Papers on "The Classic Hollywood System" and similar term paper topics

Paper #063807 :: The Classic Hollywood System
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This paper discusses the historical change in the structure of the classic Hollywood system and the production and distribution factors which have contributed to that change.

Written in 2005; 1,715 words; 7 sources; APA; $ 55.95

Paper Summary:

This paper explains that, at its height, Hollywood was a vertically integrated industry in which the major producers and distributors--the studios--also owned the movie theaters, which took in more than three-quarters of the gross receipts paid at the box office. The author points out that an antitrust suit broke up this monopoly; the consent decree, first accepted by Paramount in 1948, shook the movie industry and altered exhibition practices. The paper relates that, once distributors and exhibitors no longer shared a common financial interest, their relationship became more adversarial with the providers of films seeking to indemnify themselves against losses by imposing onerous conditions on the exhibitors or limiting the flow of product to such an extent that the theaters eventually used the films as loss leaders to ensure the profitable sales of concessions.

From the Paper:

"During the 30's and 40's, lack of competition in the leisure stakes afforded Hollywood a high degree of public consumption. Film-goers could immerse themselves in the fantasy and escapism offered to them on the screen. American movies, more so than any other developed nation, were seen the world over. Once a film had recouped its production and distribution costs in the United States, any income derived abroad was pure profit. The outbreak of war in Europe, however, forced Hollywood to look to its home market as its prime source of revenue. With luxury goods scarce, American dollars were spent going to the movies. As Balio points out, by having well-situated theatres, it was a boom-time for the major studios, who saw film rentals rise from $193 million in 1939 to $332 million at the end of the war. Despite attendance's in 1946 reaching a record ninety million, the security enjoyed by the majors was on the wane due to two important factors; one by association, the other, directly aimed at the film industry. The investigation into Hollywood as part of the House of Un-American Activities into Communist infiltration in 1947, had far-reaching effects within the industry. Directors, actors, technicians and, most commonly, screenwriters, found their careers ended by this association with Communist ideology."

Tags: cartel vertical anti-trust five exhibitors

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