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William Shakespeare and Christopher Marlowe, 2000.
This essay compares the themes and styles
William Shakespeare's "Sonnet 29" and Christopher Marlowe, "The Passionate Shepherd to his Love".
3,460 words (approx. 13.8 pages), 0 sources, $ 97.95
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Abstract
The following paper compares and contrasts the themes, poetic techniques, choices of description and unique individual styles of the following poets and poems: William Shakespeare's 'Sonnet 29' and Christopher Marlowe's, 'The Passionate Shepherd to his Love', Michael Drayton's 61 and Sir Philip Sidney's 20,William Shakespeare's, Sonnet I and Walter Raleigh's, A Farewell to False Love,Sir Philip Sidney's 7 and William Shakespeare's, Sonnet 18,William Shakespeare's, Sonnet 55 and William Shakespeare's, Sonnet 71.
From the Paper
"These two poems share one common theme, the happiness that their love brings them. But these two poems achieve this in very different ways. Marlowe?s poem reads as a love poem. He is addressing his love and telling her how good life will be if she will be his love. At the same time he is also telling himself how much he needs her love. Marlowe does this simply by focusing on what life would be like. He focuses on all the pleasures that will come. In the first section he says that they will gather all the pleasures that are offered. He is referring here to how his life is not complete without her love and how everything will be more beautiful and more appreciated if she is there. He describes everything as perfect and calm. Phrases such as ?melodious birds?, ?fragrant posies?, ?pretty lambs? and ?silver dishes? all add to the feeling of contentment. The lines ?a gown made of the finest wool, which from our pretty lambs we pull? is very meaningful. The fact that he describes the lambs that the wool will come from as ?pretty? is interesting, as is the choice of the word ?pull?. Pull does not reflect the same contentment as it is a more forceful term....."
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"Macbeth" ( Shakespeare ), "Doctor Faustus" ( Christopher Marlowe ) & "Prodigious Magician" ( Calderon De La Barca ), 1999.
Compares tragedies' depictions of evil & personal responsibility.
1,125 words (approx. 4.5 pages), 3 sources, $ 39.95
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From the Paper
"Visions of evil operating in this world serve as the subject mater for the dramatist, especially in an era when good and evil were seen more clearly as battling for the human soul directly, often personified as angel and devil. In the Elizabethan era, William Shakespeare in Macbeth and Christopher Marlowe in Doctor Faustus in England explored these issues in different ways, though each saw evil as manifest and physical as well as sometimes supernatural. In Spain, Calder?n de la Barca a few years later similarly expressed the palpable nature of evil in human life in his El m?gico prodigioso. The Marlowe and Calder?n works are both based on the Faust legend, while Shakespeare's play is based on a historical individual reported in Raphael Holinshed's Chronicles, though Shakespeare took many liberties with history as Holinshed presented it. The historical Macbeth.."
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The Death of Christopher Marlowe, 2002.
This paper explores the many theories behind the death of the famous playwrite Christopher Marlowe.
2,007 words (approx. 8.0 pages), 6 sources, MLA, $ 63.95
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Abstract
This paper discusses Christopher Marlowe, the famous playwrite, whose death is an unsolved mystery. It discusses the many different theories formed to explain his sudden death. The most likely possibility or reason for his death is explained in great detail.
From the Paper
"Theatre is a very popular entertainment in today?s world. Without the contributions of many phenomenal playwrights, theatre would not consist of what is does today. One of these great playwrights who greatly contributed to the world of theatre was Christopher Marlowe. Christopher Marlowe is remembered for not only his great works, but for his short life and sudden death. There is much debate over the death of Christopher Marlowe, and several theories have been created to try and explain the historic event. To fully understand and appreciate the impact of Christopher Marlowe?s death, it is necessary to look at his life, death, and theories to explain his death."
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Christopher Marlowe's "The Tragical History of Dr. Faustus", 2002.
