| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "WOMAN PLACE": |
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A Woman's Place Is in the Home., 2002.
This paper debates whether or not a woman's place is in the home.
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
This paper discusses that times are changing and with the advent of the Internet and e-commerce both sexes will get what they want.
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"The Women of Brewster Place", 2005.
This paper discusses Gloria Naylor's novel "The Women of Brewster Place", which tells the stories of several women who have come to live on the dead-end street, Brewster Place.
1,690 words (approx. 6.8 pages), 0 sources, $ 54.95
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Abstract
This paper explains that each of the women characters in Gloria Naylor's novel "The Women of Brewster Place" was affected for her entire life by her sexual choices. The author points out that these sexual choices dominated their lives such as Mattie, who chose to sublimate her sexual desires with other values, or Cora Lee, who used sex to give meaning to her life. The paper states that, of all the characters in the book, the only one who seems to have a balanced view of the place of sex in the overall fabric of her life is Kiswana.
From the Paper
"From the time she is introduced into the action, Kiswana is a recurring presence in the story and, while we never actually meet her lover, Abshu, it is made clear that he is there. "That's Abshu's woman, and that bid dude don't mind kickin' ass," says a street thug. (Chapter 6, pg. 163) Kiswana's choice of a suitable, reliable man and a monogamous relationship leave her free to pursue the political activism that is an essential element of her character. Together, she and Abshu work in the movement for equal rights, with Kiswana spearheading an effort to force the absentee landlord of Brewster Street to improve his properties."
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A Woman's Place, 2002.
A look at how the lives of women and their role in society changed from the 18th century to the 19th and 20th centuries.
1,275 words (approx. 5.1 pages), 2 sources, APA, $ 43.95
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Abstract
The paper explores several issues such as gender stereotyping, education and "conduct literature", to show the place of women in the 18th century and how they changed and improved in the 19th and 20th centuries due to the Industrial Revolution, social reform and greater opportunities.
From the Paper
"In contrast, "courtesy manuals" for men dating back to the Renaissance instructed men in obtaining social status through courtly habits and refined manners. Conduct books for women concentrated on the virtues of modest restraint and domestic subordination, contributing to the differentiation of public and private spaces for men and women.
These manuals perpetuated the thinking that there were two sets of rules for men and women regarding everything from morals and sexual conduct to fashion. Women of the 18th and 19th century were not free to dress as they pleased but rather were corseted and covered beyond our wildest imaginations. Layer upon layer of material and hoops kept a woman "under cover", only to be seen by her husband. Obviously, the principles of Puritan piety and virtue held fast for women during this time period. "
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A Woman's Place, 2002.
This paper discusses the historical relationship between women and the home.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
This paper shows how capitalism socially constructs gender stereotypes for the sake of social control. The author believes that the nuclear family serves as the center of male hegemony in the society.
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A Woman?s Place in ?Boys and Girls?, 2004.
A review of Alice Munro?s ?Boys and Girls?.
1,764 words (approx. 7.1 pages), 1 source, MLA, $ 56.95
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Abstract
This paper examines how the narrator in ?Boys and Girls? by Alice Munro begins the story thinking of herself as free: free to do and be whatever she wants. Over the course of the story, however, she realizes that freedom is an illusion and that she will be required to acknowledge and accept society?s gender roles whether she resists or not. It looks at how, like Flora, the horse, she yearns to be free and fights against the inevitable, but how, in the end, her fate is sealed, just like Flora?s. It shows how Munro is making a point about the nature of our selves and how, although society pushes us in certain directions, we cannot deny the truth of who we essentially are; girls and boys, or men and women, are not the same, and there is no point in pretending we are.
