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Wilfred Owen, 2006.
An analysis of the legacy of poet, Wilfred Owen, focusing on the classification of his work.
2,592 words (approx. 10.4 pages), 6 sources, MLA, $ 78.95
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Abstract
This paper discusses the legacy of the poet, Wilfred Owen. The paper analyzes Owen's critics with regard to the debate over whether or not Owen should be classified as a war poet, or a poet who writes in a socially provocative manner in order to effect social change, or whether Owen should be classified as an elegist, with his work serving as a memorial for his dead comrades. The paper concludes that if the majority of Owen's work can be shown to be operating as a funeral song or lament for the dead, then Owen may be classified as primarily an elegist.
From the Paper
"The legacy of Wilfred Owen is one that has grown in the century since his death. While critics pore over his poems, analyzing the significance of the changing of single words, one debate that has blossomed since the 1980s is the critical debate over whether or not Owen should be classified as a war poet, or a poet who writes in a socially provocative manner in order to evoke outrage from his readers and effect social change, or whether Owen should be classified as an elegist at heart, with his work serving as a memorial for his dead comrades. On one side of the debate, arguing for Owen to be considered primarily as an elegist, lies Dominic Hibberd, Owen's biographer. Representing the other side, those in favour of classifying Owen as an outrageous poet, working to shock and stir his audience to action, can be found Jon Silkin, an authority on British War Poetry of the First World War. Also arguing for Owen to be considered as an outrageous poet is Marie Gardett, writing in the contemporary scholarly journal Explicator. The proofs offered by Silkin and Gardett, coupled with Owen's "lists of contents", offer a convincing and powerful argument for Silkin's vision of Owen that Hibberd cannot persuasively counter. The working definition of "elegist" that I will use is to refer to a poet who writes "funeral song[s] or lament[s] for the dead" (OED "Elegy"). This definition, adapted from the Oxford English Dictionary's definition of "elegy", comes from the most authoritative source on the definitions of words in the English Language; also, this definition is specific enough to work practically in this essay. If the majority of Owen's work can be shown to be operating as a funeral song or lament for the dead, then Owen may be classified as primarily an elegist."
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Wilfred Owen, 2007.
This paper explores the literary works of poet Wilfred Owen.
1,639 words (approx. 6.6 pages), 5 sources, MLA, $ 53.95
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Abstract
This paper discusses the poems of Wilfred Owen and their relationship to his experiences in World War I. The paper focuses on his poem "Dulce et Decorum Est" to demonstrate how World War I affected his writing. The author also explores how the "Great War" influenced young people to produce some remarkable war poetry. Owen is a member of the distinguished group that also includes Siegfried Sassoon and Robert Graves. The paper highlights how many young men, Owen included, chose to join the war because they believed it was a just war and their participation in the conflict was the right and patriotic thing to do. According to the author, their poetry reflects their disillusionment with the war.
From the Paper
"The Great War is, of course, famous for its devastation and reputation as the war to end all wars. It has become renowned, too, for producing some remarkable war poetry. Owen is a member of the distinguished group that also includes Siegfried Sassoon and Robert Graves. The war poets all sought to reconcile the destruction of the time period with history, even perhaps the traditions of romance or mythology. The tone of "Dulce et Decorum Est" is clearly against the war, but Owen's poetry did not begin in this vein. Owen aspired to be a poet because he admired the romantic poets Wordsworth and Keats (Hibberd). His early education was in languages and literature, and his first jobs were in teaching. It is interesting to note that he was a pious Evangelical until he left home to take the position of assistant to the Vicar of Dunsden. While there, he "lost his faith" and suffered "a severe breakdown." Although Owen had the benefits of a strong upbringing and a solid education, he was also susceptible to the opinions of others. His experience with the Vicar of Dunsden affected him and challenged his views just as his later experience in the war altered the kind of poetry he chose to write."
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"Anthem For Doomed Youth" by Wilfred Owen, 1994.
An analysis of the 1917 anti-war poem including form, imagery, sound, word choice, metaphor, theme and irony.