Analysis of the character of Dr. Faustus in Chrisopher Marlowe's play "The Tragical History of Dr. Faustus" and its theme of damnation.
1,400 words (approx. 5.6 pages), 5 sources, $ 53.95
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Abstract
Pride, anger, avarice, gluttony, sloth, lust, and envy all manifest themselves in Dr. Faustus throughout the play. Not only do they manifest themselves within the psychological understanding of the play, but the seven deadly sins also appear as characters in the plot. Through his use of the seven deadly sins, then, Marlowe is demonstrating the path to damnation in relation to the developing Christian theology of his day.
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Christopher Marlowe's "Doctor Faustus", 2000.
A look at the struggles of faith, power, and knowledge as embodied in this English Renaissance play.
1,670 words (approx. 6.7 pages), 0 sources, $ 54.95
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From the Paper
"The protagonist, Dr. Faustus, is a well-learned man that purposefully, systematically rejects belief due to a nagging desire to know the world?s forbidden secrets. The solutions he seeks are only granted by God or Lucifer, the polar duality of good versus evil. Faustus has a choice of two paths that will determine his post mortem existence; either willingly believe in the unexplainable, or, sacrifice eternity to know the answers he craves. Understanding the physical consequences of both possibilities, Faustus chooses the latter, manifesting his inability to devote himself to ideas outside his realm of comprehension."
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Marlowe And Shakespeare, 2002.
Examines the theory that Christopher Marlowe was actually the writer of all William Shakespeare's works.
1,650 words (approx. 6.6 pages), 2 sources, $ 62.95
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Abstract
Could Shakespeare's works actually be Christopher Marlowe's? This is discussed with a comparison of Marlowe's works with Shakespeare's. Many have argued that Shakespeare's works have been fakes and believe that Marlowe could be the possible writer. How do they compare is a question that will be addressed in this paper.
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Marlowe vs. Shakespeare, 2004.
A comparative analysis of the work of Christopher Marlowe compared to that of William Shakespeare.
1,307 words (approx. 5.2 pages), 7 sources, MLA, $ 44.95
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Abstract
This paper examines how the Elizabethan dramatists Christopher Marlowe and William Shakespeare were contemporaries and how, for the latter part of Marlowe?s dramatic career, they were rivals as well. It looks at how Marlowe?s career as a playwright was cruelly cut short after the author was murdered in a tavern brawl, probably the result of his political intrigues. The paper shows that regardless of the reasons for Marlowe?s untimely demise, the difference between the older Marlowe and the young Shakespeare had already become manifest in the characterization of the main protagonists of the two men?s plays. It explores how Marlowe clearly influenced Shakespeare?s early writings and how, while Marlowe used broad character brushstrokes to create a vivid narrative and caricature of human character and morality, Shakespeare created a new way of dramatically rendering the human character in shades of gray. In particular, it examines how both men used similar themes, such as the presence of ?Jewish? values in a money-grubbing 'Christian' society.
From the Paper
"All of Marlowe?s protagonists are larger than life, from Barabas to Faustus and lastly to Tamburlaine, in the scope of their desires. They are both sustained and destroyed by their respective evils. Barabas? poisoning reflects the Jewish dietary laws that Shylock merely tacitly refers to, ?I will not eat with you,? in Act I of ?The Merchant of Venice.? Faustus is destroyed by his love of knowledge and power, just as Tamburlaine is destroyed by his desire to conquer the world.? All of these men stand outside of their societies, and reflect what is wrong with their societies?an over emphasis on money, scholasticism, and power respectively."
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Evil in Literature, 2002.
Analyzes how William Shakespeare, Christopher Marlowe and Calderon de la Barca explored the issues of good and evil through their works.
