<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title><![CDATA[Term Papers on marcello rubini federico fellini la dolce vita | marcello rubini federico fellini la dolce vita essays | AcaDemon]]></title><description><![CDATA[The largest library of college term papers, research papers, essays and book reports]]></description><link><![CDATA[http://www.academon.com/db/search]]></link><language><![CDATA[en]]></language><copyright><![CDATA[Copyright (c) 2009 Academic Resources Center. All rights reserved.]]></copyright><lastBuildDate><![CDATA[Sat, 28 Nov 2009 17:00:59 GMT]]></lastBuildDate><item><title><![CDATA[Film Review :: "La Dolce Vita"]]></title><description><![CDATA[This paper analyzes the history, culture and architecture of Italy in Federico Fellini's film "La Dolce Vita".]]></description><link><![CDATA[http://www.academon.com/Film-Review-La-Dolce-Vita/102390]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-La-Dolce-Vita/102390]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: Marcello Rubini in Federico Fellini's "La Dolce Vita".]]></title><description><![CDATA[This paper applies existential-humanistic psychology to the character of Marcello Rubini in Federico Fellini's film, "La Dolce Vita".]]></description><link><![CDATA[http://www.academon.com/Film-Review-Marcello-Rubini-in-Federico-Fellini's-La-Dolce-Vita/102401]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-Marcello-Rubini-in-Federico-Fellini's-La-Dolce-Vita/102401]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: Film: Federico Fellini's "8 1/2"]]></title><description><![CDATA[Examines Federico Fellini's "8 1/2" as a film noir.]]></description><link><![CDATA[http://www.academon.com/Film-Review-Film-Federico-Fellini's-8-1-2/106599]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-Film-Federico-Fellini's-8-1-2/106599]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Federico Fellini: An Analysis]]></title><description><![CDATA[An overview of some of Fellini's films.]]></description><link><![CDATA[http://www.academon.com/Essay-Federico-Fellini-An-Analysis/43074]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Federico-Fellini-An-Analysis/43074]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Hitchcock, Fellini and Godard]]></title><description><![CDATA[Shows why Alfred Hitchcock, Jean-Luc Godard, and Federico Fellini should be considered true 'auteurs'.]]></description><link><![CDATA[http://www.academon.com/Essay-Hitchcock-Fellini-and-Godard/67444]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Hitchcock-Fellini-and-Godard/67444]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: A Question of Auteurism: Cinematic Productions and Critical Responses]]></title><description><![CDATA[A discussion of the auterism of three films, Kenneth Branagh's "Henry V", Federico Fellini's "La Strada" and Fritz Lang's "Metropolis".]]></description><link><![CDATA[http://www.academon.com/Essay-A-Question-of-Auteurism-Cinematic-Productions-and-Critical-Responses/42638]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-A-Question-of-Auteurism-Cinematic-Productions-and-Critical-Responses/42638]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: "La Strada" and "Senso"]]></title><description><![CDATA[A comparison of the films "La Strada" (1954) by Federico Fellini and "Senso" (1954) by Luchino Visconti.]]></description><link><![CDATA[http://www.academon.com/Film-Review-La-Strada-and-Senso/107719]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-La-Strada-and-Senso/107719]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: "8 1/2"]]></title><description><![CDATA[A review of the mastery of the movie "8 1/2" directed by Federico Fellini.]]></description><link><![CDATA[http://www.academon.com/Film-Review-8-1-2/110277]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-8-1-2/110277]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: "8 1/2" by Federico Fellini]]></title><description><![CDATA[An examination of the Oedipal features of relationships among the characters.]]></description><link><![CDATA[http://www.academon.com/Essay-8-1-2-by-Federico-Fellini/15442]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-8-1-2-by-Federico-Fellini/15442]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Fellini's "8 +"]]></title><description><![CDATA[A look at how the self-referential structure of Fellini's "8 +" defines the film as an auteurist production.]]></description><link><![CDATA[http://www.academon.com/Essay-Fellini's-8/42544]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Fellini's-8/42544]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item></channel></rss>