From the Paper
"The ultimate change in the narrator begins when she watches the farm hand Henry shoot Mack, one of the horses she has grown to love. She watches this with the same eyes that have witnessed foxes being skinned all her life, but inside, she feels differently about Mack?s death. She cannot help but notice the horror of his death and it affects her, although she doesn?t realize it until later. When it is Flora?s turn to be killed, the girl is struck by Flora?s free spirit: ?It was exciting to see her running, whinnying, going up on her hind legs, prancing and threatening like a horse in a Western movie, an unbroken ranch horse, though she was just an old driver, an old sorrel mare? (p. 771). Here, Flora is free, resisting the confines of her assigned role, breaking free of the chains that hold her."
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The Men and Women of Brewster Place, 2005.
A comparative analysis of Gloria Naylor's "The Women of Brewster Place" and "The Men of Brewster Place".
1,840 words (approx. 7.4 pages), 4 sources, MLA, $ 63.95
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Abstract
In this comparison and contrast of Gloria Naylor's The "The Women of Brewster Place" and "The Men of Brewster Place", the author focuses on the victimization of Black women by Black men. It also looks at how "The Men of Brewster Place" puts this abuse into a broader perspective that also shows the women to be somewhat culpable for the victimization.
From the Paper
"Two of Gloria Naylor's books The Women of Brewster Place and The Men of Brewster place feature the same characters and location. The location is Brewster Place a deteriorating tenement where African- American.."
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Stowe, Jacobs, Douglass and Women's Place in Society, 2002.
Looks at three famous slave era authors and how they based their belief in the abolition of slavery on their views of the role of women.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
This essay discusses how Harriet Beecher Stowe's Uncle Tom's Cabin draws upon her philosophy of the home, and women's place in it, as the basis for the abolition of slavery. The paper demonstrates how Frederick Douglass' and Harriett Jacobs' narratives did the same thing.
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Place of Women in Global City, 2004.
This paper looks at the place of women in the global city.
675 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
In this essay, the place of women in the global city is discussed. The writer looks at the changing role of women as globalization evolves. The writer also examines how women need to become involved to demand their rights. The issues of emancipation, rape and decision making are also raised and discussed in this paper.
From the Paper
"Women's place in the global city has come about primarily because of the reproductive role of women which is seen as more than just reproducing the species but also the reproduction of the culture styles of dress behaviors, relations between adults and children, family cooking styles, domestic labor, roles play, etc. People refer to their homeland as Mother Russia, Mother Ireland and even the whole planet is referred to as Mother Earth. The fertility of Mother Earth has no doubt contributed to the association between collective ... "
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The Place and Role of Women in Islam, 1992.
An examination of the role of women in Islamic society as well as reforms and history.
675 words (approx. 2.7 pages), 2 sources, $ 23.95
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From the Paper
"The place and role of women in Islam is a subject debated in both the Islamic world and the West, though the West has only a distorted perception of the parameters of this debate. Leila Ahmed (1992) writes of the subject as a problem with historical roots and shows how the role of women has developed through time, over the history of the rise of Islam. The position of women in the Arab world at the time of Muhammad is discussed, though Muhammad made changes in the way women were to relate to society and were to be treated by society. The autonomy and monogamy that had existed before was exchanged for male guardians and the male prerogative of polygamy thereafter, and these elements can be seen as embodying a general view of women that has been reproduced in laws and religious practices ever since. In essence, Ahmed shows that the position of women in society is closely bound with the..."
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Wallace Stevens and Desire: Woman Lost--Woman Ignored, 2005.
A psychosexual and archetypal study of feminine figures in "Collected Poems of Wallace Stevens".
5,141 words (approx. 20.6 pages), 33 sources, MLA, $ 128.95
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Abstract
This paper examines the "Collected Poems of Wallace Stevens", America poet. The paper shows that desire and desired denied in this work may be interpreted through the archetypal psychology of Carl Jung to disclose the reason for Stevens' preference for places over people and to explain his ambivalence toward the abstract feminine figures in his poems.