1,548 words (approx. 6.2 pages), 6 sources, MLA, $ 50.95
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Abstract
Visions of evil operating in this world serve as the subject matter for the dramatist, especially in an era when good and evil were seen more clearly as battling for the human soul directly, often personified as angel and devil. The paper shows that in the Elizabethan era, William Shakespeare in "Macbeth" and Christopher Marlowe in "Doctor Faustus" (both in England) explored these issues in different ways, though each saw evil as manifest and physical as well as sometimes supernatural. It shows that in Spain, Calderan de la Barca a few years later similarly expressed the palpable nature of evil in human life in his "El Magico Prodigioso". The paper examines how the Marlowe and Calderan works are both based on the Faust legend, while Shakespeare's play is based on a historical individual reported. The three plays are related in that in all three cases, the protagonist is guided to success in this life by supernatural forces, imperiling his soul in the process. By comparing the three plays, the paper illuminates the character of Dr. Faustus as depicted in the Marlowe play and suggests how Marlowe used the legend to create a sense of tragedy in terms of a character who has clearly over-reached himself.
From the Paper
"The character of Doctor Faustus reflects the view of the historical figure and the image that would be continued in other versions of the legend. He is a learned scholar and theologian, but his ambition for knowledge goes beyond what man is meant to know. He sells his soul for knowledge and power, which are linked, and though he is immediately and continuously faced with a sense of remorse for his fate, he cannot be said to be repentant. His nature in the beginning is more over-reaching than wicked, but that character worsens as time passes and as he exercises the power he has been given. He becomes more cruel and even asks that an old man who tries to save his soul be tortured for this act. The one action he takes that shows his former self is to send his friends away when he knows the devil is coming for him, thus protecting them."
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Poetic Techniques, 2001.
This paper discusses William Shakespeare's 'Sonnet 29' and Christopher Marlowe's, 'The Passionate Shepherd to his Love' with reference to their similarities and dissimilarities plus other poets.
3,400 words (approx. 13.6 pages), 0 sources, $ 96.95
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Abstract
The paper compares and contrasts the themes, poetic techniques, choices of description and unique individual styles of the following poets and poems: William Shakespeare's 'Sonnet 29' and Christopher Marlowe's, 'The Passionate Shepherd to his Love', Michael Drayton's 61 and Sir Philip Sidney's 20,William Shakespeare's, Sonnet I and Walter Ralegh's, A Farewell to False Love,Sir Philip Sidney's 7 and William Shakespeare's, Sonnet 18,William Shakespeare's, Sonnet 55 and William Shakespeare's, Sonnet 71.
From the paper:
" These two poems share one common theme, the happiness that their love brings them. But these two poems achieve this in very different ways. Marlowe?s poem reads as a love poem. He is addressing his love and telling her how good life will be if she will be his love. At the same time he is also telling himself how much he needs her love. Marlowe does this simply by focusing on what life would be like. He focuses on all the pleasures that will come. In the first section he says that they will gather all the pleasures that are offered. He is referring here to how his life is not complete without her love and how everything will be more beautiful and more appreciated if she is there. He describes everything as perfect and calm. Phrases such as ?melodious birds?, ?fragrant posies?, ?pretty lambs? and ?silver dishes? all add to the feeling of contentment".
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Prospero and Doctor Faustus, 2004.
Examines and compares the main characters in plays by Christopher Marlowe and William Shakespeare.
937 words (approx. 3.7 pages), 4 sources, MLA, $ 33.95
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Abstract
In both William Shakespeare?s play, "The Tempest", and Christopher Marlowe?s play, "Doctor Faustus", the principal characters, being Prospero and Doctor Faustus, respectively, equally employ elements of magic, conjuring, and the black arts to achieve the ends that they desire. This paper shows that, while Prospero is clearly reclaimed and ennobled at the end of Shakespeare?s work, Faustus, on the other hand, is seemingly damned to hell and certainly does not experience the esteemed return to power that Prospero enjoys. The paper explains that the difference has much to do with the genres of the plays and the positions of the characters. "The Tempest" is, by nature, a romance, which means that it is a fantastical work with a basically comedic ending, whereas Marlowe?s 'Doctor Faustus" is more properly considered a tragedy.
