Abstract
This paper offers a brief comparison and contrast of John Keats' "Ode On A Grecian Urn" and William Blake's "The Chimney Sweeper."

From the Paper
"John Keats' "Ode On A Grecian Urn" and William Blake's "The Chimney Sweeper" are two very distinct poems in topic and form. However, the two poems share a common theme - that of mankind's need to do his duty to be saved. Much longer and more filled with allusions to the past and references to classical times, Keats' "Ode On A Grecian Urn" is very distinct from William Blake's simple poem about a young boy who is orphaned and made..."

Tags:God, eternity, duty, mankind, life

Abstract
In this article, the writer compares and contrasts Keats' aesthetic of art in "Ode to a Grecian Urn" with Wordsworth's "It is a Beauteous Evening, Calm and Peaceful," Kant's "Perpetual Peace" and Shelley's "Frankenstein."

From the Paper
"There is one main assessment of the sensuous beauty that is art in Keats' "Ode to a Grecian Urn". Beauty is truth, truth beauty that is all Ye know on earth and all ye need to know. Keats' aesthetic of art viewed art as having the capacity to capture the eternal and universal essence of life. In the sensuous beauty of art like the urn one finds the essence of beauty and the essence of truth which are interchangeable. From the imagination of ..."

Tags:beauty, truth, essence of life, human limitation, ration, nature, creative imagination, temporal, eternal, transcendence

Abstract
This paper provides a history and an analysis of Keats's poem, "Ode on a Grecian Urn". Examples of Keats's use of metaphor, personification, and imagery are provided, and the qualities that characterize him as a Romantic are discussed.

From the Paper
"Perhaps his most prolific work, Keats' "Ode on a Grecian Urn" aesthetically articulates the archaic beauty of a simple urn while simultaneously capturing a sense of ideal beauty in the world. While the reader might first be deceived by the simplistic facade of the poem, the work stands as a complex piece succeeding in deriving poetic bliss from that which lacks letters. In true Romantic fashion, Keats culminates with the declaration "Beauty is truth, truth beauty" (line 49) an ambiguous aphorism that encapsulates the essence of the poem. In the end, Keats' effective use of literary devices and poignant imagery combine to reveal human passion as "Beauty."

Tags:truth, beauty, poem, innocence, purity, consonance, interpretations, nature

Abstract
This is a conventional analysis of the old standard poem, noting many of the familiar symbols. The author includes many quotes from the poem.

From the Paper
"Always is as scary a word as never. That phrase relates to the theme of Keats' "Ode on a Grecian Urn," which is an exploration of the border between desire and fulfillment in human life. Keats' "Ode on a Grecian Urn" features a narrator musing upon the face of an urn that holds, for him, more life in its earthenware curves than does the curves of the temporal earth. The title itself reflects the reader-response reading of the urn's text: the ode is on (about ) the urn, and the ode is also depicted on the urn."

Tags:grecian, keats, ode, symbolism, urn

Abstract
This paper explains that one of the central aspects of the Romantic poets, particularly John Keats, is the belief in the supreme power of the imagination, which is important not only to "Ode on a Grecian Urn" but also to all of his work. The author points out that "Ode on a Grecian Urn" represents and emphasizes a sense of both permanency, the mutability and the changing nature of ordinary human life and the inevitable march towards certain death. The paper relates that the last two lines of the poem are famous in their succinct summation of the entire meaning of the poem: All we know or need to know, they suggest, is the beauty of art. Many quotations.

From the Paper
"The "Urn" became a symbol of eternity and an ideal reality, which "teases us" and creates an inner tension as we compare the ideal world of the "Urn" to the pain and suffering of ordinary life. The "Urn" then becomes a "Cold Pastoral"; an object that awakens us sharply to the tragedy of our own mortality. The third stanza emphasizes the happiness and joy in the never-ending activity of the figures on the "Urn". The poem emphasizes the main theme again in that the "Urn" figures act as a direct comparison to the change and mutability of ordinary life."

