief"? The writer claims that the answer to all three questions is "No". The writer gives a brief exposition of both James' and Clifford's essays and then focuses on James' attack on Clifford.The paper refers to some passages in Clifford's "The Ethics of Religion" and also to James's "The Sentiment of Rationality."

From the Paper
"The topic of Clifford's paper is revealed in its title. It is about ethics and belief and that only. It is not about deciding to act, guessing or gambling, nor about hypotheses. According to Clifford, "it is wrong, always, everywhere, and for anyone, to believe anything upon insufficient evidence" (DDR, 181). Put otherwise, whenever we have insufficient evidence, we have a moral duty to suspend judgment and to go on inquiring. Clifford introduces his thesis through two stories. I will give the highlights of only the first one since the second story, though different, adds only reinforcement to the points already demonstrated in the first. A ship owner faces a dilemma; he has doubts as to the seaworthiness of his vessel. He stifles those doubts by working on them, by trying to convince himself that his fears have no ground. He lets the ship sail. It sinks. But our ship owner's culpability goes undiscovered; not a witness survives to tell the tale. And the insurance company pays up. Clifford judges, as the majority of us I am sure would, that the ship owner did wrong. Suppose, he adds, that the belief, nourished and fostered by attention only to favorable evidence (unfavorable evidence not being conducive to establishing the wanted belief), has taken a genuine hold. The verdict, he thinks, still stands. And he is right again. "

Tags:sentiment, rationality

Abstract
This paper discusses four of Clifford D. Simak's novels - "City" (written from 1944 to 1974), "Time and Again" (1951), "Way Station" (1963) and "Highway of Eternity" (1986). The paper describes the invention of the 'other' in Simak's novels and how it manifests itself in three different sub-patterns which can be regarded as the building blocks of a larger process of his writing.

Table of Contents:
Table of Abbreviations
Introduction
Chapter I: The Self and the Other
Author and Context
Imagining the Other
Chapter II: Clifford Simak's Writing Process
The Other - Some Technical Aspects
Representing the Writing Process
Chapter III: The Author Representing the Self
Reader and Writer
The Figures of the Writer
Conclusion
Appendix 1
Appendix 2

From the Paper
"When I considered the title of the present thesis and the literary genre the following study was to be based upon, it seemed difficult not to view the whole with a certain suspicion simply because of the juxtaposition of the terms "inventing" and "Other". On the one hand, SF is predisposed to speculation about new inventions - technological, scientific, political, economic and even sociological. On the other hand, the concern about the "Other" and all the problems the notion automatically generates have for long stood at the basis of criticism in the field. The impossibility to come to terms with the plethora of creatures that authors reinvent all the time and that are frequently labelled "the Other" often results in conflicting theories about the importance of finding and preserving one's identity. Simultaneously, the traditional SF issues of alienation are often dismissed as foolproof demands for toleration on the author's part. Looking back at a genre with a history of almost a century, it seems that it has forged itself the reputation of being a medium where repetitive attempts are made to deal with all these notions more or less successfully. Taken separately, "inventing" and "other" are not very likely to stir one's attention on the account of sheer originality. Taken together, however, both notions appear to pose a different problem where the Other is considered as an invention on the same level with the rest of the SF paraphernalia. The Other becomes a personal and sociological invention and to treat it as such would mean to invest the notion with sense that might not necessarily have been there had I chosen a more descriptive approach.The definition of the Other has proved to be complex just because it is most often based on what is repeatedly called "the Self" in many works of literary criticism, philosophy and psychoanalysis. It is somewhat problematic to get out of the vicious circle that is formed when we realise that "the Self" itself is only definable when in contact with that same Other we are trying to describe. There is rarely a short story or a novel in the genre that has not described the contact between a human and alien of some sort and these stories inevitably propose their own reflection on the human condition. Apparently, humanity has desperately been trying to seem unique, no matter whether that uniqueness be negatively or positively charged and most of the SF we know is directly or indirectly, exclusively or partly concerned with corroborating that impression. An awareness of the inverse, however, started to plague humanity hundreds of years before the beginning of what we now call the Golden Age of SF. All claims to uniqueness were overthrown when Galileo first peeped through a trinket he had bought on the market and used it to study the visible sky. The fixed, immutable identity that humanity had fabricated for itself was no longer stable and reassuring. From then on, the possibility of a contact with forms of life unknown to us has never ceased to grow and to comprehend the manifestly incongruous idea, the need to imagine an otherness not only within but without our world imposed itself. The invented Other came to be and it was there, invisible and yet staring down at a world plunged in confusion, a world that would never seem the same. This study is, therefore, an attempt to direct the attention to the numerous manifestations of that fictional Other. It will be based on the Other that comes into existence only within the limited space of a Simak novel because the notion "the Other" has a definite meaning only when it is being invented by a specific author in a specific text."

Tags:science, fiction, inventions, alien, self