| Papers [1-3] of 3 | Search results on "ZYDECO MUSIC": |
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Zydeco Music and its Cultural Importance, 2002.
This is a paper about the history and influences of zydeco music.
793 words (approx. 3.2 pages), 6 sources, MLA, $ 28.95
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Abstract
Zydeco is an important musical genre and the writer defines it as fun, upbeat dance music from southern Louisiana; characterized by scrub board and thimbles, spoons (metal or wooden), fiddle, triangles, accordion and occasionally a horn or two. This paper discusses its unique origins, the impact it has had on other music forms and the what the future holds for Zydeco followers. The paper looks at the types of people who follow Zydeco music and some of its major artists.
From the Paper
"The reason this genre of music is not wide spread is very simple: the French Creole dialect. Most people cannot understand the lyrics because they are generally written and performed in French Creole (Kein, 41). This dialect was very prominent in seventeenth and eighteenth centuries in Louisiana and surrounding areas by African-American descendants and a few white settlers in rural areas (Kein, 133). After the Louisiana Purchase, English became more prevalent and French Creole died out except in rural areas and was passed down from parent to child and so on(Kein 56). Today, English is more often than not is the primary language used in Zydeco with hints of the Creole heritage."
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Zydeco Music, 2001.
This paper describes zydeco music and dancing, popularized by Creole French speaking people of African decent living on the prairies of south-central and southwest Louisiana.
2,860 words (approx. 11.4 pages), 6 sources, MLA, $ 84.95
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Abstract
This paper explains that zydeco music, a form of dance music, is characterized by a syncopation or a shift of accent in a passage or composition that occurs when a normally weak beat is stressed. The author points out that the accordion and keyrub board, (also know as the washboard, scrub board or a froittoir) are essential parts of the zydeco sound, but there are no fiddles as in Cajun music. The paper relates that traditional zydeco dancing was done subtly, smoothly and upright by couples in a closed position; however, zydeco dancing appears to be evolving from a couples dance to individual free-style. The author relates that Clifton Chenier, who brought the zydeco genre to international attention, reigned as the "King of Zydeco" with a career lasting 30 years, and earned a Grammy award in 1984.
From the Paper
"The changes that have taken place in zydeco music can be tracked by the type of accordion that is used. There were four different models of accordions that have been widely used in the zydeco musical genre, each type varying in the number of rows, and consequently the number of keys. The accordions were sturdy and could be easily heard in big crowds of people. Today, there are diatomic models as well as chromatic models. The diatomic models only play the full-step intervals found in major scales, while the chromatic "piano" accordions encompass half-step intervals..."
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Cajun Music, 2004.
A look at the history of and influences on Cajun music.
2,481 words (approx. 9.9 pages), 15 sources, MLA, $ 75.95
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Abstract
This paper traces the origins of the Cajun people and culture and, in particular, their musical heritage. The paper describes the musical repertoire shared by both Cajuns and Creoles and looks at the Creole contribution of Zydeco towards Cajun music. The paper also describes the unique characteristics of Cajun music, typical instruments used for Cajun music, and its evolution and impact on Louisiana culture.
From the Paper
"A Cajun is a ?Louisianian who descends from French-speaking Acadians,? however many common Cajun surnames such as Souileau and Romero are not Acadian in origin, but are Spanish, German or French Creole and some are even of Anglo or Scotch-Irish origin, as in the case of famed Cajun musicians Lawrence Walker and Dennis McGee (Cajun 1 Pp). For this reason, ?contemporary scholars of Cajun history and culture tend to offer a more complex, comprehensive view, attributing the traits of modern-day Cajuns to a dynamic, unending process of ethnic interaction? (Cajun 1 Pp). Modern Cajuns are largely homogenous, however, their ancestry consists of a mixture of numerous ethnic groups (Cajun 1 Pp). The majority of early Acadians originated in the Centre-Ouest region of France, while other came from families of Spanish, Irish, Scottish, English, Basque and American Indian (Cajun 1 Pp). When Acadians were forced out of Nova Scotia in 1755, many sought refuge in South Louisiana and again intermixed with other ethnic groups, especially with the French, Spanish, German, American Indian, and Anglo-American settlers (Cajun 1 Pp)."
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