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Paper #026434 :: The Inevitable Consequences of Obsession in "Vertigo"
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A close examination of the spiral motif in Alfred Hitchcock's film, "Vertigo", and the consequences this theme has on the characters and plot.

Written in 2003; 3,797 words; 8 sources; MLA; $ 104.95

Paper Summary:

An analysis of the spiral motif in Vertigo, beginning with a close look at suspense and terror. Establishing suspense as the main source of fear in the film, this paper gives a detailed examination of how spirals create suspense through repetition of scenes, settings, and character obsessions, followed by a summary of other spiral effects in the film (Scottie's hallucinations and vertigo). A careful look at the characters, and the spiral nature of their identities, including a look at how the characters interact and force the action of the film towards destruction.

From the Paper:

"Beginning at a single point and spinning outwards, the curve of a spiral never hits the same point twice, but the pattern that it follows is always identical. Spirals form the dominant image in Alfred Hitchcock's Vertigo, beginning in the opening credits with the spirals appearing in the close-up of a woman's eye. All of the slight details, from Carlotta Valdes' hair to the repetition of clothing, point towards the spiral as a major theme, and the physical spirals direct the viewer's attention to the repetitions in plot and character. Alfred Hitchcock introduces a spiral motif that permeates all aspects of Vertigo and drives the action towards its inevitable conclusion, but suspense is created as all attempts to break the spiral are thwarted and all hope for happiness fades."

Tags: jimmy kim macguffin novak stewart suspense terror

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