Abstract The paper offers an analysis of the use of color, light and dark in James Joyce's short story "Araby." The paper explains how the symbolism of color, light and dark leads to an understanding of the story.
From the Paper "Colors are a form of non verbal communication and as such are symbolic. For example in Western culture white signifies purity and light while black signifies darkness, evil and death. In literature, symbolism joins the story's external action to the theme. This use of symbolism holds true in James Joyce's short story "Araby" where the use of color, particularly light and dark, contribute to the theme and understanding of the story."
This paper discusses the role that images of nature play in three novels of clashing cultures: Tayeb Salih's 'Seasons of Migrations to the North', David Malouf's 'Remembering Babylon', and Joseph Conrad's 'Heart of Darkness'.
Abstract This essay discusses the following three novels: Tayeb Salih's 'Seasons of Migrations to the North', David Malouf's 'Remembering Babylon', and Joseph Conrad's 'Heart of Darkness' . All of these novels reveal the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and show how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad's The Heart of Darkness is the classic on this theme to which the other two are compared. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light.
From the Paper "This study will explore the role that images of nature play in three novels of cultural conflict. Tayeb Salih's Seasons of Migrations to the North, and David Malouf's Remembering Babylon, will be discussed using Conrad's Heart of Darkness as the standard by which all such works are measured.In addition to being about clashing cultures, these novels are about the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad's The Heart of Darkness is the classic on this theme. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light."
Abstract The paper examines the prejudices the "Invisible Man" endures throughout his life. The ways in which "light" is used enters into this idea and the way in which he comes through in the end to cast off his own darkness in the light and show who he really is, no matter the consequences.
From the Paper "One of the most striking aspects of Ellison's The Invisible Man is its constant use of several visual aspects throughout the novel representing the blindness of people. The title serves as the first hint at this by telling the viewer that one is not seeing all that is there; they are clouded by a veil of prejudice which prevents the truth from emerging. The struggles between blindness and sight, light and dark, invisibility and visibility all serve a purpose of showing the reader the revelations that the Invisible Man comes to discover. Sight is something that IM desired more than anything in order to wade through all the lies and dogma of the world to find truth. The blindness is all around him and at times is a way for people to avoid the weight of knowing the truth of themselves. Ellison uses the imagery of light to represent the way in which one can see the truth of the world. One can only find it after leaving the darkness they have been accepting their entire lives, which is their blindness. At the same time IM must avoid the false light that seems to shine brighter than anything else at times. After discovering the blindness of those around him he understands his invisibility, and sees that he is not looked upon as a threat to people. IM is ignorant in their eyes, but their blindness hides the genuine person IM really is. The struggles between the imagery in which the Invisible Man must endure, and at the same time recognize, is where the truth, or rather his identity, is hidden."
Abstract In this article, the writer points out that Joseph Conrad's 'Heart of Darkness' draws a parallel between the physical journey of the main character, Marlow, and his mental or spiritual journey as he travels more deeply into the physical darkness of the African continent. The writer notes that the physical journey is then indicative as he becomes increasingly aware of the darkness in the human soul, which culminates in the character of Kurtz. Further the writer notes that when Kurtz dies, the darkness reaches its ultimate level, and for Marlow, there is no return. The writer discusses that in terms of point of view, the novel is structured in an interesting way.
From the Paper "This indicates a gradual shift of viewpoint from the Western, or civilized, to the uncivilized. In this, Marlow's viewpoint shift foreshadows his meeting with Kurtz. The latter is iconic of the completion of this viewpoint. The reader is therefore prepared for an increased contact with darkness as Marlow travels deeper into the physical darkness of Africa towards the ultimate heart of the matter personified in Kurtz. The decay of Kurtz's station indicates not only his absence, but also his lingering influence during the time when he was present at the station. It is central to the novel to note that the barbarian nature of the natives influenced the Western-born Kurtz and Marlow to a greater degree than their civilization. The novel closes with the indication that barbarism waits just beneath the surface of even the highest civilization. In this, Conrad makes his point regarding the true nature of humanity."