1,350 words (approx. 5.4 pages), 1 source, $ 47.95
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From the Paper
"Wilfred Owen?s poem, ?Anthem for Doomed Youth? (1917), is a sensitive expression of the sadness and futility which arise as a result of the death of young men on the battlefield. This theme stemmed from Owen?s own experiences as a soldier on the frontlines during World War One. In order to express his theme, Owen mixes the sad, calm images of a funeral with the chaotic, explosive images of a battle. The poem was written in the form of an Italian Sonnet, and thus it has fourteen lines which are divided into an octave (eight lines) and a sestet (six lines). The rhyme scheme of the poem is a/b/a/b/c/d/c/d/e/f/f/e/g/g. As in most sonnets, the rhythm of ?Anthem for Doomed Youth? is based on the accents and pauses of iambic pentameter. In other words, each line has five beats, and each beat utilizes the pattern of an unstressed syllable followed by a stressed..."
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Wilfred Owen's "Dulce Et Decorum Est", 2000.
A look at this famous war poem and its use of precise diction, figurative language, graphic images, audience and punctuation.
1,639 words (approx. 6.6 pages), 6 sources, $ 53.95
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Sassoon and Owen in "Regeneration", 2002.
A discussion of the treatment of Siegfried Sassoon and Wilfred Owen, two WWI poets in Pat Barker's book "Regeneration."
1,250 words (approx. 5.0 pages), 0 sources, MLA, $ 42.95
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Abstract
This paper examines how Pat Barker analyzes the characters of Sassoon and Owen in her historical fiction novel "Regeneration." It reviews the work of historical fiction, centered in Craiglockhart War Hospital, in which she describes the formation of the friendship between Sassoon and Owen, and provides a glimpse into the lives of the emotionally disillusioned and mentally disturbed soldiers. It also looks at how, by focusing on the relationship between Sassoon and Owen, Barker creates a personality and psychological analysis of two great English World War I poets who created a type of beauty and music by exposing the ugliness and sordidness of war.
From the Paper
"The bond that is formed at Craiglockhart between Sassoon and Owen is primarily based on Owen?s admiration of Sassoon and their mutual passion for poetry. It is clear to see how Barker shows Owen?s development as a poet under Sassoon?s tutelage. Initially, when Owen meets Sassoon, he tells his mentor that he doesn?t write poetry about the war, because he views poetry as something that doesn?t deal with ugliness; he thought of poetry as ?the opposite of all that?Something to to t-take refuge in.? (Barker, 84) Owen ultimately changes his views in response to Sassoon?s prodding, and realizes that ?It?s mad not to write about the war when it?s?such an experience? (Barker, 123-4) Sassoon teaches Owen that poetry can be the domain of all topics, even the most sordid."
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?Anthem For Doomed Youth?, 2004.
An analysis of the anti-war poem "Anthem For Doomed Youth" by Wilfred Owen.
1,022 words (approx. 4.1 pages), 4 sources, $ 36.95
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Abstract
This paper examines the poem "Anthem For Doomed Youth" by Wilfred Owen and evaluates the use and effect of literary devices and forms while also showing the interaction of explicit and implicit meanings within the poem. It also refers to the historical and cultural factors that affect the production and reception of the poem. It looks at how the poem is about the first world war where over ten million people died and was written by Wilfred Owen who served as an officer. It shows how
Owen, wrote poetry through out his war years, used his experience of battle and its aftermath as his inspiration, having experienced many horrors on the front line.
From the Paper
"The intention of the different styles of imagery is used in conjunction with other different techniques used throughout the poem. The purpose of which is to firstly shock, horrify and perhaps overwhelm in the first two quatrains and then to create great feelings of sorrow in the sextet. This is achieved, as visual imagery requires more time to summon in the mind then auditory imagery with the descriptions in the sextet being more about humans and feelings they require greater time and focus, they are more personalised and so produce more distress."
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"Dulce Et Decorum Est", 2005.
The paper offers a close reading of the poem "Dulce Et Decorum Est" by Wilfred Owen.
1,350 words (approx. 5.4 pages), 1 source, MLA, $ 47.95
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Abstract
The paper provides a close reading of the poem "Dulce Et Decorum Est," by Wilfred Owen. The paper discusses the irony of the title, his use of literary and rhetorical devices, how he expresses his disillusionment with war and finally his notion of patriotism as harmful.
From the Paper
"The poem "Dulce Et Decorum Est" is a piece which is made meaningful by Owen's style and technique. Through his masterful use of various literary and rhetorical devices, Owen is able to make a deliberate attempt at destroying the popular misconceptions that dying for one's own country is a noble or rewarding act."
