| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "YELLOW WALLPAPER MIDSUMMER NIGHT DREAM": |
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"The Yellow Wallpaper" and "A Midsummer Night's Dream", 2000.
A discussion about the element of fantasy in "The Yellow Wallpaper" and "A Midsummer Night's Dream".
1,121 words (approx. 4.5 pages), 2 sources, $ 38.95
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Abstract
This paper argues that a common theme in Charlotte Perkins Gilman's work, "The Yellow Wallpaper" and Shakespeare's "A Midsummer Night's Dream" is the effect of fantasy and enchantment on the characters in those stories. An examination of the two works shows how fantasy influences and modifies the characters, how it affects the story?s setting, and the message that each author is sending to the reader.
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
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Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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"A Midsummer Night's Dream", 2002.
An examination of the themes of magic and imagination in Shakespeare's play "A Midsummer Night's Dream".
1,900 words (approx. 7.6 pages), 5 sources, $ 71.95
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Abstract
Specifically, this paper presents a thesis that magic and imagination drive the events of the story in "A Midsummer Night's Dream" more than in any other Shakespearean play, thus making "A Midsummer Night's Dream" Shakespeare's only play of pure fantasy.
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Shakespeare's "A Midsummer's Night Dream", 2007.
This paper compares and contrasts Shakespear's original version of "A Midsummer's Night Dream" with the film version.
990 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
The paper discusses how both the film and the original version of William Shakespeare's romantic comedy "A Midsummer's Night Dream" use the same words to tell a tale of temporarily thwarted young love. Yet, there are many differences the paper illustrates. The paper explains that because the film uses visual images to illustrate the words of the Shakespearean play and makes use of selective cutting to emphasize certain scenes over others, the film offers a more selective view of dreams and dreaming as opposed to the play that is viewed in its complete and uncut form.
From the Paper
"The nature of cinema allows the director of "A Midsummer's Night Dream" to make the fairies, such as Titania, Oberon, and Puck seem much more fantastical in contrast to the earth-bound mortals. The fairies float; strange, beautiful lights surround them. Yet in this rendition, they lose some of the earthier, humorous, and more interesting mortal qualities in contrast to the warring fairy characters in the play."
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"A Midsummer Night?s Dream", 2004.
A look at the themes of dream and reality in Shakespeare's "A Midsummer Night?s Dream".
1,587 words (approx. 6.3 pages), 4 sources, MLA, $ 51.95
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Abstract
William Shakespeare?s play, "A Midsummer Night?s Dream", creates a dream world fused with reality. Shakespeare successfully makes the world of Puck and other sprites realistic by employing powerful, vivid text in the play. The paper explains that, through his creative use of language, Shakespeare creates a world of illusion where things are not what they seem, and imagination pushes the limits of fact. The result of powerful language aided by our own imagination allows this enchanted world to appear real in the moonlit forest. It examines how the text of the play is constructed in such a way that we not only visualize the setting of the play, but we also come to know each character.
From the Paper
"The interplay between Puck, Lysander, and Demetrius demonstrates the contrast between mortals and fairies. Puck successfully misguides the two men until they become confused and lose their sense of direction. Puck has an added measure of fun when he tells Demetrius to follow his voice. While Lysander tries to follow that voice, he describes Pucks? nature almost perfectly. He states that the villain is ?much lighter-heeled? Shakespeare (III.ii.416) than he is and though he followed the voice fast, ?faster he did fly? (III.ii.417). Similarly, Demetrius encounters the same type of confusion with Puck."
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"A Midsummer Night's Dream", 2005.
An analysis of the meaning of the title of William Shakespeare's "A Midsummer Night's Dream".
690 words (approx. 2.8 pages), 2 sources, MLA, $ 23.95
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Abstract
The purpose of this paper is to understand what Shakespeare meant by the title "A Midsummer Night's Dream" following the clues in key speeches. It also looks at the theme of the title, midsummer madness and supernatural elements.
From the Paper
"The themes embodied in Shakespeare's comedy A Midsummer Night's Dream recall the line that questions whether all that we see or seem is merely a dream within a dream. Unlike his other plays the title of Shakespeare's fantastic..."
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"Midsummer Night's Dream", 2005.
A discussion on the main themes in Shakespeare's "Midsummer Night's Dream".
