Papers on "18th Century Burlesques" and similar term paper topics

Paper #067704 :: 18th Century Burlesques
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A discussion on Henry Fielding's "The Life and Death of Tom Thumb the Great" and Catherine Clive's "The Rehearsal, or Bayes in Petticoats".

Written in 2006; 1,654 words; 3 sources; MLA; $ 53.95

Paper Summary:

The paper discusses the humor of burlesque plays. It explains that the understanding of the humor is dependent upon the audience's social complicity with the playwright's fundamentally uncritical sense of humor about societal norms. The author of the paper uses Fielding's and Clive's plays to bring this opinion to light.

From the Paper:

""The Rehearsal," written in 1753 because of its title, may be said to take issue with Clive's own contemporary and rival, the leading playwright Dryden who also authored a play with the same name. Dryden, perhaps because he was the favored author of the day was widely disliked by his fellow playwrights, causing one of Clive's later contemporaries, Richard B. Sheridan to later mock in the prologue to his play "The Critic," that "the tragic queen," of Dryden, "to please a tasteless crowd/ Had learn'd to bellow, rant, and roar so loud," implying not simply the inferior tastes of the masses. Even Sheridan's short parodic work of criticism also shows that the audience had to know who Dryden was, to understand the references of even this more satiric play (in comparison to Clive's), and to be conversant in the rivalry of comedy and tragedy, of critics and playwrights, to fully comprehend "The Critic" in its humorous intent."

Tags: play theatre satire comedy humor

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