Abstract This paper discusses the poem, "We Grow Accustomed to the Dark" by Emily Dickinson. The paper presents three different interpretations of the poem, by Jough Dempsey, Joan Kirkby and Sister Miriam. The paper contends that Dickinson's images are vague, arbitrary and highly personal in ways that raise poetry to the art form it deserves to be. The paper states that the imagery in this particular poem is no exception, as is clear by the different interpretations offered by these three authors. The paper claims that the image of 'darkness' that is found throughout the poem is especially problematic and is interpreted differently by each of the authors.
From the Paper "Dempsey gives a modern interpretation of Emily Dickinson's "We Grow Accustomed to the Dark". He raises uncertainties regarding the meanings of the various images and words, rather than providing clear meanings to clarify the meaning of the poem as a whole. Indeed, this appears to be a requirement with regard to the poetry of Emily Dickinson. Her images are vague, arbitrary and highly personal in ways that raise poetry to the art form it deserves to be. The images in this particular poem are no exception, as will be seen by the various interpretations offered by a variety of authors. Especially problematic is the image of "Darkness" that is found throughout the poem, and that appears to be dichotomized with the concept of "Light"."
Abstract This paper examines the myriad of changes brought about by the invention of the light bulb. The paper presents issues of safety of light bulbs as opposed to candles. The paper also claims that the light bulb has changed the face of travel, enabling safe passage whether by car, boat, airplane or walking. It has also greatly increased productivity worldwide by allowing longer hours of work.
From the Paper "The light bulb was perhaps the most significant invention since fire; although fire was never truly invented. Nevertheless, the light bulb has impacted our lives on a scale similar to that of when our ancestors first harnessed the flame: it has altered the way people live their lives so drastically that it is difficult to even imagine life in its absence. Thanks to its invention, the night is open to far more activities than the candle or even the lantern could ever have provided. Its likelihood as a fire starter is much less than its predecessors, thus increasing the safety of people and their property. The light bulb has changed the face of travel. It has also greatly increased productivity worldwide."
Abstract In this article, the writer offers the examination of "A Clean, Well-Lighted Place", as a look at the postwar nihilistic ideas of Hemingway and others after World War I. The writer states that many view the images of light and darkness in Hemingway's work as an escape from reality in the real world. The writer discusses the view that this story also portray Hemingway's view of society following the war.
From the Paper "It has been argued that in 'A Clean Well-Lighted Place' Hemingway uses images of light and darkness to convey the need for refuge and escape from the darkness of reality in the outside world. While this is certainly true, it is possible to look deeper into this idea and see the story as Hemingway's nihilistic view of society after the horror that was World War I. Ernest Hemingway was a modernist and a philosopher. Just as important to this argument ... "
Tags: hemingway, nihilism, world war I, a clean well-lighted place
Abstract This paper briefly summarizes the plot of "Heart of Darkness" and then delves into the more complicated aspects of the main characters in the story. The paper discusses the portrayal of Marlow as one who sees himself as superior to both the Congo natives and to Kurtz, the man he sets out to save. It also looks at the irony in this perspective. Also examined is the characterization of Kurtz as a man who has set himself up like a god for those whom he rules over. Additionally, the paper includes a review of the critique of "Heart of Darkness" by African author, Chinua Achebe, and a look at the different opinions on whether Conrad was or was not a racist. The paper concludes with a discussion on the similarity between both characters, which is demonstrated by their feelings of superiority, whether it is cultural superiority or personal superiority.
From the Paper "Joseph Conrad's short novel Heart of Darkness is superficially a story about one man, named Kurtz, who devolves into a savage-like king during his residence in the Congo. However, the novella is really about the evolving relationship between the first-person narrator, a man named Marlow, and his point of view of Kurtz. The novella is truly a novel of shifting perceptions of these two men's different characters, rather than a series of direct contrasts between good and evil. Marlow's perceptions of the supposedly barbaric Kurtz shift and change, as to the reader's own perceptions of Marlow as a reliable narrator."
Abstract The paper describes Joseph Conrad's "Heart of Darkness;" a famous short story that tells the story of a sailor recounting what happened years before, on a trip into the Congo in Africa. This paper looks at the narrative style of the story-within-a-story and how it is used, as well as the overall meaning of the story and the relationship between darkness and madness.