From the Paper
"Feminine archetypes reconstruct the distant attitudes in Stevens' poetry by figuring-forth embedded emotions. First, they provide an archetypal perspective on individual poems. Second, they illustrate how, ranging from Harmonium (1923) to The Rock (1954), clusters of motifs influence the poet-hero's psychic development. Although their appearances change to fit their ambiguous roles, these singular feminine figures determine the poet-hero's canon-long struggle to achieve a regulated unity of self. Two categories need to be distinguished: (a) feminine figures and (b) the interior paramour. Their protean capability makes scrupulous demarcations between exterior feminine figures impossible, but three forms or combinations prevail: the summer maiden (Kore or lover), the universal mother or earth mother, and the maiden-mother (an overlapping maid and mother figure). The interior paramour represents a climax to the poet-hero's experience with exterior feminine figures."
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Women's Liberation in "The Awakening", 2008.
An analysis of the theme of women's liberation and the challenge of the concept of a woman's set place in society, within the novel, "The Awakening" by Kate Chopin.
1,300 words (approx. 5.2 pages), 1 source, MLA, $ 43.95
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Abstract
This paper discusses the liberation of women and their ideas as seen within the novel written by Kate Chopin, entitled "The Awakening." It discusses the idea that women had a place in society and, regardless of their opinions, they would conform to that mold in order to be accepted. The paper then looks at how this idea was consistently challenged within society in general and within the novel in particular.
From the Paper
"Edna understands that as she falls deeper into the understanding of herself and what feeds her soul, she is giving up on what others depend on her for. She knows that her family is something that she will lose and is willing to sacrifice them for her own happiness. She wants to love her children and at the same time does not want to be with them. To Edna, caring for her children is an act that she is being forced to do; it is also an act that does not fit into the life and independence that she has tasted and now wants. The idea of a romance between Robert and Edna is one that if felt to be acknowledged simply for the fact that it is an act of not only rebellion but also one of need. Edna needs Robert to remind her that where she is giving up on her routine life, she is gaining a sense of freedom and since he will be there for her, she is gaining passion and love."
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"The Death of Woman Wang", 2002.
Examines the role of women in seventeenth century Chinese society within the context of Jonathan D. Spence's novel.
1,897 words (approx. 7.6 pages), 5 sources, MLA, $ 60.95
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Abstract
Jonathan D. Spence's book "The Death of Woman Wang" paints a picture of life in rural China in the seventeenth century, referring to the death of a woman who ran away from her husband, was returned to him and then was killed by him. The paper shows that the story of Woman Wang serves as an illustration of the place of women in this society, the nature of the law of the time and the social structure which allowed such things to happen. The paper explains that while the story of Woman Wang is an important element in the book, it does not become the central focus of the book until more than two-thirds of the way through and for most of the book, the focus is on village life in T'an-ch'eng in the era under discussion, the people of the village, their mode of life and the internal and interpersonal dynamics of that society.
From the Paper
"This raises one of the issues raised by the book. The reader has to be careful in reading the book to differentiate between accounts offered by Huang and Feng, accounts which have a historical basis, and the stories of P'u Sungling, which are fiction, though they do reflect the same issues and contain much useful information. Still, it would not do to presume that a story by P'u Sungling carries the same historical weight as a direct account from one of the other two. Paul Berman reviewed the book when it was published and notes that Spence?s "great achievement is to have revealed something about the literary possibilities of historical scholarship" (Berman 210), though he is also revealing some of the historical possibilities of literature at the same time. It remains important to keep the two separate when considering any aspect of the account in this book, though."
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'Global Woman', 2008.
This paper discusses the book "Global Woman" by B. Ehrenreich & A. Hochschild.
1,104 words (approx. 4.4 pages), 1 source, APA, $ 38.95
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Abstract
In this article, the writer discusses that 'Global Woman' is an eye opening documentation of globalization and its effects on women's lives around the globe. The writer maintains that the horrors detailed in this book are downright disgusting and outrageous at the same time. The writer notes that the book emphasizes that the traditional role of women has been globalized and this is very concerning to the authors and all those opposed to inequality. This book details how this mindset over decades/centuries is sadly still in place even after the American Civil Rights Movement through the 1950s and 1960s. The writer concludes with the feeling that the book gives a vivid description of the effects of globalization on women and the appalling atrocities these women face and live with is a testament to what women are actually capable of despite traditional viewpoints.
