Papers on "Neo-Expressionist Artist Julian Schnabel" and similar term paper topics
Paper #100119 ::
Neo-Expressionist Artist Julian Schnabel
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This paper discuses one of the leading American Neo-Expressionist artists, Julian Schnabel, who represents something of an enigma in contemporary art.
Written in 2007; 1,425 words; 8 sources; MLA;
$ 47.95
Paper Summary:
This paper explains that Julian Schnabel's work and reputation serve as excellent examples of the complex processes that shape art criticism and reputation in the world of contemporary art. The author points out that Schnabel's theatrical work, such as his "signature" style of painting images and portraits on the medium of broken pottery/plates and black velvet, was the product of a post-modern culture, driven by an unprecedented scale of investment in modern art using the wealth created by the 1980s stock market. The paper argues that Schnabel's rejection of any sense of autonomy or "purity" in favor of a deep engagement with mediated culture is distinctly post-modern.
From the Paper:
"From this perspective, it is not surprising that as Schnabel's critical reputation as a figurative artist began declining - not coincidentally, around the same time as a global recession ended the economic boom of the 1980s - Schnabel turned to another artistic medium in which to work: film. This may not have been such a dramatic leap as it might first appear, for critics reflecting upon Schnabel's early paintings have noted qualities in them reminiscent of film. Schnabel's first venture into film was the biopic of his friend and fellow artist in the New York art world of the 1980s, Jean-Michael Basquiat."
Tags:
styles mass-culture wealth theatricality bankrupt
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