920 words (approx. 3.7 pages), 3 sources, MLA, $ 31.95
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Abstract
This paper discusses the whirling relationships between the four lovers in Shakespeare's comedy "Midsummer Night's Dream". It illustrates the theme of rash love's delusions versus mature, realistic love. The author explores the impact of midsummer madness on behavior.
From the Paper
"In Shakespeare's, "Midsummer's Night Dream" the pivotal word is dream-in the sense of illusion and irrational behavior. The enchanting comedy seems like a romp of intoxicated imagination in which deluded lovers end up in ..."
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?Midsummer Night?s Dream?, 2002.
A discussion of the importance of imagery in William Shakespeare's "Midsummer's Night's Dream".
600 words (approx. 2.4 pages), 1 source, MLA, $ 21.95
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Abstract
This paper discusses the importance of imagery and patterns in William Shakespeare?s "Midsummer Night?s Dream". The writer shows examples from the play to illustrate how imagery is presented such as the fact that the story is set in Athens, a mystical place filled with opportunity for imagery.
From the Paper
"One of the first patterns to emerge from the play is the pattern of control. It is not uncommon in plays from this era to view control issues, however, this play works to create a pattern of the need to control causing strife for the characters in the play. The refusal to marry Demetrius and instead she wishes to marry Lysander, tells the reader that she and her father will have a battle of wills and control."
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"A Midsummer Night's Dream": The Film, 2001.
Reviews Michael Hoffman's film adaptation of William Shakespeare's, "A Midsummer Night's Dream".
1,207 words (approx. 4.8 pages), 2 sources, MLA, $ 41.95
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Abstract
This is a film review of Michael Hoffman's 1999 portrayal of William Shakespeare's play, "A Midsummer Night's Dream". This essay isolates the weaknesses in Hoffman's art, arguing that Hoffman takes so many liberties in filming his adaptation, that the final product is void of anything Shakespearean, save the original language. The paper also highlights several moments of cinematic genius and mentions the excellent acting by Kevin Kline.
From the Paper
"Kevin Kline?s Nick Bottom is the film?s sole redeeming character. Klines shines as Bottom, combining joy and apprehension throughout his oscillating plots. Delivering one of his better performances, Kline plays Nick Bottom as a tragic-comic champion-a despondent drudge with big stage aspirations. The play-within-a play subplot works well with Hoffman?s rough mechanicals. When Bottom is transformed into an ass, the object of Queen Titania?s affection, it is poignant to note how his moment of grandeur renders him completely oblivious to his physical state. Bottom alone gives flight to the central idea that love is both maddening and redeeming, and the comedy seems to soar whenever Kline appears."
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?A Midsummer Night?s Dream?, 2002.
A look at the themes of lunacy, love, and poetry in William Shakespeare?s ?A Midsummer Night?s Dream? .
1,090 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
This paper examines how William Shakespeare?s play, ?A Midsummer Night?s Dream?, is full of memorable characters and how they exhibit, among other things, lunacy, lovesickness, and poetry. It analyzes the characters of Bottom, Helena, and Puck, and how they contribute to the play. It demonstrates how Bottom is portrayed as a hilarious lunatic, Helena as a fool in love, and Puck as a mischievous poet.
From the Paper
"Helena proves to be the most loving character in the play. She is in love with Demetrius and there is absolutely nothing that will change her mind. She demonstrates strength of character that can only be achieved through the emotion of love. Whether or not this is wise, is another question. Regardless, she illustrates the power of love and how love is one human emotion that is very difficult to control. For example, she is aware that he loves someone else, but yet she still professes her love to him. This is amazing considering the fact that he is sometimes cruel to her. For instance, when he tells her that he is ?sick when I do look on thee? (II.i.213), she simply responds that she is ?sick when I look not on you? (II.i.214). She illustrates how we can hear the most hurtful thing from the one we love and not be moved away from our affection."
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Shakespeare's "A Midsummer Night's Dream", 2007.
An analysis of the marriage relationship that Oberon has with Titania in Shakespeare's "A Midsummer Night's Dream".
1,001 words (approx. 4.0 pages), 0 sources, $ 35.95
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Abstract
This paper examines the portrayal of the married couple, Oberon and Titania, in Shakespeare's "A Midsummer Night's Dream". The writer discusses the element of trust in a relationship and looks at the way Oberon mistrusts Titania. The writer further discusses the importance of respect in a marriage and explains the reasons for Oberon's disrespect. The writer also argues that a married couple should never disrespect the freewill of the other spouse, and suggests that Oberon takes this ability of freewill from Titania as soon as the love potion is given to her. The writer concludes that people can forgive even the most horrific actions all because of love.
