Papers on "Misinterpretation of 'Que Viva Mexico!'" and similar term paper topics

Paper #103073 :: Misinterpretation of 'Que Viva Mexico!'
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This paper discusses whether the film, 'Que Viva Mexico!', by Sergei Eisenstein was misinterpreted.

Written in 2007; 9,293 words; 24 sources; APA; $ 191.95

Paper Summary:

This study examines Eisenstein's unfinished film, 'Que Viva Mexico!' The writer aims to establish its so far misinterpreted history, as well as its importance in the wider discussion of Eisenstein's work. The writer notes that the study contains evidence exposing Soviet politics, responsible for the unfinished nature of the film. Furthermore, the study explores artistic influences, particularly the Mexican Muralist movement, which have so far been neglected. In addition, changes in Eisenstein's theoretical thought are investigated in an examination about extant scenarios and through close textual analysis. The writer argues that Eisenstein moved away from montage of attractions to pay close attention to the single shot: its composition, potential, aesthetics and meaning. Additionally, the film shot is particularly surprising in that it contains a continual linking of a man and his natural environment, the release of the female, local traditions and rituals on life, death and immorality, as well as elements of excessive over indulgence.

Table of Contents:
Introduction
Chapter 1
Chapter 2
Chapter 3
Conclusion
Bibliography
Appendix
Glossary of People
Glossary of terms and names in Que Viva Mexico!
Chronology

From the Paper:

"Sandunga and Maguey do not reflect Eisenstein's understanding of the opposition between Rivera and Orozco on a visual level. The stories also express the difference in character. Sandunga is a romantic vision, set in the harmony of the unspoiled natural surroundings of the tropics, where as Maguey is governed by male violence. It contains the most brutal scene of the entire film, where under the pre-Revolutionary system; we see Mexican labourers die being crushed by horse hooves. This scene was to be the only scene that Mexican censorship decreed as inappropriate and damaging towards their country and that it was not to be shown. But, the scene does embody some futurist aspects with close ups of the peons being crushed by the horse hooves as they cross to form a triangular movement . The faces of the peons are in focus, while the dust and horses are out of focus and blurred, appearing as triangular cubic shadows."

Tags: artistic influences Mexican Muralist shots

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