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World War I Poetry, 2002.
An examination of how World War I poetry changed as the war developed through a review of William Butler Yeats' poem "An Irish Airman Foresees His Death" and Wilfred Owens' "Anthem for a Doomed Youth".
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
This paper examines the poetry of World War One and how it changed as the war dragged on. The author notes the optimism and patriotism of the prewar years, and compares it to the poetry of the war's last days, which spoke only of disillusionment, hopelessness, betrayal, and despair. William Butler Yeats' poem, "An Irish Airman Foresees His Death" and Wilfred Owens' haunting "Anthem for a Doomed Youth" are emphasized, for they reflected the horror and futility of war, and spoke for the millions of young soldiers who had rejected the mindless patriotism of 1914 and had come to understand the hellish reality of inevitable death in battle.
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Painting a Poetic Image of War, 2000.
An analysis of the poem "Dulce et Decorum Est" by Wilfred Owen.
1,045 words (approx. 4.2 pages), 1 source, $ 36.95
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Abstract
This paper is an analysis of the similes, descriptive word choices, and sound patterns used in the poem ?Dulce et Decorum Est? by Wilfred Owen. The paper has an underlying metaphor that compares poetry and painting that is developed and carried through the entirety of the paper, with an emphasis on the emotional hues of the poem.
From the Paper
"Similes are used to lay the foundation colors, and create a tangible link between the incomprehensible scenes of war and everyday real life images. Few can imagine the true horrors of war without witnessing them first hand, so Owen creates two similes at the onset of the poem to set the scene in terms that the lay reader can envision. ?Bent double, like old beggars under sacks? (line 1) and ?Knock-kneed coughing like hags? (2) summon images of destitution, desperation, and weariness and help to portray the worn emotional state of the soldiers. Our first view of the unfortunate man suffering from the poison gas is of him ?floundering like a man in fire or lime? (12) providing a clear image of the exquisite suffering that he was enduring."
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Life and Death, 2002.
A review of two poems: "The Lamb" by William Blake and "Dulce et Decorum Est" by Wilfred Owen with an emphasis on the theme of life and death.
2,504 words (approx. 10.0 pages), 7 sources, MLA, $ 76.95
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Abstract
This paper is a comparative analysis of two poems "The Lamb" by William Blake and "Dulce et Decorum Est" by Wilfred Owen. Both poems deal with the subject of life and death from differing avenues of symbolism. In Blake's poem, we see that the way through to God is the divinity of creation as seen in a lamb. In Owen's poem the symbolism in discussing the path to God is through death and glory on the battle field.
From the Paper
"This tells us in a single sentence that the subject is not necessary a lamb in the physical sense, but a young and innocent creature, the poet may be talking to a child equally as he may be talking to another young creature from a kitten to a foul, or even a lamb. The idea of a power greater than ourselves in introduced in line two, where the lamb is questioned in a rhetorical sense about their creation. Johnson looks at this and in some ways and it can be seen that this is indicative that their presence is more than simply a question of nature, and that it is as a response to a power we do not understand, otherwise the question would not be in such a rhetorical manner. (Johnson 115)"
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Dulce Et Decorum Est, 2005.
This paper illustrates the use of alliteration, metaphors and imagery in the poem "Dulce Et Decorum Est" by Wilfred Owen.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
The paper analyzes how Wilfred Owen presents a poem that reflects the horrors of war through the use of alliteration, metaphor and imagery, which are important poetic tools on the realities of death and dying in combat. The paper explains that through his experiences during WWI, one can realize the dangers of promoting glory in war through the stories that old men tell youth. The paper shows how in this manner, Owen presents a poem on the realities of war through the construct of his poetry.
From the Paper
"This literary study will examine the verses of the poem "Dulce Et Decorum Est" by Wilfred Owen. Through the lens of war that is presented in the text, one can see the horrors of war that the authors presents through his poetic technique. In essence, Wilfred Owens's dramatic use of alliteration, metaphors and imagery clearly depict his theme that war is a terrible and horrific encounter. The initial aspects of the use of alliteration in revealed in the 'ababcdcd' rhyme schematics that begin with the letters 's' and 'b' in various words of the first verse. Owen is keen to keep a rhythmic and rhyming feel to his poem and colors the words to give a musical sense of militarism in its structure. Alliteration offers this musical sound to the verse."
