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Paper #102024 :: The Dehumanizing Aspect of War
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An analysis of how T.S. Eliot's poem "The Hollow Men", Joseph Conrad's novel "Heart of Darkness", and Francis Ford Coppola's film "Apocalypse Now" reflect upon the dehumanizing aspects of war.

Written in 2008; 700 words; 3 sources; APA; $ 24.95

Paper Summary:

This paper examines the dehumanization of war as seen in three great modern works of literature and cinema, T.S. Eliot's poem "The Hollow Men", Joseph Conrad's novel "Heart of Darkness", and Francis Ford Coppola's film "Apocalypse Now". The paper holds that, although violent conflict is a common part of our history and of our present, it runs contrary to our sense of humanity. In the three works under discussion, this is a theme which is explored through the characterization of war's brutality and the emotional toll which it takes on those who experience it. The paper posits that the unified theme in all three works is the portraiture of men who have survived the physical strains of war, but have nonetheless been mentally destroyed by what they have witnessed.

From the Paper:

"The morbid tone of T.S. Eliot's poem introduces this theme. With a focus on the repeated concept of death, the poem describes the devastation of land, of lives and even emotions such as love and desire. The implication of some raging conflict is driven home by a weary tone, indicative of the emotional exhaustion deteriorating the poems subjects. Such subjects, Eliot cautions, should be remembered, "not as lost / Violent souls, but only / As the hollow men / The stuffed men." (Eliot, 17-20) This is a description which points to the effect of war on those who fight it, robbing them not of their goodness but of their essential claim to being human."

Tags: dehumanization conflict human condition

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