Tags:imagination, permanency, mutability, death, beauty

Abstract
This paper discusses the common theme of permanence that exists between the poems "Ode on a Grecian Urn" and "Sailing to Byzantium". According to the paper, both poets discuss the art that depicts ancient times in relation to its ability to exist in frozen time. Although man may age and know change and eventual death, the figures that the art displays will forever be young, beautiful and vibrant because the time displayed on the art is permanent. Throughout the works of Yeats and Keats this theme is displayed by the use of poetic elements. Language discursive may either depart from the main point or cover a variety of issues in the selection of literature. Keats writes of an urn that displays ancient times, and figures that cannot be altered by time.

Tags:yeats, keats, analysis

Abstract
The paper focuses on how Franz Kafka in the short story "The Hunger Artist" and John Keats in the poem "Ode on a Grecian Urn," use their art to express their feelings of life and purpose in a world that others no longer appreciate. The paper looks at how the artist in Franz Kafka's short story believes his art of fasting is significant to his purpose in the world, and the reactions of humans to his art are key in the reasons why he pursues his particular form of art. The paper then shows how Keats uses several poetic devices in his poem to express his thoughts and views about life in the changing world.

From the Paper
"In Kafka's "The Hunger Artist," the hunger artist expresses his art through fasting. He believes that his actions play a major role in the way humans behave. The hunger artist knows that when observers come to see him in his emaciated form, it is because they respect his art and are fascinated by it. The story describes that he is "in the spotlight, honored by the world" and that "the children looked on amazed, their mouths open..." This is something that went on for many years. The irony is that his fasting became his way to keep alive literally and spiritually. As time went on, he became disenchanted by his art and the response he received from his observers. For instance, when the impresario convinced the audience the hunger artist was able to fast longer than forty days, he would show them pictures of the "artist on the fortieth day of his fast, in bed, almost dead from exhaustion," and this would bother the artist because he knew he could fast longer for forty days because to him fasting was easy."

Tags:life, purpose, vision

Abstract
The paper contrasts how the three authors use art in their works to redefine human nature. The paper looks at how Victorian poet Tennyson uses history to paint a romantic and yet disturbing look at the legend of Camelot in "The Lady of Shallot." The paper also illustrates how Blake uses his personal experiences in "The School Boy" to show childish human nature torn between summer and the schoolroom. Finally, the paper shows how Keats speaks of music, heard and unheard, in "Ode on a Grecian Urn".

From the Paper
"Comparing these works can be difficult, because they all have such different views of art and human nature. Keats statement, "'Beauty is truth, truth beauty,--that is all / Ye know on earth, and all ye need to know'" (Keats), is pure Romantic - hopeful, positive, and full of future promise. Tennyson, on the other hand, is just the opposite. His poem is not totally depressing, but it certainly has a darker view of humankind. Blake's work falls somewhere in the middle, it is a more realistic look at one small part of human nature, and how to enjoy life to the fullest, one (summer) day at a time."

Tags:music, positivity, negativity, romance, legend, beauty, life, happiness

From the Paper
" Edward Bliss Reed has claimed that "the odes of Keats are not only the greatest lyric achievement, but they are the finest expression of his genius" (425). These works of John Keats are particularly notable for their fine sense of lyricism. Most definitions of lyricism include four aspects which are found in abundance in Keats' odes: musicality, simplicity of subject, emphasis on tone and mood, and subjectivity in thought and feeling. This paper will examine these elements as contained in five of Keats' odes: "Ode on Melancholy," "Ode on a Grecian Urn," "Ode to a Nightingale," "Ode to Psyche," and "To Autumn."

According to Schelling, one of the most important features of lyric poetry is the use of devices to create musicality. There are many possible devices for achieving this effect, such as: "Rhythm ordered with artistic variety on the basis of an organic.."

From the Paper
"The human imagination is one of the things we believe separates us from the animals, and different writers and theorists have taken different views of the importance of the imagination. Blaise Pascal points to one of the primary values of the imagination--it allows us to conceive of things we cannot experience directly. One of these things is death, which we do experience eventually but which we must imagine in life. One of the problems Pascal sees in science is that it makes human beings arrogant, as if they were able to control the world in a way they are not. In truth, he finds human beings weak and frail without spiritual support, capable of being completely destroyed by the slightest shift in health.

Man is only a reed, the weakest in nature, but he is a thinking reed. There is no need for the whole universe.."