From the Paper
"Also, at the end of The Tempest, Prospero ultimately lays his use of the black arts aside, for they have already served his purpose, saying ?Now my charms are all o'erthrown,/And what strength I have's mine own? (Shakespeare V, I). Indeed, part of the thing that makes Prospero a redemptive character is that he ultimately seeks to end his use of his objectionable powers, because he doesn?t need them now that the wrong that was done to him has been righted. Unlike Faustus, he does not cling to his powers for the purposes of status and exploitation once his goal of just vengeance has been achieved."
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"He Hath Ever but Slenderly Known Himself", 1995.
A comparative analysis of the theme of self-knowledge and its role in the downfall of the tragic hero, as shown in William Shakespeare's "King Lear" and Christopher Marlowe's "Dr. Faustus".
1,628 words (approx. 6.5 pages), 4 sources, APA, $ 53.95
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Abstract
This paper examines the ways in which the protagonists Lear and Faustus display a lack of self-knowledge in William Shakespeare's "King Lear" and Christopher Marlowe's "Dr. Faustus". It looks at how it contributes to their eventual downfall and provides a discussion of the characters who exist to help increase the self-knowlege of the protagonists in both plays. It also shows how insight through blindness and clarity through madness are barriers to self-awareness in both plays and how lack of self-knowledge is the "fatal flaw" in both Lear and Faustus's characters.
From the Paper
"Although both characters start off with certain shared ideals, (i.e. a respect for position and wealth), by the middle of both plays we see a divergence: Lear?s character has reached a crisis point which eventually leads to the development of his character, whilst Faustus continues to disbelieve what is obvious to the reader or the audience - that he is damned and must repent- instead continuing with his stubborn arrogance; ?What God can hurt thee, Faustus? Thou art safe.? "
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The Man Who Was Not Shakespeare, 2002.
A biography of the comedic and tragic life of the playwright Christopher Marlowe with comparisons to William Shakespeare.
1,370 words (approx. 5.5 pages), 4 sources, MLA, $ 45.95
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Abstract
This paper looks at the life of the Elizabethan playwright Christopher Marlowe. It discusses how, unlike Shakespeare ,the other main playwright of the time has plays which tend to be character-driven. The author finds that Marlowe wrote extremely rhetorical, highly poetical works with elevated language and elaborate feats of stagecraft. It analyzes how Marlowe?s concern with power and society?s elite is reflected not only in the language of his plays, but also in terms of his play?s subject matter. This is reflected in his most famous works, such as ?Dr. Faustus? and ?Tamburlaine.? It looks at how Marlowe is often studied as an example of a literary influence upon the early Shakespeare but because Marlowe?s style is so different in tone and so divergent in subject matter, he exists more as an interesting historical curiosity in his own right, as an individual playwright of note, outside of Shakespeare?s own theatrical history.
From the Paper
"The fascination with Catholicism evident in ?Dr. Faustus? should not come as much of a surprise, even despite Marlowe?s avowed atheism. Catholicism was a despised and outlawed religion in the England of his time. But Marlowe did not contemplate converting to the faith. Rather, in one parodic document he wrote, he stated that Catholicism was a good religion, ?merely because it embraces the fictions of ceremony rather than indulging in the Protestant hypocrisy which pretends to a literalism it will not see through.? In other words, Catholicism is a better religion because it pretends the ?bell, book, and candle? of exorcism and the physical rites of the mass do have supernatural powers. This is unlike Protestantism which avows itself as a more spiritual, ascetic faith, stating that humanity will not be saved by physical acts, but by a system of theology and belief alone. Marlowe thus embraced the theatrical nature of religion, while defying the central tenants of religion itself, much like his great hero."
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Morality by Marlowe and Wilde, 2008.
A comparison of immorality and hypocrisy in the main characters of "The Tragical History of Dr. Faustus" by Christopher Marlowe and "The Importance of Being Ernest" by Oscar Wilde.
