Papers on "Chinese Horse Scrolls" and similar term paper topics
Paper #102103 ::
Chinese Horse Scrolls
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A comparison and contrast of Gong Kai's "Emaciated Horse" and Zhou Menfu's "Horse and Groom" and what they reveal about Chinese history at the time of the Song Dynasty.
Written in 2008; 924 words; 3 sources; MLA;
$ 32.95
Paper Summary:
This paper discusses two artworks that allow the beholder insight into Chinese history from the time of the Song Dynasty. The paper analyzes and compares Gong Kai's "Emaciated Horse" and Zhou Menfu's "Horse and Groom" and describes the indications in the works that instability had gripped 13th and 14th century China. The paper also discusses both works' distinction in intensity and intent and what this suggests about the artists' political outlooks.
From the Paper:
"One of the most compelling characteristic aspects of the Song scrollwork is its framing of Chinese symbols in ominous and foreboding color. Its depicted objects are quite often dark, shadowy and spare, implying a mysterious and perhaps even dangerous outlook for China, in some ways apparently scorched by centuries of feuding dynasties and disunity. As the Song dynasty would be a precursor to the eventual conquering of the whole of China by the Mongols, this pervading sense of doom may be considered amongst the most sophisticated cultural insights of its time. (Wikipedia, 1) Indeed, "Gong Kai's work was a lament for the fallen dynasty and the tragedy that overtook him." (Glueck, 1) His solitary disposition is reinforced by his depiction of the symbol of his empire on the cusp of death. There is no groom to lead the horse through this tumult, a fact made notable by the comparison offered here between to pieces. The isolation of the artist is felt in this detectable absence and is projected upon a China sick and starved by the removal of its people from power."
Tags:
empire Mongol symbolism culture ink
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