From the Paper
"It seems as though it's just a way of life although it should be frowned upon and discouraged. Throughout the book there are stories of women from third world countries who need to provide for their families by taking maid/nanny positions far from their country/local area. These women are expected to work extremely long hours, usually in bad conditions, with little food, and very low pay if any. Most of these conditions are fostered by the mindset of the employers who feel that the jobs the employee is completing are "only" women's jobs. On top of that the employer realizes that these women are fairly desperate for money and feel they can be easily taken advantage of because they are immigrants. Another problem for these women is a language barrier between them and their employers. The language barrier exists because the women are foreigners, usually to other countries and know little to none of the native language where they are working."
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"The Good Woman of Sezuan", 2002.
An analysis of the style and function of the songs and heightened lyrical passages in Brecht?s Der gute Mensch von Sezuan (The Good Woman of Sezuan).
3,900 words (approx. 15.6 pages), 1 source, MLA, $ 106.95
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Abstract
This paper shows how the key to understanding Brecht's "Der gute Mensch von Sezuan" and its place in the development of Epic Theatre is to understand the way in which he uses songs and poetic language throughout the action of the play. At certain significant moments, the actors break into song, or speak in blank verse, a style vastly different from their characteristic mode of expression. The essay?s discussion of these moments, and explanation of their function within Brecht?s dramatic theory, will enable the reader to fully understand the play and its importance. The essay concentrates fully on the text of the work rather than reworking critical literature on the subject.
From the Paper
"As well as the five songs, on around twenty-five occasions the play is ?interrupted? by excerpts of free verse, lacking rhyme and meter but distinct in style and vocabulary from the character?s normal speech. These interludes form a framework of comment and reflection embracing the action of the play and are usually directed to the audience rather than to the other characters. This commentary intertwined with the action of the play force the audience to consider it immediately whilst still under the direct influence of the playwright instead of reflecting on it later and at a distance. The characters are more perceptive in this altered mood and provide the audience with insight into their behavior, and for this reason as well as because the action of the play is interrupted, the songs and heightened lyrical passages are also an important part of Brecht?s Verfremdungeffekt (estrangement effect). The fact that several of the characters break into song at different points in the play is an anti-naturalistic device and the elevated language is also clearly not spontaneous or believable dialogue. Some of the dialogue and songs also have a persuasive function, serving Brechts interests. Many of them could stand alone, indeed some did before Brecht appropriated them for his work, and are simple and memorable excerpts that the audience could take home from the theatre."
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John Webster?s ?The Duchess of Malfi? and ?The White Devil?, 2002.
This paper is a critical analysis of Webster?s ?The Duchess of Malfi? and ?The White Devil?, focusing on the theme: ?Sense of an elite woman?s place in the world?.
1,875 words (approx. 7.5 pages), 2 sources, APA, $ 59.95
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Abstract
This paper first presents in detail Webster?s view on morality and social relevance in the two plays especially in his use of imagery and characterization. The author then compares the strong central female characters in both plays. The paper argues that the plays force the re-evaluation of traditional social conventions, almost presenting a case for allowing women more freedom in deciding their own futures.
From the Paper
"Perhaps the most powerful argument in favor of the presence of a social and moral comment in The Duchess of Malfi and The White Devil is to disprove the view that Webster was nothing more than a tawdry showman who resorted to grisly horror to entertain and amuse his audience. One cannot deny that both The Duchess of Malfi and The White Devil cause a great deal of emotional discomfort in their unabashed use of bloody murders, including the killing of innocent children in The Duchess of Malfi. But a counterpoint to this argument could well be that the very effectiveness of Webster?s plays lies in his use of baser human instincts to illustrate on the one hand, human resilience and fortitude even in the face of the greatest of horrors, and on the other the dire consequences of giving into negative emotions such as greed, lust and the desire for revenge and power."
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