Papers on "19th Century Artists' Use Of Self" and similar term paper topics

Paper #014934 :: 19th Century Artists' Use Of Self
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Compares artists' use of own image or perspective to an effect on the viewer in George Catlin's "Portrait of Mah-To-Toh-Pa--Mandan," Eugene Delacroix's "Women of Algiers" and Winslow Homer's "A Visit from the Old Mistress."

Written in 1999; 2,475 words; 4 sources; $ 87.95

Paper Summary:

Nineteenth-century painters were sometimes travelers who ventured beyond frontiers and returned with visual reports of their encounters with other cultures. In an age when engraved drawings were an accepted part of newspaper reportage artists' reports were not likely to be challenged.

From the Paper:

"Nineteenth-century painters were sometimes travelers who ventured beyond frontiers and returned with visual reports of their encounters with other cultures. In an age when engraved drawings were an accepted part of newspaper reportage artists' reports were not likely to be challenged. But painters' accounts were not accompanied by texts and they often took care to insist on the fact of their presence at the scene and among their subjects. This served as a warrant of their reliability and facilitated acceptance of ideas or attitudes implicit in their representations of other cultures. Artists thus presented themselves as surrogates for their audiences--confirming, modifying, reinforcing, and re-shaping perceptions of other cultures. These painters employed different visual strategies as the means of emphasizing their roles as witnesses, and ..."

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