From the Paper
"A married couple should be willing to share their attention and love. They should trust one another enough to realize that love for another being does not take away from the love they share. Oberon does not trust Titania enough to realize that her love for him has not disappeared just because she loves the Indian child. Oberon disrespects Titania by being jealous of her love and the care she gives to the Indian child. The biggest disrespect is when he puts Titania under the love spell to gain for his own good. Oberon is jealous of the little Indian boy that Titania has been given to care for. He feels as though her is attention completely on the baby."
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?A Midsummer Night?s Dream?, 2006.
This paper explores William Shakespeare's use of mythology in "A Midsummer Night's Dream" and details the four main strands within his play.
1,355 words (approx. 5.4 pages), 8 sources, MLA, $ 45.95
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Abstract
The writer of this paper analyzes the four main sub-stories found in Shakespeare's "A Midsummer Night's Dream' and proves that this play is more than just a discussion of mortals and humans but also a story based on Greek and Roman mythology. This paper also ponders the reasons Shakespeare incorporated mythology into his play, including his desire to appeal to a diverse audience.
From the Paper
"According to one story in mythology, which Shakespeare uses in A Midsummer Night's Dream is that of Pyramus and Thisbe who are forbidden from marrying by their parents. This is similar to Theseus and Egeus who give Lysander and Hermia trouble. This is where the similarities end (Midsummer Madness). In the mythological tale, Pyramus and Thisbe agreed to meet under the mulberry tree. "Thisbe, who arrived first was scared by a lion and fled, dropping her veil which the lion smeared with blood, and Pyramus, on finding it, believed Thisbe to be dead and killed himself. Thisbe returned and found the tragic sight, in turn killing herself." Prior to the death of the lovers, the mulberry's fruit was white."
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Fantasy in "A Midsummer Night's Dream", 2002.
Examines the way Shakespeare uses the concepts of mystics and fantasy in his play "A Midsummer Night's Dream".
806 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
This paper briefly discusses how the fantasy in "A Midsummer Night's Dream" involves magic and a belief in fairies and sprites. It explains that the first of several conflicts of opposites in the play is between reality and fantasy, between the reality of life in the city and fantastic nature of life in the woods.
From the Paper
"In A Midsummer Night's Dream, one reason for the fantasy element is to create a dramatic stage on which to test human constancy and human worth. Lysander states that "the course of true love never did run smooth" (I.i.134), and this represents a theme that runs through many of Shakespeare's plays and indeed through much of world literature. The statement itself embodies several ideas. First, it assumes that there is such a thing as true love and that it is a conception based on the idea that two people are literally meant for each other. Second, it states that these two people, though meant for each other, may have to endure a good deal before they can actually achieve the love that is their destiny. In terms of A Midsummer Night's Dream, this statement helps characterize Lysander in a way that makes it evident the objections raised to the young man by Egeus are wrong and that Lysander is not one to feign love at all as Egeus believes he is doing. Lysander does indeed love Hermia as she loves him."
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Film Adaptation of "A Midsummer Night's Dream", 2002.
Comparison of Shakespeare's original play "A Midsummer Night's Dream" with the 1999 film adaptation by Michael Hoffman.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
This paper looks at and compares Shakespeare's play, A Midsummer Night's Dream, with Michael Hoffman's 1999 film adaptation. Looking at how specific differences such as language and scenes differ from interpretations, and how if there is any suggestive influence that enables us to better understand the original play.
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Love in "A Midsummer Night's Dream"., 2002.
An examination of the theme of love in Shakespreare's "A Midsummer Night's Dream".
650 words (approx. 2.6 pages), 4 sources, $ 26.95
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Abstract
A Midsummer Night's Dream, is a play which revolves around the idea of love as an opportunity for foolishness. Puck takes great delight in manipulating the loves of the humans who have unwittingly stumbled into his kingdom. Lovers, particularly those in this play, expose themselves to danger as a result of love from the very beginning. Love simply makes us more so. This play demonstrates that only through humor can we survive the changes in love and life that we experience.
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