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Voice in "Futility", 2005.
This paper examines the concept of voice in the war poem "Futility" by Wilfred Owen.
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
In this essay, the voice of the narrator in Wilfred Owen's World War I poem "Futility" is explicated. Three of the aspects of the poet/narrator's voice that are examined are his gentleness, his tiredness, and his anger. Each of these qualities is used to show the fuller picture of the poem and of what Owen is trying to say and describe about death, war, and the world in which he lived.
From the Paper
"In the chapter of 'Introduction to Literature, Criticism, and Theory' on the topic of voice, Andrew Bennett and Nicholas Royle make the claim that literature is "the space in which, more than anywhere else, the power, beauty and strangeness of the voice is both evoked and bodied forth". The point that is being made is that in literature, the voice being used to give the information, to tell the tale, to speak to the reader is much more important than the voice used on a cereal box or in a car owner's manual. The person or persons who are the voice are just as much a part of the reading experience as the letters on the page are. As Bennett and Royle add, "reading literary texts involves hearing extraordinary voices"."
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Clich?s and Poetry, 2006.
This paper compares two poems, which reconsider cliches in a new light, "Mending Wall" by Robert Frost and "Dulce et Decorum est" by Wilfred Owens.
1,060 words (approx. 4.2 pages), 2 sources, MLA, $ 37.95
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Abstract
This paper explains that one of the most useful aspects of modern poetry as a literary medium is that poetry has the unique ability to take the words of a cliche and use the intense language of the poetic medium to force readers to reconsider that cliche in a new light. The author points out that the cliche in Robert Frost's poem "Mending Wall" is "Good Fences make Good Neighbors" and Wilfred Owens' "Dulce et Decorum est" (It is sweet and right to die for your country) depicts a man being gassed during the First World War. The paper relates that Owens' poem takes the form an observation, not a stilted conversation as in "Mending Wall"; in "Dulce et Decorum est" the man dies before the poet's eyes and rather than argue with the man as in Frost's poem.
From the Paper
"The poet uses this specificity of language for similar reasons as to Frost-to set the scene and to verify the poet's knowledge and right to question the cliche at the heart of the poem, but Owens seems even more careful to show that he is a solider, than Frost is to show that he is a farmer and a property owner. Owens does not use metaphors like Frost does, about imagining the stranger as like a savage of old, or dwell on common and natural details. Owens' specific place names and technical references are all unexplained, and are often details and names only a soldier would know and notice, in contrast to apples and pine as in Frost, which not only a farmer would be acquainted with."
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"Anthem for Doomed Youth", 2002.
A symbolic and alliterative analysis of the poem "Anthem for Doomed Youth" by Wilfred Owen.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper will analyze the poem "Anthem for Doomed Youth" by Wilfred Owen. By making a study of alliteration in this poem, as well as symbolic analysis of the text, we will discover what elements of poetical device are present in Owen's poem.
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?Anthem for Doomed Youth", 2005.
An examination and discussion of Wilfred Owen's "Anthem for Doomed Youth".
1,058 words (approx. 4.2 pages), 1 source, MLA, $ 37.95
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Abstract
Wilfred Owen's poem, "Anthem for Doomed Youth," is a poem that explores the dark and painful side of war. The paper explains that this poem is interesting in that it is constructed in a traditional sonnet form, which is a form generally associated with love and the positive aspects of being in love. The writer points out, however, that the sonnet operates in the opposite way uncovering the devastating effects of patriotic love. Through irony, imagery, personification, metaphor, and other literary devices, Owen brings the sonnet to life by paralleling the experience of war with a funeral.
From the Paper
"The poet utilizes irony with the very structure of the poem, which is a variation of a traditional sonnet. The rhyme scheme of the poem is ababcdcdeffegg with an iambic pentameter rhythm. While the poem may have the form of what we generally associate with love poetry, the meaning of "Anthem for Doomed Youth" revolves around anger and sorrow. It is important to note that these emotions stem from the patriotic love that is often used to sell war to men too young to comprehend the risk involved in fighting. Here the love is short-lived and pretentious at best. This irony helps the poet express his overall feeling of indignation and disgust at war."
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