1,561 words (approx. 6.2 pages), 2 sources, APA, $ 51.95
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Abstract
This paper discusses the portrayal of morality in the plays, "The Tragical History of Dr. Faustus" by Christopher Marlowe (1995) and "The Importance of Being Ernest" by Oscar Wilde (1985). More specifically, the paper looks at the plots of the plays and then compares and contrasts immorality and hypocrisy in the main characters of these two works.
From the Paper
"These plays address morality from the mores of their own times. Marlowe did not permit Faustus to be redeemed. Faustus' lack of moral insight was, perhaps, as great a factor in his condemnation as his lack of soul. His inability to change and mature, as evidenced by his petty tricks and lack of success despite his power, left Faustus with no recourse other than damnation. Jack, however, was able to change his life, learning the importance of being "earnest" in his dealings. It is through this insight and through his maturation as a moral human being that he is worthy of redemption, while Faustus is not."
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Marlowe's versus Goethe's "Faust", 2007.
This paper contrasts Christopher Marlowe's "Tragical History of Doctor Faust" and Johann von Goethe's "Faust".
985 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
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Abstract
This paper explores the story structure, the role of Gretchen and theological presuppositions in Marlowe's play "Tragical History of Doctor Faust" and Goethe's play "Faust", separated by approximately two hundred years and by two different languages and cultures, English and German. The author points out that, while both Marlowe's and Goethe's plays are tragedies, Goethe's ends on an optimistic note. The paper relates that Goethe's play is a longer and more complex work with many more episodes of varied style. The author states that the Gretchen episode, which is prominent in Goethe's "Faust", is not found at all in Marlowe's play. The paper concludes that, what to Marlowe was basically a foreign story, which he imported for his own ends, was to Goethe a part of his own nation's cultural tradition and was more familiar to people as a folk tale.
Table of Contents:
Summary
Structure
Gretchen
Theology
Discussion
Structure
Gretchen
Theology
Conclusion
From the Paper
"The Gretchen (Margarete) episode is a very prominent and well-known one in Goethe's Faust but is not found at all in Marlowe's play. In the last part of Part I, the role of Gretchen comes to the forefront of the story, even putting Faust himself into the background for a while. Despite her tragic, Ophelia-like demise, the voice from above which proclaims her redemption at the very end of Part I ends that part of the poem on a highly optimistic note, and foreshadows Faust's own redemption at the end of Part II."
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Shakespeare, 2006.
A discussion on the true identity of William Shakespeare.
1,853 words (approx. 7.4 pages), 4 sources, MLA, $ 59.95
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Abstract
This paper introduces the notion that the famous William Shakespeare was writing under a pseudonym. The paper explores how Shakespeare may have been Edward De Vere, Francis Bacon or Christopher Marlowe. It offers clues, insight and reasoning for each alleged identity.
From the Paper
"The question is an astounding one and there are many theories as to why De Vere would not write under his own name. Gibson contends, "It would have been unseemly, his advocates point out, for a courtier to attach his name to public wares. And De Vere was a truly uncommon nobleman: he was the hereditary Lord Great Chamberlain and a sometime favorite of Elizabeth I's" (Gibson). According to Gibson, the man had his reasons and they were clearly connected with his nobility. Despite this fact, Gibson and others are convinced that De Vere did "leave clues" (Gibson). For example, his copy of the Geneva Bible has been discovered in the Folger Shakespeare Library in Washington and "to the delight of advocates, words are underlined that reappear in the masterpieces" (Gibson). Among these little treasures are "I am that I am" from the book of Exodus. This passage is found in a letter that De Vere "wrote to his father-in-law in 1584 but also in 'Sonnet 121.'" Gibson also states that among De Vere's clues in the Bible are the words "weaver's beam" from the book of II Samuel, which appear in The Merry Wives of Windsor as well as one of Falstaff speeches. According to Gibson, other examples of De Vere's clues exist as well."
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