From the Paper "Joseph Conrad's "Heart of Darkness" is a tale within a tale, one for dark nights and lost souls. The story is remarkable in a number of ways, but the two that will be focused on are the narrative structure and meaning imparted in the story, which are closely entwined with each other and the imagery used. The fact that this is a narrative within a narrative is significant because it leads the reader to question the validity of one of these "yarns of seamen" which the exterior tale's narrator alludes to, but mostly forces us to look more closely at how the story is told (Conrad 68.)"
Abstract This paper anaylzes the central passage in Joseph Conrad's novella, "Heart of Darkness", from the scene between Marlow and Kurtz that takes place on the river-boat just prior to Kurtz's death. It is a highly dramatic scene, and one that is open to differing interpretations. The paper attempts to analyze what Marlow believed drove Kurtz to cry out the words, "The horror! The horror! ".
Abstract This paper discusses how Conrad's plot revolves around the disintegration of Marlowe's high flung theories about colonialism when he sees the cruelty his government has imparted on the African people. In 'Heart of Darkness', the colonial objectives of the British are also thematic through these insular points of view. Conrad writes on how the English perceive the African in their travels to Africa.
From the Paper " In this literary analysis of the Heart of Darkness by Joseph Conrad the basis of British perspectives on colonialism will be brought forth in Africa. The theme of this novel reflects the horror of colonialism, and the ruthless nature of governments that are presented through a British point of view. In relation to this the theme of colonialism, the character of Marlow in the novel reflect youthful and naive rejection of British imperial design. In essence, the theme of colonialism and Marlowe's rebellion against colonial principles will be analyzed within this study. For the author Joseph Conrad, the character Marlow is a young man that must learn that high ideals are colonial principles through experience, not through politically correct ideologies and literary propaganda. "
Examines the risk and hazard factors of bright blue light in the workplace and compares the use of green light in the work place and examines the safety issues relating to green light use.
Abstract This research paper examines the hazards and risks associated with the use of blue light in the work place. In addition, the paper examines the use of green light in the workplace and the safety issues relating to the use of green light. Also examined is the fact that blue light marketers inform the public that lamps with 'enhanced' UV will ensure better health.
From the Paper "Photometric quantities such as luminance (brightness in cd/cm2 as perceived by a human "standard observer") and illuminance in lux (the "light" falling on a surface) indicate light levels spectrally weighted by the standard photometric visibility curve which peaks at 550 nm for the human eye. To quantify a photochemical effect it is not sufficient to specify the number of photons-per-square-centimeter (photon flux) or the irradiance (W/cm2) since the efficiency of the effect will be highly dependent on wavelength."
Abstract The paper discusses how the private security industry as a whole tends to benefit in times of social unrest and tension, such as during periods of concern about crime, or when other fears spur the public to seek ways to reduce the likelihood of becoming a victim.This paper further discusses security lighting, emphasizing that one of the best approaches to security is to illuminate the vicinity in order to increase one's sense of security, drive away intruders, reduce the likelihood of accidents, and at the same time create a more pleasing look for a building, a yard, or a parking lot. Lighting is required for many types of security system. For some, the lights themselves are a deterrent and constitute the primary security element. In other cases, lighting serves a secondary purpose as well.
Abstract This paper examines two distinct inventions: light bulbs and solar energy. First it discusses the incandescent light bulb and its inventor, Thomas Alva Edison, and explore the differences between incandescent and fluorescent light bulbs. Then the long history and increasing importance of solar power and its modern applications are discussed.
From the Paper "On December 31st, 1879, after years of work and many experiments, Thomas Alva Edison gave the first demonstration of the incandescent light bulb at his laboratory in Menlo Park, New Jersey. He was assisted in his invention by Francis Upton, a Princeton Graduate who supplied the mathematical and theoretical expertise that Edison lacked. This invention established Edison's reputation as the world's greatest inventor. Before his invention, electric arc lighting was used to produce light. In this lighting system, lights were connected in a series circuit, so if one failed, the rest of the bulbs on the circuit also failed. (First Public Demonstration?)
Edison was able to spend so much time and money on the invention of the light bulb because of his reputation as an inventor. He had the support of financiers such as J.P. Morgan and the Vanderbilts. They established the Edison Light Company and loaned Edison $30,000 for research and development. (First Public Demonstration?)"
Abstract Sources of light have different characteristics and properties. In this paper, we will study the metal filament lamp and the arc lamp in order to determine some of these differences.
