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Paper #059224 :: Shakespeare at the Movies
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A discussion on the recent adaptations of Shakespeare's plays, "Much Ado About Nothing" and "A Midsummer Night's Dream," directed respectively by Kenneth Branagh (1993) and Michael Hoffman (1999).

Written in 2004; 1,694 words; 5 sources; MLA; $ 54.95

Paper Summary:

This paper reviews the adapted film versions of two of William Shakespeare's plays, "Much Ado About Nothing" and "A Midsummer Night's Dream". The paper explains that both the directors, Branagh and Hoffman, suitably altered the original setting of Shakespeare's plays. Though the scenery and settings are beautiful and picturesque, there are deeper and more purposeful reasons for this change, only one of which is merely to decorate. This can be seen in "Much Ado About Nothing" and more evidently in "A Midsummer Night's Dream". The paper explores the changes made to the modern versions of the plays, claiming that, for the 1990s audience, they offer a more accessible and comprehensible viewing.

From the Paper:

"Love, romance and sensuality combine and are fore grounded in the lush and verdant settings of Tuscany in the recent adaptations to Shakespeare's plays Much Ado About Nothing and A Midsummer Night's Dream directed respectively by Kenneth Branagh (1993) and Michael Hoffman (1999). The two directors have purposefully abandoned the original settings of Sicily and Athens to create their versions of the film. They have intentionally used the Tuscan setting for various purposes, such as to enhance the viewer's association and understanding of the film, to portray an atmosphere of gaiety and romance, to subtly reflect issues of the time, to allow them to include certain cinematic elements (such as music of the era) and also to merely decorate."

Tags: sicily athens tuscan

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