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Paper #103302 :: Critique of "The Marriage of Arnolfini"
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A personal critique and discussion of the meaning behind Jan Van Eyck's 1434 painting, "The Marriage of Arnolfini."

Written in 2008; 793 words; 0 source; $ 28.95

Paper Summary:

This paper presents a personal critique of Jan Van Eyck's 1434 painting, "The Marriage of Arnolfini." It discusses the scene in the painting and the possible meanings behind it. It specifically focuses on the possibility that the painting acted as a witness to the marriage of the subjects. The writer describes why this painting specifically appeals to her.

From the Paper:

"There is controversy whether the painting is considered a legal document recording Arnolfini's marriage, if it is just showing the betrothal of the couple, or if it is just a portrait. The artist wrote in calligraphy on the wall, just above the mirror, "Johannes de Eyck fuit hick 1434", which means Jan Van Eyck was here 1434. Of course the writing on the wall is quite an unusual place for the artist to leave his signature; I believe it alludes more towards the idea that he was a witness of the marriage. My theory, considering how artists in history had their subjects pose for them while painting, is that this was a portrait painted as a reenactment of their marriage as something to show guests how wealthy they were. It was common during that period for people to commission portraits, filled with symbolism alluding to wealth and happiness, to hang in their home."

Tags: marriage calligraphy oil

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