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Paper #061385 :: Designs
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An analysis of the influence of Egyptian hieroglyphics and other ancient symbols on 18th, 19th and 20th century designs.

Written in 2004; 1,726 words; 11 sources; MLA; $ 55.95

Paper Summary:

This paper discusses design issues, specifically the influence of Egyptian hieroglyphics and other ancient symbols on 18th, 19th and 20th century surface pattern design and their influences now on contemporary design. The paper examines the impact on design practice of digital techniques today. The paper presents a discussion of designers from these periods, illustrating their work. Suggestions for critical analysis and an examination of possible philosophical questions are provided in the paper, as they relate to future professional practice. A summary of the research is provided in the conclusion.
Outline
Introduction
Review and Discussion
Background and Overview
Egyptian Hieroglyphics in Design
18th Century - 20th Century Designs Elements
Assessment of Influence on Contemporary Designers
Conclusion

From the Paper:

"According to Pile (1979), because alphabetic symbols do not represent true analogs for the sounds they actually represent, alphabets have become arbitrary codes that have no meaning until a user receives instruction; this can be readily discerned by a casual review of the sample Egyptian hieroglyphics in the figures below. In fact, "Once the code meaning is unavailable, it cannot be rediscovered by any logical means. The well-known story of the role of the Rosetta stone in unlocking the mystery of the lost meaning of Egyptian hieroglyphics is a good illustration of this" (Pile 112). The discovery of the meaning of the hieroglyphics was recorded in 1847 by Morrison and Von Schlegel: "For more than a millennium and a half had the hieroglyphics of an ancient race remained unintelligible to and undeciphered by a posterity of aliens, when at last, amid the recent commotions and tempests of the political world, a happy accident brought the secret to light" (55). "

Tags: signs drawings codes

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