Abstract
In this article, the writer analyzes the film "The Night is Sinister" that was produced by the Film Front in Denmark in 1973. This analysis of the film argues that its historic date is important as it was made at the end of the de-colonization era and in the latter stages of the Vietnam conflict, before the rise of globalization and resurgent neo-colonialism. The writer discusses that the film depicts the collapse of the European colonial empires in the face of global independence movements.

From the Paper
"The film depicts the collapse of the European colonial empires in the face of global independence movements, with these empires being replaced by the United States as the main supporter of neo-colonialism. The film explores how this neo-colonialism functions in terms of indirect rule through local corrupt dictators instead of direct colonial government, and how its effects can be seen in the continued underdevelopment of many nations and the economic consolidations of the western powers into common markets."

Tags:film, review, leftist

Abstract
This paper analyzes the film "The Night is Sinister" which was produced by the Film Front in Denmark in 1973. It analyzes how the filmmakers' objectives were strongly influenced by the period in which the film was made. It also looks at the strengths and weaknesses of the film that derive from both its historical context as well as its producers' remarkable insight.

From the Paper
"In this analysis, it is clear that The Night is Sinister possesses both strengths and weaknesses that derive from both its historical context as well as its producers' remarkable insight. While its weaknesses lie in its over-optimistic view of independence movements such as North Korea - that we can see today was clearly flawed and biased - the strength of the film lies in its prophetic detailing of the operations of neo-colonialism in the form of globalization and American cultural domination of the planet."

Tags:culture, setting, orientation

Abstract
The paper discusses the sinister undercurrents in William Shakespeare's comedy, "A Midsummer Night's Dream".

From the Paper
"Although Shakespeare's "A Midsummer Night's Dream" is regarded by critics as a comedy, at times there are more sinister undercurrents in the play that suggest it has a darker side. This essay will examine specific elements of the play to argue that Shakespeare balanced his comedic intent with a desire to explicate the aspects of human nature that are less than perfect and benevolent. Several characters i.e. Theseus, Egeus, Demetrius and Titania are each capable of using their..."

Tags:Shakespeare, A Midsummer Night's Dream

Abstract
The paper notes that the 2006 film "She's the Man" clearly pays homage to Shakespeare's comedy "Twelfth Night" in the names of its main characters and the bare-bones outline of its cross-dressing plot, however, the paper points out many differences. The paper discusses how in Shakespeare's "Twelfth Night", his Viola disguises herself as a boy because of grief, not out of a love of sports, and, Shakespeare's comedy is more fundamentally based upon emotion, character, and even social class than physical difference. The paper continues by noting that Shakespeare's Viola is both a sadder and more vulnerable character throughout "Twelfth Night", in contrast to the more tomboyish Viola in the modern film who can fend for herself. Finally, the paper relates that the very sinister 'madness plot' and the characters of Toby and Andrew in "Twelfth Night" are toned down in "She's the Man".

From the Paper
"The main character, Viola Hastings, is abandoned by her brother Sebastian when the young man leaves for a music career in London, dropping out of the second prep school he has been forced to attend by their parents. Viola leaves Cornwall Prep and pretends to be a boy so she can play soccer disguised as Sebastian at Illyria Prep. However, in Shakespeare's play Twelfth Night, his Viola disguises herself as a boy because of grief, not out of a love of sports. Viola finds herself unwillingly rather than willingly in the land of Illyria after a shipwreck. She mistakenly fears that her brother Sebastian has died."

Tags:Viola, Sebastian, Cornwall, Prep, gender, identity

Abstract
This paper discusses the town and the people in the book "Friday Night Lights" by H.G. Bissinger, in which the author writes about the central role of high school football in the community life of Odessa, Texas. The paper explains that the author is attracted to the story when he learns that as many as 20,000 people attend the football games on a Friday night, eager to root for a team called the Permian Panthers.

From the Paper
""Friday Night Lights: A Town, a Team, and a Dream," H.G. Bissinger writes about the central role of high school football in the community life of Odessa, Texas. The author is attracted to the story when he learns that as many as 20,000 people attend the football games on a Friday night, eager to root for a team called the Permian Panthers. Such a number would not be surprising for a professional team and perhaps not even for a college team, but it is startling for a high school team and suggests that these games serve some deeper purpose. Certainly, football holds a more important place in the lives of the people of this area than would be true for people elsewhere. The author..."

Tags:friday, night, lights

Abstract
This paper discusses how "Acquainted with the Night" describes the persona's confrontation with 'the long, dark night of the soul', in which he stands alone in a universe that is bereft of any overarching divine meaning or even a mundanely constructed order or morality. It discusses how, far from engendering a sense of hopelessness, the indifferent ambiguity of the universe motivates the narrator's exploration of his own nature, displaying the curiosity that is the birthright of humanity.

From the Paper
"The opening stanza of the poem consists of three declarative sentences that describe the persona's ambiguous relationship with the night, as well as suggesting the commencement of a journey. By stating that "I have been one acquainted with the night" (Frost, l.1), the narrator immediately removes himself from objective time and begins to describe a relationship located in neither the past nor present, but rather a subjective temporality that is akin to the dream-state of semi-consciousness. The repetition of the personal pronoun 'I' emphasizes that he is alone in his wandering and that this is an exploration of the self and its relationship to the outer world. "

Tags:night, humanity

Abstract
The purpose of this paper is to understand what Shakespeare meant by the title "A Midsummer Night's Dream" following the clues in key speeches. It also looks at the theme of the title, midsummer madness and supernatural elements.

From the Paper
"The themes embodied in Shakespeare's comedy A Midsummer Night's Dream recall the line that questions whether all that we see or seem is merely a dream within a dream. Unlike his other plays the title of Shakespeare's fantastic..."

Tags:Shakespeare, Midsummer Night's Dream, Dreams

Abstract
This paper presents a review of "Night" by Elie Wiesel. The paper outlines the stages of the author's descent into the Holocaust. The stages are clearly defined in this story.

Tags:night, elie, wiesel

Abstract
This paper reviews the 2004 movie "Friday Night Lights" about high school sport in America. The author includes an introduction, analysis, justification for the movie, relationship of the movie to sport in American life, contribution to society and conclusion.

From the Paper
""Friday Night Lights" starred Billy Bob Thornton, Tim McGraw, Derek Luke, Jay Hernandez, Lucas Black and Garrett Hedlund. "Friday Night Lights" is a movie that chronicles the true story of the Odessa Texas high school football team the Permian Panthers and ..."

Tags:Friday Night Lights, sports, obsession, movie review

Abstract
There is something in the poetry of Robert Frost that does not love a stranger. And yet, strangers regularly appear, as in the poems: "Love and A Question", "The Fear", "The Smile" and "The Witch of Coos". Although the strangers, associated as they are with night and violence, are made to appear somewhat sinister, it is unclear as to whether Frost sees them as a threat in and of themselves; or rather, whether they simply embody a dissatisfaction which already exists in the lives of the couples.

Tags:stranger, in, robert, frost